Several
years ago I reviewed M.Christian’s sci-fi erotica story BionicLover. This tale follows the disturbing and intense relationship
between a shy, struggling female artist and a butch woman of the
streets who, when the story opens, has a magnificently crafted
artificial eye. Thinking about the book after I wrote the review, I
realized one reason it moved me so deeply: the author never really
explains anything. We see the near-irresistible attraction
between Pell (the artist) and Arc (the increasingly bionic butch). We
watch as Arc replaces one body part after another with prosthetics,
as Pell falls ever more deeply under her spell, as Arc vanishes then
returns to the arms of the woman who somehow makes her whole–but
though the emotions feel genuine and true, we never know why
anyone does anything. Unmediated by reasons, we experience the
desire, the longing, the loneliness, directly. The tale remains
hauntingly ambiguous as well as overwhelmingly erotic.
In
contrast, much of the erotic fiction I read focuses considerable
attention on explaining the source of the attraction between the
protagonists. Sometimes it’s something as superficial as big
breasts or washboard abs. In other cases, the characters clearly
complement each other, in terms of personality or history or mutual
fantasies or kinks. In all too many stories, the erotic connection is
pretty much a foregone conclusion, because the author has made the
reasons for that connection painfully obvious.
Desire
isn’t necessarily like that, though. Attraction often cannot be
explained—except by amorphous concepts like “chemistry”, which
is no explanation at all.
I
remember one of my lovers, from my sex goddess period, when I
blossomed from a self-conscious nerd into a flaming nymphomaniac. I
met him at a mutual friend’s wedding, and wanted him from the very
first instant. This wasn’t due to his physical appearance. He was
cute, but no movie star. It certainly wasn’t because of his
personality. He turned out to be arrogant as well as somewhat
dishonest. None of that mattered. I wanted him. He wanted me. We had
sex within four hours of meeting. Over the next few weeks, we shared
some wild times, pushing the envelope (as they say), until I came to
the conclusion that I didn’t really like him that much.
Call
it chemistry if you like, the inexplicable force binding two souls,
two bodies, who by rights shouldn’t be together at all. Whatever it
is, it cannot be predicted, or explained.
Another
wonderful literary example of this phenomenon is Willsin Rowe’s
searing novella The Last Three Days. If you’ve ever thought
lust was trivial compared to love, read this book. Rowe’s
protagonists are in some sense addicted to one another. Insatiable
need draws them together again and again. The pleasure of their
encounters tempers their mutual antipathy. The emotions become so
tangled that neither the characters nor the reader can sort them
out—but they feel incredibly real.
There’s
a clever little acronym frequently cited in author circles: RUE,
which stands for Resist the Urge to Explain. Usually, when someone
invokes the RUE principle in a critique, she’s commenting on a back
story dump or an excess of description that slows down the pace of
the narrative. Meditating on these two exemplary stories, I see that
the RUE particularly applies to the erotic attraction between one’s
characters. The more surprising, unexpected, complex and inexplicable
that is, the more compelling the tale.
Desire
cannot be summoned at will, nor can it be reasoned away. Desire
simply is. And we erotic authors are but its chroniclers.
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