By Ashe Barker (Guest Blogger)
I
live on the edge of the Brontë moors in West Yorkshire, UK. Haworth
is about four miles away, a mecca for international tourists and
locals alike. The Brontë’s birthplace in Thornton is even closer,
just down the road. I walk, quite literally, in the footsteps of the
Brontës every day, and couldn’t help but be influenced by them. I
defy anyone with so much as a passing interest in the written word to
remain aloof.
And
like the Brontës, I choose to include the stunning local scenery in
my stories. It’s almost another character, making its own unique
contribution to the action of the other players. They can only be
what and who they are because of where they are. Like Cathy,
like Heathcliff, Eva and Nathan, Tom and Ashley are products of their
place.
And
what a special place it is. This picture, taken about a year ago by a
friend of mine when we went for a hike up there, is Top Withens (©
Steve Swis Photography). This ruined farmstead high above Stanbury
is generally accepted to be the inspiration for the Earnshaw home in
Emily Bronte’s Wuthering Heights.
Although the house Emily
described bore no resemblance to the farm, now in ruins, the location
may have influenced her. It hasn’t changed much in the last couple
of hundred years or so.
I
like to describe real places in my stories, and Top Withens is one of
the locations mentioned by name. It’s
close to this remote spot
that Ashley becomes trapped in Unsure, when she’s taken ill
up on the moors and needs to be rescued. By Tom of course, who else?
Top Withens is also a stopping off point for hikers on the Brontë
Way, which is the scene for some of Nathan and Eva’s al fresco
adventures in Darker. Eva’s first view of this landscape is
described in the early chapters of Darkening and this marks
the start of her love affair with the moorland setting. Mine started
many years earlier and I think this picture explains why.
So,
how far does the Brontë influence stretch? The Dark Side has
been likened to Jane Eyre though I’m not in a position to
comment really, never having read that particular masterpiece (hangs
head in shame).
Nevertheless, I do believe that we are all influenced
by our environment, we are all products of our place. These moors are
wild, passionate, changeable and timeless. Those qualities can be
seen in the people who live and work here today, and whose stories I
try to tell. It’s those qualities, and the passionately evocative
lure of the Brontë genius which continues to draw visitors from all
over the world – even the signage along the Brontë Way is in
English and Japanese! And this same wild beauty will inspire artists,
writers, musicians for many more years to come. I’m just one in a
long line, I suspect.
I
do write about other places – this is a huge world we live in and
our perspective is now quite rightly a global one. But I’m always
drawn back here. I find roots are important to me, and to my
characters. They make us what we are.
The
Dark Side and Sure Mastery are both set in this
atmospheric location. Here’s the blurb:
The
Dark Side trilogy charts the sensual journey of academic musician Eva
Byrne as she struggles to overcome painful shyness, sexual inhibition
and personal tragedy. Lonely, unsophisticated, desperately seeking
love and approval, Eva is easy prey for sensual and experienced
Nathan Darke.
He wants her submission, and he knows how to go about getting it. Eva is quickly caught up by the whirlwind of his effortless seduction, though she has her own reasons for agreeing to join him in his world of pain and pleasure, on the dark side.
Inexplicably fascinated and at the same time totally frustrated by his new submissive, Nathan is increasingly drawn to her as she opens up in his hands and he realises there is much, much more to his latest playmate than he ever could have imagined.
The Dark Side charts the turbulent relationship between Eva and Nathan as their mutual fascination builds. They both discover what surrender truly means as together they explore the fragile bonds of desire, trust, risk and reward, and the destructive power of betrayal.
He wants her submission, and he knows how to go about getting it. Eva is quickly caught up by the whirlwind of his effortless seduction, though she has her own reasons for agreeing to join him in his world of pain and pleasure, on the dark side.
Inexplicably fascinated and at the same time totally frustrated by his new submissive, Nathan is increasingly drawn to her as she opens up in his hands and he realises there is much, much more to his latest playmate than he ever could have imagined.
The Dark Side charts the turbulent relationship between Eva and Nathan as their mutual fascination builds. They both discover what surrender truly means as together they explore the fragile bonds of desire, trust, risk and reward, and the destructive power of betrayal.
The
Sure Mastery trilogy charts the sensual and emotional journey of
petty thief turned photographer Ashley McAllister as she struggles to
overcome personal tragedy, loss and grief to rebuild her life in the
wild beauty of the West Yorkshire moorland.
Resilient and determined, independent and courageous, Ashley has no qualms about cutting her old ties and starting again. Intent on establishing her landscape photography business, she is horrified when her turbulent past comes crashing back to haunt her, threatening to overwhelm and destroy her fragile new beginning.
Ashley needs Tom to guard her secrets and allow her to stay. He just wants her. He wants her submission, her surrender, but he’s already destroyed her trust in him. Will his seductive charm and sure mastery be enough to rebuild her fragile faith? Can he teach her the difference between the violent abuse she’s experienced in the past and his much more exquisite approach to pain? And where does pain end and pleasure begin?
Tom guides her into his world of pleasure, desire, trust and reward. His gifts to her are beyond price, the rewards of submission. But will it be enough, and can the shadows of her dangerous and violent past be left behind them?
Resilient and determined, independent and courageous, Ashley has no qualms about cutting her old ties and starting again. Intent on establishing her landscape photography business, she is horrified when her turbulent past comes crashing back to haunt her, threatening to overwhelm and destroy her fragile new beginning.
Ashley needs Tom to guard her secrets and allow her to stay. He just wants her. He wants her submission, her surrender, but he’s already destroyed her trust in him. Will his seductive charm and sure mastery be enough to rebuild her fragile faith? Can he teach her the difference between the violent abuse she’s experienced in the past and his much more exquisite approach to pain? And where does pain end and pleasure begin?
Tom guides her into his world of pleasure, desire, trust and reward. His gifts to her are beyond price, the rewards of submission. But will it be enough, and can the shadows of her dangerous and violent past be left behind them?
Excerpt:
This
is taken from Darkening and describes Eva Byrne’s first view
of the Yorkshire moorland surrounding Black Combe.
****
I
push back the duvet and swing my legs out onto the floor. I slept in
just a long, baggy T-shirt, which I had remembered to screw up in the
bottom of my holdall, and now it swishes around my thighs as I head
for the window to check what the weather is doing today. Pulling back
the heavy yellow curtain, I gasp. I can only stare in awed silence.
The
scenery stretching out before me is absolutely breathtaking.
Stunning. I have never seen any place lovelier. Or more austere. My
mental image of the Brontë moors didn’t remotely do justice to the
real thing. As far as I can see, in every direction, lies unbroken,
undulating glorious moorland. The colours are vibrant, sparkling,
still wet from the previous night’s downpour. The near to middle
distance is a glittering kaleidoscope of reds, purples, olives,
browns, greens and golds as the heather and bracken, grassland and
wildflowers blend into one, seeming to move and rotate, still
glittering and shiny from the dampness in the air, catching and
reflecting the morning sunlight. In the farther distance are soft
pale greys, darker smokiness and pale blue smudges of wispy mist
circling the higher peaks, a variegated canvas of softly muted
beauty. My eye is caught by the glint of light reflecting off water
in the bottom of the valley over to my right—a glittering, dark,
deep grey, the surface rippling gently in the slight breeze. A lake,
perhaps, or maybe a reservoir.
I
remember the strong impression of height and distance, and of wide
open vastness surrounding me as Miranda chugged on and up through the
inky blackness and driving rain last night. That was no illusion
and the sense of limitless space overwhelms me now, as the bright
daylight washes the expansive wildness before me . Even though all
this beauty, the colours and textures of this grand and timeless
landscape , was invisible to me, I recognised its aura last night. I
felt the essence of it all around me then, unseen, and I am drenched
in it again now as I open the window and breathe deeply, let it pour
in, filling my senses.
It
is irresistible, timeless and yet constantly changing as the light
and shadows shift, as clouds flit across the sky, interrupting the
sunlight as they pass, then releasing it back to fall across the
moorland once more in dazzling rays. A hazy rainbow starts to appear
across the clouds, coming into sharper focus before my eyes as the
light refracts through the rainwater still hanging there in the air.
Nature’s mysteries and wild beauty combining to wrap around my
soul. And I am lost.
The
confusion and uncertainty I felt a few moments ago evaporate in an
instant. This is home. My home, and come what may I am not giving it
up now. I am staying. I know it. I recognise it even though I have
never been here before, and I know it knows me.
My
light-bulb moment is broken by deep, booming barking starting up
somewhere a way off to my left. A suitable bark to match a dog the
size of a sideboard. Leaning out of the window and straining my neck,
I try to peer around the side of the house to see what has set Barney
off. I can just make out his huge shape bounding uphill through the
bracken about half a mile away. He is followed by a small, skinny
little girl in a bright red, shiny coat and blue wellies, her
waist-length, straight, dark hair loose behind her. She runs to keep
up. Every few yards the dog stops, turns to wait, sometimes rushes
back at her to bounce at her side, then the two go on together,
leaping and striding through the wet bracken.
Opening
the window, I shiver in the sudden damp chill from the outside air,
and can just hear Rosie’s voice carrying across the distance.
Laughing, she is calling to Barney to wait for her as she battles on
in his slipstream, thigh-deep in the moorland undergrowth, wellies
flashing.
I
watch them until they disappear over the brow of the nearest hill,
then turn and head for the en suite shower. Driven by a sudden rush
of energy and exhilaration, I want to be down there with them,
running across the moor, soaking up my glorious first morning in this
glorious place.
Author
Bio
Until
2010 I was a director of a regeneration company in Leeds, in the UK,
before becoming convinced there must be more to life. I left to work
as an independent consultant, and still do some of that though most
of my time is now spent writing. At last I’ve been able to realise
my dream of writing erotic romance myself. I’ve been an avid reader
of fiction for many years, erotic and other genres, and I still love
reading historical and contemporary romances – the hotter the
better. But now I have a good excuse for my guilty pleasure –
research.
In
my own writing I usually draw on settings and anecdotes from my own
experience to lend colour, detail and realism to my plots and
characters. An incident here, a chance remark there, a bizarre event
or quirky character, any of these can spark a story idea. But
ultimately my tales of love, challenge, resilience and compassion are
the conjurings of my own lurid and smutty imagination.
When
not writing – which is not very often these days - my time is
divided between my role as resident taxi driver for my teenage
daughter, and caring for a menagerie of dogs, rabbits, tortoises.
And most recently a very grumpy cockatiel. I’m a rural parish
councillor, and I’m passionate about evolving rural traditions and
values to suit twenty first century lifestyles.
I’ve
completed my third trilogy in the Black Combe ‘family’ which is
due for release later this year and I’m well on with writing the
fourth. I also have a novella coming out soon, and have written a
stand-alone novel for Totally Bound’s ‘What’s Her secret?’
imprint. I have a short story in Totally Bounds Paramour collection,
and another in the Jolly Rogered anthology which is due for
publication in July 2014. I have a pile of story ideas still to work
through, and keep thinking of new ones at the most unlikely moments,
so you can expect to see a lot more from me.
Buy
Links:
All
the books in both The Dark Side and Sure Mastery series are available
from the usual places.
Contact
me:
I
love to hear from readers. You can find me on my
blog,
and on the Totally
Bound
site. I’m on Facebook,
twitter
and Pinterest,
and on Goodreads
too. And there’s also my author page on Amazon
1 comment:
Hello, Ashe!
Welcome back to Beyond Romance. The particular passage you've quoted above stopped me short with admiration when I read Darkening. It's absolutely gorgeous.
Many romance authors seem to set their work in generic locales, with no attention to the influence of place on emotion or action. I find that a bit boring. For me (in both my writing and in my reading) the setting is almost another character. That's certainly true in Darkening.
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