Nexus.
Kindle Edition 2010
Different
strokes for different folks. Reviewing erotica has made me realize
the truth of this aphorism. When I read a book for review and find
that it does not arouse me in the least, is that the author's fault,
or my own? Is it possible for me to honestly assess the erotic
potential of a work that bases its appeal on some fetish that I find
completely uninteresting or even disturbing?
This
question reared its head as I was reading Lance Porter's collection
of femdom stories. I'm sure that Mr. Porter thinks that his stories
are titillating. Virgin Books/Nexus must think so too; this is at
least his second publication with Nexus, the first of which was
apparently nominated for an erotic writing award.
So
when I find that five of the six tales leave me unmoved at
best,annoyed and disgusted at worst, is this because I'm not a femdom
enthusiast? Because I am too blind to see the erotic elements in a
scenario where a woman uses and abuses a man or men for her own
pleasure? Well –I've written such scenes myself, and thought that
they were pretty hot. On the other hand, much of the femdom work that
I've reviewed has left me cold, or worse. Is Mr. Porter the victim of
my lack of erotic imagination?
I
don't believe so. The Wicked Sex has some positive features,
but I think that generally it lacks a critical characteristic that is
a prerequisite for an erotic experience, at least for me: sympathetic
characters with whom I can identify. Mr. Porter's characters, both
male and female, are either stereotyped caricatures, or selfish
villains, or both.
The
first story in the collection, “Bound by a Woman”, is the worst.
Gunther is a middle-aged German restauranteur who is waiting to meet
his gorgeous Asian mail order bride. Bee, the bride, turns out to be
a cruel and self-centered creature who, when she discovers that he's
not as rich or young as she had hoped, binds Gunther with her
stockings, stuffs her panties in his mouth, and hangs him from a hook
on the wall of his apartment while she goes out shopping on his
credit cards. Eventually she screws his younger and more virile
neighbor, and then leaves, with Gunther still dangling from the hook.
Bee
treats Gunther despicably, not because it arouses her, or him, but
because she's angry with him and doesn't care in the least what
happens to him. On the other hand, one can't really feel much
sympathy for Gunther (at least I couldn't), who is a chauvinistic
liar marrying strictly for sex (and the satisfaction of showing off
his Asian beauty to all the German women who rejected him over the
years). Since I really disliked both the main characters, how could I
get emotionally involved in the story?
To
compound the problem, this story in particular had some very sloppy
writing, most notably a sudden and confusing shift in POV from
Gunther to his neighbor Siegfried during the climactic cuckolding
scene. Then there are sentences like the following:
“He
roared in response, squeezed her juddering ass cheeks between his
clawing fingers and drove himself with ever-greater vigour. “
“Juddering”
may not be the least erotic word in the language, but if I were
trying to paint a sexy picture, I'd avoid it!
“Teen
Tease”, the second story in the collection, is more tightly
written. The narrator is an eighteen year old sexpot who gets her
kicks tormenting her ex-gangster step-father and making her
ex-stripper mother jealous. The tale offers some sly humor in its
images of the narrator and her classmates in Catholic high school,
trying to seduce the incorruptible Father John. I also found the
unexpected twist at the end quite clever. But arousing? With whom am
I supposed to identify? The truly wicked teen narrator, who delights
in her cruel power? The disgusting mafioso pervert who drools at her
feet? Sorry, but the only person for whom I felt the least concern
was the beleaguered priest.
The
third tale in The Wicked Sex is entitled “The Land of the
Giant Supermodels”. The title says it all. A group of fifty or so
men, applying to appear in a commercial with some famous beauties,
are abducted to a world inhabited by women fifty feet tall. One by
one the men try to escape and meet various horrible fates, until the
narrator, the last remaining prisoner, is crushed to death in a
supermodel's vagina.
This
tale really is as ridiculous as it sounds. Actually, it's rather
humorous, and again, has an ending that is more subtle than I had
expected As erotica, though, it fails miserably, at least in my
opinion.
“Heartless”,
the fourth story, is a rather incoherent tale of a young man driven
mad by his lust for the woman who spurned him. “Imperatrix”, the
last story in the volume, postulates a competition between two
dominant woman to see which one can exhaust the most men. In this
story, at least, the men are willing participants, well paid to
service and satisfy Valerie Sales and her arch-rival Katerina
Dominova. The story is fun, if not very original, with a few genuine
fireworks set off between the two women. (The men here are no more
than animate sex toys.)
The
one story that did strike some sparks for me was “Mistress of the
Hunt”. This tale, loosely based on the classical myth of Diana and
Actaeon, succeeds in evoking an aura of mystery as well as a terrible
sense of tragic inevitability. Young, virile Acton is hired to care
for Mistress Delia's hounds. He suffers unbearable desire for her
chaste beauty, yet at the same time resents the haughty manner in
which she wields her power. When he spies on her bathing, she exacts
the ultimate in punishment. Mr. Porter manages to suggest that this
scenario has been played out many times in the past, and that the
future would see new incarnations of the Huntress and her eternal
prey. Although the exposition is a bit rambling and Mr. Porter throws
in a variety of characters that distract from the central theme, this
tale does merit the description “erotic”.
All
in all, however, I cannot honestly recommend The Wicked Sex.
Possibly a true afficionado of female domination would find something
in this volume that I missed. I know from personal experience that if
a work of fiction pushes your buttons, you're willing to overlook (or
maybe don't even notice) the literary rough edges. Possibly the right
reader would finish this book with racing heart and engorged
genitalia. I'm certainly not that reader.
1 comment:
Hmm, I actually have a paperback of this that's been lingering on the shelf forever. Now I'm doubly curious. 'Bound by a Woman' sounds like it sets entirely the wrong tone, but 'Teen Tease' and 'Imperatrix' sound fun, and I love the idea of 'The Land of the Giant Supermodels.'
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