Today I’m delighted to have Aidee Ladnier as my guest. I asked her to write about the following question:
Wolf
shifters are very popular. In fact, there are thousands of books out
there in this genre. How do you write a shifter story that stands out
as distinctive and original? What will readers find in Wolf
Around the Corner
that's new and exciting? ~ Lisabet
Hi! And thanks for having me on your blog.
This is a great question! Actually, the shifter book saturation issue is why I never thought I’d write a werewolf protagonist. I’ve read a lot of werewolf books and most of the shifter tropes like alpha males, the wolf pack in danger, and fated mates never appealed to me as an author.
But then I imagined a world where lycanthropy was treated more like a very rare medical condition. I renamed the malady Galen’s Syndrome, using the medical convention of naming a disease after the first person to describe it. In late antiquity, the Greek physician Galen described a patient with a ravenous appetite and other qualities of a wolf. If I made Galen’s Syndrome a condition that appeared in less than 1 in 2,000 individuals, it would classify it as a rare disorder and 80% of rare disorders have a genetic component. So I could keep a bit of the magic of werewolves, I made my shifter the possessor of a genetic curse. In other words, if someone is cursed with lycanthropy, the curse becomes a mutation passed down as a recessive gene. Therefore, although individuals could become carriers of the curse and still be normal, if someone gets the recessive cursed gene from each parent, they’ll be able to shift into a wolf.
So I have my werewolf, but I’m still not fond of the shifter tropes. Just to be contrary, I set out to make his story the opposite of all the shifter romance conventions. My shifter, Frank Braden, is insecure and awkward—the opposite of an alpha. He also doesn’t have a pack. In fact, he doesn’t have any friends with the same disorder and he’s even been asked to leave his family home because his father and stepmother are afraid he’ll be a danger to his half-siblings. He’s essentially, a lone wolf. And there are no fated mates in this universe. I love the idea of a fated mate, but if I personally have to go through the embarrassing and excruciating dating dance, I’m going to make sure my characters do too. I won’t give my protagonists any shortcuts to love.
I also made my werewolf the lead actor in a theatrical version of "Beauty and the Beast". I’ve known several actors and the transformation scene for this particular fable has always been either to use a mask or a double to allow the main character to run off stage and take off their makeup. I thought a director might faint with joy at having a real life werewolf shift onstage during the transformation scene. Who wouldn’t buy a ticket to see that? Especially in a world where many people think werewolves are folktales. The play would be part sideshow and part theater. Which leads to a built-in conflict—because there’s a person behind that transformation not just a spectacle to gawk at. I wanted to raise the moral question of how a director could both have an actor use a special trait without making them feel used. Where do you draw the line at exploitation and performance?
But, the book is still very light-hearted and sweet. I grew up in a small town and tried to put my favorite things about small towns in the fictional Waycroft Falls. From niche bookstores, to strange statues, and Founder’s Day bed races. Frank and Tom’s romance doesn’t run smooth, but it does skip along awkwardly to a hopeful beat.
Hi! And thanks for having me on your blog.
This is a great question! Actually, the shifter book saturation issue is why I never thought I’d write a werewolf protagonist. I’ve read a lot of werewolf books and most of the shifter tropes like alpha males, the wolf pack in danger, and fated mates never appealed to me as an author.
But then I imagined a world where lycanthropy was treated more like a very rare medical condition. I renamed the malady Galen’s Syndrome, using the medical convention of naming a disease after the first person to describe it. In late antiquity, the Greek physician Galen described a patient with a ravenous appetite and other qualities of a wolf. If I made Galen’s Syndrome a condition that appeared in less than 1 in 2,000 individuals, it would classify it as a rare disorder and 80% of rare disorders have a genetic component. So I could keep a bit of the magic of werewolves, I made my shifter the possessor of a genetic curse. In other words, if someone is cursed with lycanthropy, the curse becomes a mutation passed down as a recessive gene. Therefore, although individuals could become carriers of the curse and still be normal, if someone gets the recessive cursed gene from each parent, they’ll be able to shift into a wolf.
So I have my werewolf, but I’m still not fond of the shifter tropes. Just to be contrary, I set out to make his story the opposite of all the shifter romance conventions. My shifter, Frank Braden, is insecure and awkward—the opposite of an alpha. He also doesn’t have a pack. In fact, he doesn’t have any friends with the same disorder and he’s even been asked to leave his family home because his father and stepmother are afraid he’ll be a danger to his half-siblings. He’s essentially, a lone wolf. And there are no fated mates in this universe. I love the idea of a fated mate, but if I personally have to go through the embarrassing and excruciating dating dance, I’m going to make sure my characters do too. I won’t give my protagonists any shortcuts to love.
I also made my werewolf the lead actor in a theatrical version of "Beauty and the Beast". I’ve known several actors and the transformation scene for this particular fable has always been either to use a mask or a double to allow the main character to run off stage and take off their makeup. I thought a director might faint with joy at having a real life werewolf shift onstage during the transformation scene. Who wouldn’t buy a ticket to see that? Especially in a world where many people think werewolves are folktales. The play would be part sideshow and part theater. Which leads to a built-in conflict—because there’s a person behind that transformation not just a spectacle to gawk at. I wanted to raise the moral question of how a director could both have an actor use a special trait without making them feel used. Where do you draw the line at exploitation and performance?
But, the book is still very light-hearted and sweet. I grew up in a small town and tried to put my favorite things about small towns in the fictional Waycroft Falls. From niche bookstores, to strange statues, and Founder’s Day bed races. Frank and Tom’s romance doesn’t run smooth, but it does skip along awkwardly to a hopeful beat.
Aidee
is giving away a $5 Amazon GC, $10 Amazon GC, Ebooks from her
backlist, print books from her backlist. The winners will be chosen
by Rafflecopter. Please use the RaffleCopter below to enter. Don't
forget you have a chance to enter every day so be sure to visit all
the stops on this tour. You may find those locations here.
Blurb
Frank’s
family taught him that his wolf was dangerous, unwanted. Now his best
friend’s brother wants him in bed and on stage. But giving into his
wolf’s need for love could risk the quiet life Frank has created
for himself—and his heart.
Settled
in the small town of Waycroft Falls, Frank is content to be a lone
wolf among the white picket fences and dollar book bins until he
finds himself sniffing his best friend’s brother. Tom smells like
hot apple pie and his Broadway smile has Frank lolling his tongue.
But when the visiting actor learns Frank’s secret and plies him
with hot kisses to get him to star in his play, Frank can’t help
but wonder if Tom is only acting.
Tom
ran away from family obligations to be a Broadway star. If he could
make it there, he could make it anywhere…but he didn’t. Trudging
home to Waycroft Falls to open his sister’s new performance space
brings him face to face with a werewolf—a werewolf that would be
perfect for Tom’s shoestring production of Beauty and the Beast.
Staying in Tiny Town USA would be worth it if he can somehow convince
the sexy wolf to expose his furry condition on stage and howl
privately in Tom’s bed.
Wolf
Around The Corner, a paranormal semi-finalist in Passionate Ink’s
2017 Sexy Scribbles Contest, is a full-length fairytale romance with
a side of wolf shifter. If you like your romance with gorgeous men,
humor, and small town magic, you’ll love Wolf Around the Corner!
Buy your copy now and settle in to watch the drama unfold!
Genre:
M/M Paranormal Shifter Contemporary
Buy
Links
Amazon
| B&N
| iBooks
| Kobo
| Smashwords
| 24Symbols
| Indigo
| Angus
& Robertson | Mondadori
Excerpt
The
first thing he always did was take a large lungful of air. It
reoriented him to the outside. His animal cataloged the smells—car
exhaust, grass, tree pollen, and wait, a mouse skittering in the
Dumpster out back. Frank’s urge to run built. He circled the
apartments, looking for the storm drain near the landscaping wall.
Inside him, his animal wiggled in excitement at the prospect of being
freed. Frank shucked his clothes behind the wall and tucked them into
the shelter of the pipe, out of view. Then he shifted, his hands
lengthening, hair sprouting, and muzzle growing. His point of view
shortened, now three feet from the ground as he blinked through the
eyes of his wolflike animal. Frank couldn’t stand still any longer.
He sprang into the woods.
Frank
ran, crashing through the underbrush and into the darkening shelter
of the trees. He leaped over a shrub, felt the give of a sapling as
he plowed through the brushwood. The animals and birds quieted at his
loud, headlong dash, knowing he wasn’t of the forest, only
disguised and playing at being a creature of the wood.
His
paws skidded on a pile of old leaves. Frank almost lost his balance
as he skipped up and over a fallen log. Around him, the scents of the
forest all pushed in on him. Here a whiff of mold, there an
astringent sniff of decay, everywhere the menthol of evergreen sap
and wild herbs growing scattered on the forest floor.
Dry
twigs snapped beneath his paws. His tongue lolled from his mouth, the
fresh taste of the woods painting the back of his throat. The sun
dipped below the horizon, the sky inking the tops of the trees. And
Frank ran on until his limbs stopped, shaky and trembling. He
collapsed onto a blanket of pine needles and leaves, moss and fungi
cradling him as he panted.
As
he caught his breath, the sounds of the woods lapped back around him.
Insects and birds first. A harsh caw from a crow shrieked a hundred
yards to his right. The chirp of a cricket sawed a few feet away. The
rat-a-tat of a woodpecker echoed above. And the still of twilight
calmed him.
When
he’d rested enough that his legs would support him again, Frank
began the slow jog back to the apartments, letting his nose guide him
through the darkening visibility of the woods. He could smell Mrs.
Reynolds’s nighttime cocoa, and Mr. Reynolds’s liniment that
stank of capsaicin. The lighted windows of the apartment building led
him the last few feet, and he scurried up to the storm drain.
But
his clothes weren’t there.
The
sky darkened into night.
Frank
knew Mrs. Anderson was out, but he could try to get the elderly
Reynolds couple to buzz him inside. And hope they didn’t ask why he
was naked trotting up the stairs.
Or
he could stay in wolf form without a tag, which meant a night outside
running from animal control and/or dodging every human that would
mistake him for a stray dog.
Or
wait, a third option. There was an oak that almost reached the ledge
of his apartment window on the second floor. He never bothered to
lock the window. Frank shifted back to human and sprinted across the
yard.
He
leaped for the lower boughs of the tree, grunting as the bark dug
into the flesh of his palms. Frank swung himself up to straddle a
branch, regretting it as the rough wood scraped his thighs. He
crouched in the tree, awkwardly trying to shield his more delicate
parts from the smaller whiplike twigs. He skirted around the trunk,
grimacing as a low branch brushed a little too close to his groin.
There. He was now on the side that faced the apartment house.
Frank
balanced upright, his arms pinwheeling until he caught another branch
higher up to steady himself. The leaves around him shivered on their
stalks, the rustling loud. Please don’t let Mrs. Reynolds look out
her window.
Using
the taller branch as a guide, Frank placed one bare foot in front of
the other and inched away from the security of the trunk. The limb
beneath his feet shook as his weight tested its strength. He slid a
foot farther out on the branch. It dipped, the leaves at the tip
brushing against the side of his window. Just a few feet more.
An
ominous crack sounded beneath him, and Frank froze. The branch popped
again. It wouldn’t hold. He could make a jump for it. Frank
swallowed hard. He should make a jump for it.
Frank
jumped. And missed the house, falling into the azalea bushes.
Just
as his hunky new neighbor from across the hall walked out of the
apartment building and down the front steps.
Frank
had seen Tom in the hall that morning, carrying boxes. Trying to be
neighborly, Frank had introduced himself and offered to help. Tom had
turned Frank down but flashed the whitest, most even teeth at him.
Frank had seen nothing whiter outside of a movie theater big screen.
They’d exchanged pleasantries, commented on the weather, and then
gone their separate ways. Or rather, that was what Frank wished had
happened. What went down was:
“Need
help?” Frank barely got the words out when his new neighbor turned
in the doorway. Frank froze. God, the man was gorgeous.
“Naw,
man. I got it.” Tom shifted the box in his arms to hold out his
hand. “I’m Tom Davidson.”
Frank
wiped a clammy hand on his jeans and shook Tom’s hand. “Hot.”
And Frank knew his mouth had disclosed the exact thing his brain was
thinking. Idiot. Who said that to a guy he’d just met? A guy like
Tom already knew he was hot.
Tom
tilted his head as if he hadn’t heard Frank right. “Yeah. The
temperatures are a little warm for this time of year.”
Frank
didn’t dare correct him and kept his mouth shut, afraid he’d say
something worse.
“Okay,
well then, see you around, Frank.” Tom chuckled and continued into
his apartment.
Meanwhile
Frank beat it down the stairs, unsure how he managed not to walk into
traffic as his mind ran over the exchange fail again and again.
So
yeah. That was the less than stellar first impression he’d given
Tom this morning. And now Frank followed that up by hunkering down
naked in the azalea bushes.
“Are
you okay?” The gleam from the safety light caught Tom’s dark gold
hair as he tilted his head to peer over the shrubs. The shadows sank
into his chiseled cheekbones. He looked like a brooding movie star
ready to sweep a celluloid damsel off her feet.
Too
bad Frank was a naked man trying to keep from exposing himself. Frank
crouched down farther, making himself as small as possible, hoping
the azalea’s pink blooms would distract Tom from looking at his
hairy backside.
“I’m
fine.”
“Are
you sure?” Tom leaned closer. “Are you… Do you have any clothes
on?”
Frank
racked his brain for some reason he’d be naked and hiding in the
bushes. “Um, I, uh, just got out of the shower, and I leaned too
far out my window.”
“Oh
my God. Did you fall from that height?” Tom glanced up to the
second floor, to Frank’s closed window and then back down. “Do
you need an ambulance?”
Frank
sighed. This conversation was only getting worse. Cupping his hands
over his privates, Frank rose from behind the bushes.
“I’m
okay. Just need to get back inside. I have a hidden key if you can
get me past the front security door.”
Tom’s
eyes widened when Frank stood. Frank winced, sure he looked like one
long scrape covered in leaves. He blew at the hair in his eyes. A
twig dangled, caught in an auburn strand, but Frank was unwilling to
expose himself to yank it out.
“Sure.
Sure.” Tom fumbled for his key and opened the door. Frank half
hopped over the acorns and chestnut burrs to slide past Tom. Tom
wrinkled his nose as Frank passed. Good old wet dog smell. It always
clung to him after a run in the woods.
Frank
took the stairs two at a time to escape.
After
a shower and shave—why did going furry always lead to needing a
shave? The rest of his hair receded. Why didn’t his beard?—Frank
spent thirty minutes in front of his bathroom mirror, trying to psych
himself up to knock on Tom’s door and invite him over the next day
for coffee or to watch football. He scratched behind an ear, feeling
the healing scab from a graze he’d gotten when he’d fallen into
the azalea bushes. Staring at his reflection, he tried to look
earnest and approachable. He could do this. He had game.
“Hey,
I know you don’t know many people in town, and I’m a loser, but
would you like to spend time with me?” Frank made a face at
himself. Probably shouldn’t label yourself as a loser.
“Yo,
you want to watch football? No, how about basketball? Baseball? No?
What about Mexican wrestlers?” Oh God, what if Tom doesn’t like
sports?
“I
ordered two large pizzas by mistake tonight, and I could use some
help, or I’ll be gorging on pepperoni for a week.”
Lame.
Frank’s own gaunt features stared back at him from the mirror. Who
was he kidding? He’d always be the guy who lost the genetic lottery
and ended up with the family curse.
Galen’s
syndrome was rare, only affecting about one in 2,000, but well-known
enough that most people had at least heard of it. The Greek surgeon
Galen had coined the word lycanthropy to explain the shape-shifting
curse that traveled down through a family tree. Like most recessive
gene disorders, it only manifested when two genes were passed down to
a child, leading early scholars to think the afflicted had been
re-cursed or spared for a generation due to divine providence. It was
only with modern medicine that curses were found to be attached to
DNA, breaking and molding chromosomes like magical radiation. But
despite better understanding of the disorder, the stigma remained,
not helped by the occasional local television feature linking the
disorder to werewolf mythology.
All
Frank knew was the recessive curse gene made him even more different
from his family. He’d already been pushing it when he came out as
gay. Turning into a wolf at sixteen had been…well, more than his
father and stepmother could handle. She wanted to protect the kids,
she told him. He loved his half siblings, didn’t he? It wasn’t
safe to have a wild animal around children.
It
had gutted him. They turned him out of his own home. He’d been
angry. He’d done something stupid, lashing out, snapping at his
sister Robbie. It still hurt, remembering the tears on his baby
sister’s face, her eyes wide and scared. Of him. It was then he
knew his stepmother had been right. Dangerous animals didn’t belong
in a family. So he’d left, traveling all the way across the state
until he landed in Waycroft Falls. It had been hard that first year.
There were a lot of adult things he still hadn’t figured out.
Like
how to ask out a guy who he hadn’t known his whole life. Moving
from one small town to another had been a bad idea. Frank bonked his
head against the mirror, gazing down into the white porcelain sink.
He rubbed at a stray hair that clung to the side.
But
on the plus side, small towns meant he rarely needed a car. And he
could shift and run if he needed. He should take his clothes with him
About
the Author
Aidee Ladnier, an award-winning author of speculative fiction, believes that adventure is around every corner. In pursuit of new experiences she's worked as a magician’s assistant, been a beauty pageant contestant, ridden in hot air balloons, produced independent movies, hiked up a volcano, and is a proud citizen scientist. A lover of genre fiction, Aidee's perfect romance has a little science fiction, fantasy, mystery, or the paranormal thrown in to add a zing.
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3 comments:
Hello, Aidee!
Thanks for the great post. I hope your tour goes really well.
Frank sounds like such a sweetheart!
Thanks so much for hosting me! Frank is such a dear and I loved explaining a little more about how I conceptualize shifters.
What a great post! I really enjoyed reading it.
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