Taking
the Lead by Cecilia Tan
Forever,
2016
Heiress
Ricki Hamilton has it all, or so it would appear: designer gowns, Ivy
League degrees, a house-sized wing of her own in the family mansion,
a chauffered limo, dozens of staff at her beck and call. She’s as
renowned for her icy self-possession as for her intelligence and
beauty. But it’s all a mask. Ricki is juggling all sorts of issues.
There’s the secret BDSM club in the mansion basement, which her
recently deceased grandfather requires she maintain—the global
media company she owns but, according to the will, isn’t yet
allowed to run—her grandfather’s lecherous, power-hungry
second-in-command, who wants to control both her and the
corporation—her irresponsible, alcoholic father—the lingering
pain of her mother’s death two decades earlier under mysterious,
possibly kinky circumstances. Ricki responds to all this pressure by
keeping a tight rein on her feelings and shunning publicity.
Then
she’s kidnapped by rock star Axel Hawke.
It’s
a media stunt, not a real kidnapping, at the Grammy Awards show where
Axel’s band The Rough performs their hit “Kidnap My Heart”.
Ricki isn’t even supposed to be the victim. When Axel catches sight
of her, though, he can’t resist his sudden urge to change the
script. Something about the lovely, untouchable heiress speaks to his
dominant side. Going purely on instinct, he coaxes Ricki to
pleasurable surrender that astonishes them both. The connection
between them is too strong, too real to ignore, or so Axel would like
to believe. However, despite the way he has touched her—both
physically and emotionally—Ricki believes she can’t afford to
have the impulsive, media-hungry rock idol in her
already-too-complicated life.
This
is, of course, a classic romance scenario. No one will be surprised
to discover that Axel eventually wins over the reluctant heiress, as
well as opening her to her latent submissive urges. It’s so much
fun, though, to be taken along for the ride.
Axel
is a fabulous hero. The world sees him as a sex god, but in fact he’s
a surprisingly humble and down-to-earth guy, who, refreshingly, acts
his age (mid twenties). He takes his music seriously; it’s a
fundamental part of who he is. Fame is new to him, though he’s
having fun with the perqs. He’s astonished when his group wins a
Grammy.
After
many enjoyable but fleeting encounters with fans, his enduring need
for Ricki both surprises and thrills him. As a Dom, he’s delicious,
both challenging and cherishing Ricki. I loved the fact that he
doesn’t always know what he’s doing, just following his
intuitions.
I know BDSM takes people to a lot of places in their heads. There’s no guarantee it’ll go where you want it to, though. It’s like jamming with other musicians. You know basically how the song goes but you get ideas while you’re playing, and you try them out, and if you like how it sounds then you and the people you’re playing with can chase after it. Sometimes the chase takes you down a rabbit hole and sometimes it takes you right back where you started.
This
is one of the best comments on how kink works that I’ve ever read.
Ricki’s
a bit harder to believe in. I suppose this is partly because I
haven’t met many twenty-four year old millionaires. Still, given
that she’s a child of the digital age, her fear of the media struck
me as somewhat implausible. After the transcendent, cleansing
experience of her early encounters with Axel, would a woman in her
position really push him away so resolutely? I wouldn’t!
Of
course, the plot of a romance requires obstacles. In Ricki’s case,
there are so many that it’s difficult to keep track of them—though
mostly they reside in Ricki’s mind.
These
are quibbles, though. What set this book apart, for me, are the
love/sex/kink scenes. Ms. Tan’s descriptions of Axel’s and
Ricki’s encounters are more than just incredibly arousing. They’re
full of insight, emotional nuances, truths to which I can vouch from
personal experience. Ms. Tan understands how power exchange works and
she brings that knowledge to the page. She also manages to
communicate how dominance and submission can offer not just
incandescent pleasure but soul-deep healing. Ricki requires
the surrender Axel coaxes from her, to balance the warring factions
in her personality and claim the strength to manage her complicated
life.
I
might not have fully believed in Ricki’s character, but I had no
doubts about her connection with Axel. Love, lust and imagination
align to provide both characters exactly what they need.
I’ve
read, and loved, many of Cecilia Tan’s works in the past, mostly in
the speculative fiction, LGBTQ and fantasy genres. Taking the Lead
proves that Ms. Tan is equally adept at writing erotic romance.
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