Edited
by Susie Bright
Chronicle
Books, 2010
Years ago, my dear friend Seneca Mayfair wrote a wonderful erotic
story entitled “The Bookseller's Dream”, which was published in
my Cream anthology. The heroine in this story, Alexi, has a
book fetish; she loves to touch books, smell them, rub them all over
her body until she comes.
X:
The Erotic Treasury would have had Alexi wet in an instant. Bound
in claret silk patterned with a swirling floral design halfway
between William Morris and Georgia O'Keefe, with gold lettering
embossed on the spine and thick, smooth pages, the book is heavy
enough to secure my teetering pile of manuscripts, but not, of
course, too heavy to read in bed. It comes in a slip box decorated
with the same pattern, with a bold X carved out of the front so that
silk shows through.
It's
a tasteful and beautiful volume. It's not, in Seneca's words, a
“one-night stand book”...
X
is a rich collection culled from Ms. Bright's illustrious decade and
a half as editor of the Best American Erotica series. Aside
from its impressive size and elegant presentation, it is notable for
the uniformly high quality of the writing and for the diversity of
themes and styles.
Michael
Dorsey's “Milk” offers the dreamy eroticism of a young Russian
man confronted with the essence of femininity. Anne Tourney's
astonishingly perverse “Full Metal Corset” explores the
irresistible beauty of pain. “Slow Dance on the Fault Line”, by
Donald Rawley, takes a stroll through a night-time carny world in
which the ugliest man may be the one to fulfill your true desires.
Matthew Addison's gentle fable “Wish Girls” is a meditation on
the pitfalls of fantasy.
The
book includes raw encounters with strangers (Paula Bomer's “On the
Road with Sonia”) and couples' games on the edge (“Yes” by
Donna George Story and “Red Light, Green Light” by Shanna
Germain). There's tear-inducing romance (“Valentine's Day in Jail”
by Susan Musgrave), irony (Robert Olen Butler's “Jealous Husband
Returns in Form of Parrot”), humor (“Gifts from Santa” by
Tsaurah Litzky and “Loved It and Set it Free” by Lisa
Montanarelli) and gory horror (Vicki Hendricks' “Must Bite”.).
A
few of these stories have happy endings, but most conclude
ambiguously, some even tragically. Many offer life lessons. In
Susannah Indigo's “Ratatouille”, a man learns that if he tries to
hold on to his perfect lover, he'll lose her. In “God's Gift” by
Salome Wilde, a horny rock-and-roll idol known as a womanizer is
reincarnated as a vibrator. “Inspiration” by Eric Albert is an
exceptionally raunchy fantasy spun by a man at the request of his
partner who is on her death bed.
I
spent more than two weeks reading this book. This was not a
consume-it-and-throw-it-away collection. I couldn't tackle more than
two or three stories at a sitting. I wanted to savor each one, not
rush on to the next.
My
one complaint about this book is that, despite its stylistic
diversity, it is overwhelmingly heterosexual. Among forty tales,
there are only two or three with lesbian themes or activities, and no
gay male erotica at all, aside from Carol Queen's rowdy reminiscences
of a Mexican bathhouse. Clearly as an editor Ms. Bright has the final
decision on what to include. However, the slip box boasts “If
there's only room for one book on your bedside table, this should be
it.” I don't think that it is fair to suggest that this book
represents the full range and richness of literary erotica available
today. This is Ms. Bright's selection, and it presumably reflects her
tastes. Other editors (including yours truly) might have made
different choices.
Overall,
however, X: The Erotic Treasury succeeds admirably in its
objectives, offering a double helping of stories that are both sexy
and thought-provoking. The volume would make a wonderful birthday or
anniversary gift.
Time
to start dropping hints to someone you love.
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