Kensington
Aphrodisia, 2010
Clichés
are a hazard for any author. They are a particular problem in the
BDSM subgenre, partly because a very few influential works have
strongly shaped readers' expectations and writers' imaginations. How
many dozens of slave-infested mansions have I encountered in my
reading? How many S&M clubs where hapless submissives are
publicly beaten and abused, where cruel mistresses drag their pets
around on leashes and masked Doms glower and posture?
Cristina
Crooks' inappropriately titled Sweet and Dirty offers two
novellas (Baring It All and Forbidden Heat) that
unfold in these prototypical S&M settings. Thankfully, though,
she has done an admirable job in avoiding the clichés by focusing on
unconventional and at least marginally complex characters as much as
on the dirty deeds in which they're involved.
Michelle,
the heroine in Baring It All, has been bullied all her life by
her family, and then later, by her fiancé Ted. After an unfortunate
episode in which her attempt to be assertive ends badly, she flees
her old life in Alabama, taking up residence in big, bad Los Angeles.
Despite her desire to free herself from her past existence as a
doormat, she finds herself under the thumb of Posh, proprietor of
the doggy day care center where Michelle finds work. Meanwhile Ted
shows up at her apartment door to drag her back to her “real life”
in Alabama.
Then
Posh sends Michelle to a fetish emporium to buy studded collars for
the kennel's clients (one of the less plausible aspects of this tale)
and Michelle encounters dominant Ro Kaliph (interrupting him in his
demo of flogging). Michelle manages to stand up to Ro's anger and
asks him to teach her how to be more dominant herself. Ro is certain
that Michelle is fundamentally submissive, but he's willing to play
along. The action unfolds at his newly-opened BDSM club The Dungeon,
and provides a number of surprises.
Ro
is a great character, an ex-lawyer who has quit his lucrative
practice with his father in order to follow his heart and provide a
safe, sane and sexy place for people to play. Ms. Crooks emphasizes
the fact that he's not classically handsome, a relief in the world of
erotica and romance, and he clearly has doubts both about his
struggling club and his mixed perceptions of Michelle (or Lizbeth, as
she decides to call herself when she steps into Ro's world of pain
and passion).
Nora
Sabine, the protagonist of Forbidden Heat, is a very
different sort of person from little Michelle. A high-powered,
hard-working businesswoman, she usually knows what she wants and is
unafraid to take it . When she discovers that the Twisted Wood B&B
her fiancé Ryan has booked for a long weekend vacation is actually a
“Bondage and Breakfast” establishment, she takes it in stride.
She has never done anything kinky before and she's hardly a
submissive, but she has long-cherished fantasies of being captured
and raped. She wonders, especially when she sees Sylvester Vincent,
the craggy owner of Twisted Wood, whether her fantasies might not be
fulfilled over the fateful weekend.
Sylvester
has his own demons to fight, however, stemming from a past incident
where he misread the signals from another submissive. Despite his
fierce attraction to Nora, he holds back, leaving her to the
ministrations of the other guests at the luxurious mansion: refined
and sadistic Master Andre, dominatrix Mistress Kiana, the intriguing
switches Black and White, and the enigmatic Mage, master of rope
bondage and electric torture. Ms. Crooks draws each one of these
characters in precise, loving detail, as well as the “service
submissives” Little Peter and Kitten. Unlike many tales of
Roissy-wannabe S&M hideaways, each dominant and slave is a
distinct individual. Being a submissive does not mean having your
personality erased. I ended up caring about almost all the
characters, even as I waited breathlessly for the heroine and the
hero to finally get together.
Ms.
Crooks does descend almost to the level of parody in her portrayal of
the two boyfriends in these stories. Both are such slimy weasels that
you have to wonder how the likeable heroines ever could have gotten
involved with them. Ryan is particularly horrible―dishonest,
insecure, self-involved, immature, with no sense of responsibility
for his supposed lover. The contrast between Ryan's despicable
behavior and the sensitive, caring attitude of even the cruelest
dominants at Twisted Wood is undoubtedly deliberate.
There's
a hint of romance in these tales―both end with the heroine and the
hero as a couple―but there's a lot of hot sex with a variety of
other people before that point. Both stories fit the classic erotica
mold of the sexual quest―characters exploring their own needs,
suffering or enjoying a variety of experiences on the way to
fulfillment.
The
portrayal of BDSM is overwhelmingly positive. Both stories emphasize
the need for consent and the responsibility of the dominant for the
submissive. That does not prevent Ms. Crooks from presenting some
fairly extreme scenes. The interaction between Nora and Mage is
particularly intense, and also ends with a great twist.
Occasionally
I had the sense that Ms. Crooks lacked knowledge or experience with
BDSM. The blocking in some of her scenes felt awkward; I couldn't
imagine the positions she was describing. Her description of the
fetish store did not match any one that I've ever visited. However,
most of the time I was able to forget these quibbles as I was drawn
into the action and the characters' actions and reactions.
Overall,
Sweet and Dirty is entertaining, arousing and will not insult
your intelligence. I wouldn't call the book startlingly original, but
simply avoiding the traps of S&M stereotypes is a significant
accomplishment.
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