Ylva
Publishing, 2016
Sue
Brent is straight. That’s what she tells any woman who tries to
pick her up at the lesbian bars she frequents with her best friends
Nora and Geraldine. An up-and-coming young lawyer at a top London
firm, Sue works hard, both at her job and at suppressing her desire
for women. Her one lesbian experience ended so badly that she has
convinced herself it was just a fluke. After all, her sexual
relationships with men bring her pleasure, even if she can’t seem
to connect with her partners on an emotional plane. Probably, she
tells herself, she just hasn’t found the right guy.
That
belief is challenged, though, by Geraldine’s brother, Pádraig. He
and Sue are close friends. He clearly wants to turn their friendship
into something more intimate. When their first sexual encounter falls
terribly flat, Sue is forced to admit the truth: she’s gay and
always has been.
Her
self-confession triggers a personal revolution. All at once, she’s
seized by a fierce need to return to her native Australia. The
prospect of facing the small town inhabitants who condemned her as a
teen is daunting, but she knows she needs to reclaim her roots in
order to truly be herself. The universe cooperates with her
intentions in multiple ways, providing her with a challenging but
rewarding job, a new home not too distant from her family (at least
by Australian bush standards), and a lover—the
straightforward Texan physician Moni whom she’d met briefly in
London. Attracted to Sue from the first, despite the lawyer’s
heterosexual claims, Moni finds work in Australia so she and Sue can
be closer.
Leaving
the past behind is not as easy as it sounds, though. When the woman
who betrayed Sue as a teen—the
woman who’d been her first lover—reaches
out for help, Sue finds it hard to refuse, even though she knows this
may jeopardize her deepening relationship with Moni.
As
usual, Cheyenne Blue creates well-rounded, believable characters
whose emotions ring true. You will feel Sue’s uncertainty and pain,
not to mention her nervous excitement as she begins to explore her
long-denied sexuality. Moni’s
a live wire, very definitely American in her reactions. The two women
clearly belong together. I found myself internally applauding as Sue
took one step after another toward her obvious destiny as Moni’s
partner.
What
set this book apart for me, though, was the vivid portrayal of the
Australian bush. Indeed, Australia almost seems like another
character. The author’s personal love for the vast spaces and stark
contrasts of her country’s interior shines on every page. London
feels dark, cramped, and colorless compared to Sue’s homeland. The
wide open horizons of the outback mirror Sue’s expanding sense of
self.
Ms.
Blue also succeeds in portraying the dangers of living in a land
where running out of gas could be deadly and the closest doctor might
be a day’s drive distant.
This
is an erotic romance, but there’s less explicit sex than in many of
Cheyenne Blue’s works. Instead, there’s a breathless sense of
expectation, a building of erotic tension that I actually found more
arousing than many sex scenes I’ve read. Sue and Moni know they
have something special, and they don’t rush into physical
consummation of their mutual desire. Their kisses burn up the page;
you know that when they finally connect, the experience will be
incandescent. Ms. Blue also skillfully conveys Sue’s anxiety about
their first full-fledged erotic encounter. It means so much to them
both; what if it goes wrong?
Of
course, everything works out. Sue learns to trust her desires and her
heart. Moni finds a way to stay in Australia. Nora and Ger have the
satisfaction of knowing their instincts were correct—that
their friend wasn’t so straight after all.
Not-So-Straight
Sue
is a classic HEA tale that will leave you feeling good. It’s also a
story about finding and accepting your sexual identity. Finally, it’s
a love letter to the wild, bright, bare continent where the author
resides.
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