I’ve
known
Amanda
Earl
for
nearly
a
decade,
having
met
her
(as
is
the
case
with
so
many
other
fellow
authors)
through
the
Erotica
Readers &
Writers
Association.
She
contributed
two
stories
to
Cream,
the
ERWA
anthology
I
edited
in
2006.
However,
I
didn’t
fully
appreciate
Amanda’s
artistry,
passion
and
erudition
until
she
joined
the
Oh
Get
a
Grip
group
blog
in
2013.
She
only
stayed
a
year
before
moving
on
to
other
creative
ventures,
but
that
was
long
enough
for
me
to
recognize
her
for
the
remarkable
individual
she
is.
I
was
thrilled
when
she
agreed
to
work
with
me
in
compiling
Coming
Together
Presents
Amanda Earl.
While
editing on this collection, I’ve had the chance to read (and
re-read) far more of Amanda’s erotica than I’d done before. In
the aftermath, I’m still soaked. Amanda’s stories exhibit great
diversity, but all are designed to arouse.
The
stories in this book run the gamut from raw and transgressive (“Sir
North”, “Daddy Complex”) to wistful and tender (“Typing for
Jack”, “Mercy and the Man in the Dark Suit”) to playful
(“Cinderella and the Glass Dildo”, “Jesus, Melinda and the
Undead”) to desperately dark (“The Vessel”, “Sex with an Old
Woman”). In these pages, you’ll find humor and irony, satire and
philosophy, and pretty much every shade of pleasure imaginable.
Amanda’s fiction explores lust in all its compelling urgency and
celebrates the incandescent experience of mutual sexual satisfaction.
But don’t look for romance; although her characters may share
affection, respect, the thrill of recognizing common or complementary
fantasies, she’s not really interested in happily ever after. To
quote from her glorious tale, “The Adulteress”:
I'm not going to pine away for the guy after he's gone. Or maybe I will, just a little bit, here in my lonely apartment with the candles burning bright. I might obsess about him just a smidge. Fantasize about fucking him again. Write for hours or days about the encounter or turn to a fresh, blank page. It depends on how good we are together. I suspect my Romanian playwright and I will fuck like gods. Even the way he looks at me turns my knees to jelly, my cunt to cream.
This
is literary—and literate—erotica. Be warned, though. Amanda
doesn’t mince words. She’s graphic in her descriptions, ferocious
in her explication of desire, no matter how wild, dangerous, messy
and socially unacceptable its form. This isn’t a book for the faint
of heart. I suspect Amanda’s proud of this fact.
Like
all books in the Coming Together Presents imprint, this collection
benefits a charity selected by the author. Amanda has chosen GMHC
(GMHC.org), which provides worldwide
AIDS/HIV prevention, care and advocacy throughout the world. Amanda
and her husband have participated in the GMHC Walk for Life in Ottawa
for a decade. All proceeds from sales of Coming Together
Presents Amanda Earl will go
toward helping to end the epidemic and improving the quality of life
for those living with AIDS/HIV.
So
even as you’re squirming in your seat, amazed and aroused by
Amanda’s carnal creations, you can know that you’re actually
doing a good deed.
[Leave
a comment on this post, with your email, and I’ll enter you to win
a copy of my speculative erotica story The Last Amanuensis.]
Matilda is also
excited to be in a room full of fellow rubberists. They are all
either hooded or masked. Some wear gas masks. Like her, the
participants would be ostracized by their families and their
communities if their activities were discovered. In larger cities,
she’s heard that those into rubber are able to walk around in
public. That is something she can never do in her small bedroom
community. It is enough for her now to have discovered a group of
like-minded people.
Matilda smiles and
greets a woman in an electric blue spandex leotard. A man in a shiny
rubber raincoat waves at her. She is home.
Her master is
lounging on a bar stool; he is handsome and masculine in leather and
shiny PVC, with an opening that displays his cock, which she notices
is already distended. A topless woman in a plaid latex mini skirt
licks his boots.
Matilda kneels and
waits for his command to crawl to him. She bites the end of the
collar and holds it with her teeth while she crawls, taking care not
to drop it, because she knows what the consequences will be if she
does so.
When she is at his
feet, he bends her forward so that her ass is in the air and her
breasts are within easy reach. He reaches down and strokes the
zippers over her breasts, unzips each zipper slowly and then pulls on
a tit, hardening it. He smiles at her quick intake of breath, then
does the same thing with the other tit. Matilda’s breasts are now
aching with pain and ready to be used. Her master tells her to open
her mouth. The collar drops into his hands.
He wraps it around
her neck. Matilda feels the familiar and delicious constriction as he
fastens the collar. Her arousal spreads from her stomach to the
depths of her cunt. He zips her eyes closed. She is now in darkness,
with flecks of light glinting through the zipper teeth. All she can
do is listen, focus and accept what is about to be done to her. She
is responsible for nothing. Everything is out of her control.
She chews her lips
as the cold clamps bite into each nipple. She tries not to squirm in
desire as she smells the musky aroma of her master’s cock, which
forces its way inside her mouth. Matilda can taste a trace of the
other sub’s perfume on his cock. Somehow this flagrant evidence of
wantonness arouses her even more, firing her imagination and her
loins. Nothing is hidden here, nothing is disapproved of. There are
no limits.
Her master unzips
the zipper at her crotch, ordering her to spread her legs. She loves
the throatiness of his voice, the clarity of his commands. She either
obeys or he punishes her. It is that simple. She winces as the cold,
steel-pointed toe of his boot parts her moist and swollen lower lips.
Her master pushes
her down on his boot, ordering her to hump against it until she
comes. The boot is still wet from the other submissive’s tongue. A
rush of heat spreads through Matilda’s cunt. She can tell by the
feminine gagging sound that her master is shoving his cock down the
other sub’s throat. Once he has used the girl, she will be
dismissed. Matilda’s master will focus solely on using his own
personal rubber-clad wench.
Around her, she can
hear the snap of whips, the rattle of steel chains, the moans of the
others, as if they are all part of some ecstatic symphony. The sounds
add to her feelings of bliss.
As she humps her
master’s foot, she luxuriates in knowing she is his to do with what
he wants and that her sole duty is to be his beautiful and exotic
slave, gleaming in black rubber. Her mind flashes briefly to the
woman, pale in her pastel frock, her minivan full of groceries, the
backseat covered in faded crayon marks. She remembers the Laura
Ashley sheets on the lonely queen sized bed her husband rarely
bothers to sleep in. Then her master removes the clamps and she howls
in pleasure and pain, knowing her loud screams are pleasing him.
Sensation drives every thought from her busy, analytical brain as she
reaches climax.
Thanks-Giving
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7 comments:
Living in a city provides ample opportunity to engage in carnal pleasures. I forget that this isn't the case everywhere. What a scintillating reminder. I enjoyed the flash back to a more mundane existence and look forward to reading more!
i love Amanda Earl too!!!
Squirming in pleasure is good (scooting off to buy this now).
emmasmom69 AT gmail DOT com
Yes, I must say I'm very intrigued.
Nikkivanderhoof@gmail.com
how interesting
bn100candg at hotmail dot com
I love Amanda Earl. Thank you for the great excerpt.
orelukjp0 at gmail dot com
Buying this book as I have done with all the others. flubber2kool@gmail.com
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