Now You
See Me by
Pamela L. Todd
Totally Bound,
2014
ISBN
978-1-78430-290-0
Jo Carpenter
barely exists. By her own design, she strives for invisibility. Every
six months or so, she moves to a new town, rents a new
hole-in-the-wall room, and finds a new job where she’ll be paid in
cash. Her deliberately prickly personality helps her keep people at
arm’s length. Friends are a luxury she can’t afford. Jo sleeps
with a baseball bat under her bed and her shoes by the door, ready to
flee if necessary, but all her precautions don’t dispel her
nightmares.
Edinburgh was
supposed to be like all the other cities where she has hidden in
plain sight, a brief stop before moving on. When she answers a
classified ad for a housemate, though, she finds a stunning luxury
home that’s a far cry from her usual basic digs, and meets its even
more gorgeous owner.
Nate Harding is
licking his wounds after an ugly divorce. He hardly cares who rents
his extra floor, as long as the tenant is quiet and responsible. Jo
touches something within him, though, soothing his ragged feelings
and moderating his cynicism about women. She’s sharp-witted,
sincere, self-reliant and unpretentious, a huge contrast to his
unfaithful, gold-digging ex Kate. And despite the impropriety of a
sexual liaison given their respective roles, Nate finds Jo incredibly
attractive.
Jo understands
that it’s dangerous to get close to Nate, but she can’t help
herself. Although she tries to pretend they’re nothing more than
fuck buddies, both of them know their relationship goes well beyond
the fabulous sex they share. As Jo grows more intimate with Nate and
more integrated into his warm, quirky family, hiding her secret
become more and more difficult. The openness that Nate craves,
though, will threaten not only Jo’s life but those of the people
she has come to love.
Now
You
See
Me
is
phenomenally
good,
especially
for
a
first
novel.
In
a
genre
famous
for
straining
belief,
it
may
be
the
most
realistic
romance
I’ve
ever
read.
The
first
person
narration
puts
the
reader
inside
Jo’s
head,
where
we’re
party
to
her
scheming,
her
uncertainty
and
her
barely
suppressed
terror.
The
pressure
is
unrelenting,
as
she
falls
more
deeply
for
Nate
and
fights
harder
to
keep
the
skeletons
from
her
past
under
control.
Nate begins as
more of a fantasy figure, the tall, dark, dominant, arrogant
lord-of-the-manor type that romance readers seem to crave. Cracks
soon appear in this facade, though. Jo happens upon him late one
night, when he’s drinking away the hurt after a run-in with his
demon ex-wife Kate. When Jo tries to console him, he brags:
“You
think
I’m
lonely?
You
think
I
have
a
shortage
of
women
waiting,
willing,
begging
to
fill
my
empty
bed?”
I closed my eyes. “Meaningless sex isn’t companionship.”
“Sex
with
me
is
never
meaningless.
Even
if
it’s
only
once,
it’s
not
like
the
women
don’t
get
anything
out
of
it.
And
you
know
what?
They’re
grateful
for
it.”
Another author
would have us taking this at face value – classic alpha male
cockiness. Ms. Todd makes it clear that this sort of bravado is
indeed a symptom of Nate’s craving for real love and affection –
especially when he apologizes profusely the next day.
Jo and Nate have
plenty of thrilling erotic encounters, in a wide range of locations
including the kitchen island. They don’t fall into bed immediately,
though, and even after they do, their relationship develops
gradually, another realistic touch I appreciated. Jo is not the sort
of person to let down her guard easily. Nate woos her with his tender
care and true consideration, as well as his talented tongue and hard
cock. In a pleasing turn-about, the male in the couple is eager for
commitment long before the female can bring herself to even consider
the possibility.
The pacing is
brilliant. The author gradually ramps up both the erotic intensity
and the suspense, until the point when Jo has to reveal her secret to
Nate and to the reader. Her love for him will not allow her to stay
silent any longer. Then she tries to leave, because she must, for her
own safety and for Nate’s. Nate understands this, too. He goes off
to work, giving her the space to make her own decision. She packs her
few things into her battered suitcase but she can’t resist going
upstairs to his room, one more time.
Releasing a shaky breath, I sat on the chaise longue and pulled my
knees up to my chest. The city was laid out in front of me, all
sprawling rooftops, eccentric, almost random twists and turns of the
streets. Views of the Water of Leith and the Gardens broke up this
ancient city that had worked itself under my skin...not unlike Nate.
He had given me the perfect opportunity. The moment I tole him the
story of my past was the moment my fate was sealed, and the first
chance I got I would leave his world behind. And now here I was,
poised above departure but unable to move.
When had it happened? I couldn’t pinpoint the moment everything had
changed. When it had become an impossibility for me to leave.
I watched the light change. The pale sun sank over the buildings,
casting shadows into the room before twilight began and the room
turned a dusky purple. It was fully dark when I heard him behind me.
My heart didn’t thump. I didn’t panic. It was almost as though I
was resigned.
He crouched in front of me. “You’re still here.”
“I’ve
been
trying
not
to
be.”
This scene had me
close to tears, something that almost never happens when I’m
reading romance.
One might think
that this is the happy ending, but this is only half way through the
book. After this, things become truly dark – really scary – as
Jo’s past catches up with her. At one point, I had to shut off my
tablet for a while. Intuiting what was about to happen, I simply
couldn’t bear to read further. There’s a reader’s advisory
about violence and abuse associated with this novel. Take it
seriously.
This dark section
of the novel is equally believable, though, as Ms. Todd describes a
real-life nightmare many women face. When the monster is finally
defeated, terrible scars linger.
In the last
quarter of the book, Jo tries to rebuild her life and her trust in
herself. To be honest, I felt the book dragged a bit during these
latter chapters. For one thing, it’s a bit too easy. Some therapy,
a pet dog, a trip to the seashore with Nate, and years of
psychological damage are undone. I’m fortunate never to have
experienced anything like what Jo had to deal with, but I have close
friends who have suffered in similar circumstances. It took a very
long time for them to recover their sense of safety and self-respect.
In addition,
there’s a sense of anti-climax. The major conflicts have been
resolved and hence there’s nothing driving the narrative but the
need to tie up loose ends.
On the other hand,
I suspect many readers will find these chapters a huge relief after
the almost unbearable tension in most of the book. Lots of sex and
lots of love, including Christmas with Nate’s family. How happy can
you get?
Overall,
Now
You
See
Me
is
a
substantial
and
satisfying
novel,
as
well
as
a
brilliant
instantiation
of
the
“What’s
Her
Secret”
theme.
Jo’s
secret
drives
the
book
from
beginning
to
end.
Revealed,
it
has
as
much
power
as
it
did
when
it
was
hidden.
I
applaud
Pamela
Todd’s
skill
in
weaving
this
tale
of
terror,
love
and
redemption.
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