Normally
I try to avoid politics and controversial religion on my blog. I am a
strong believer in every individual’s right to his or her own
opinion, as long as no one tries to foist that opinion on me. Live
and let live has always been my motto. Plus I recognize that despite
the appeal of painting the world in black and white, almost every
issue actually involves shades of gray.
Normally,
I’d just title this post “New Release”.
However,
things these days are not normal.
The
United States is about to swear in a president whose main claim to
fame is his ability to insult other people in 140 characters. I’m
not going to bore you by listing all his objectionable traits. If you
share my views, you are already far too familiar with his vile
behavior. If you’re one of the people responsible for today’s
historic and, to me, horrifying event—well, you’ve probably given
up reading already. Unless of course you’re preparing to leave me some comment
full of invective, in the manner approved by your candidate.
Anyway,
the day after the election results were announced, Alessia Brio, the
founder and guiding light of the charitable erotica imprint Coming
Together, sent out a call for submissions. Coming
Together: Moving On
is an anthology of fiction and poetry on themes made painfully
salient by the presidential campaign and its aftermath: civil rights,
equality, LGBTQ rights, tolerance, charity, sexual assault, politics,
voting rights, immigration... You get the idea.
It's out today...Inauguration Day.
It's out today...Inauguration Day.
All
proceeds from the book benefit MoveOn.org
, a civic and political action group which has been at the forefront
of efforts to resist the president-elect’s dangerous agenda and
nominees, and his un-presidential behavior.
I’ve
got a story in the book. I know many of the contributors. We’re
donating our work for free, fighting our despair, because we want to
do something to improve the situation.
It
might not be much. But each of us can make a small difference, writing, and then living, our principles.
Here’s
the table of contents:
Introduction
by Alessia Brio
Passion's
Pull by Corbin A Grace
Hypocrites
by Alyssa Turner
When
There Are No Words by Sonni De Soto
The
Help by Sonni De Soto
Kayla's
Birthday Present by Ashlyn Chase
The
Stoning by Michael Swanson
Checklist
by B.K. Bilicki
Divided
We Fall by Lisabet Sarai
For
Their Own Good by Lola White
We
Desire Many Things by Skilja Peregrinarius
The
Aisle Of Lesbos by Allison Wonderland
A
Healthy Passion by Mary Winter
Moving
On by Kally Jo Surbeck
My
story, “Divided We Fall”, is set in a near-future Los Angeles in
which different ethnic groups have been confined to their ghettos and
encouraged to wage war on one another.
Here’s
a bit to give you the flavor.
***
There
are no walls. Just IEDs, trip-wire bombs and snipers. We've
learned a few things from the jihadis.
The
Santa Anas whip at the white rag attached to my broom handle
as I cross Vermont. No-man's land. Black hair tangles in my
eyes, obscuring my vision. I should chop it all off, maybe even
shave my head. That would be safer. Would look scarier, too.
Pathetic how vanity survives, even in the most desperate situations.
Afternoon
shadows stripe the broken pavement. The only vehicles
visible are burned-out skeletons, picked clean by scavengers
from both barrios. I dart from one to the next, keeping
a good distance away from the blackened hulks while still
trying to use them for cover as I approach the Niggertown gate.
Any one of them could be booby-trapped, though that would
break the unwritten rules that have allowed us Viets to co-exist
with the niggers. So far at least.
I
don't want to be here. I've got no confidence my truce flag will
buy me any kind of safety. But what can I do? My little brother's
disappeared, last seen headed toward the black ghetto. We
searched every corner of Viet Village. Unless he's deliberately
hiding―not likely given his age and his usual good behavior―
he must have wandered outside the bounds.
The
many kinds of harm he might meet scroll through my mind
like credits for some old movie. I force myself to slow down as
I approach the West Century intersection, the only un-mined street
leading east into Niggertown. Gripping my flag in one hand,
I raise the other high to show I'm unarmed. It's true, aside from
the switchblade hidden my boot. I don't step out of the abandoned
grocery my family calls home without that knife.
When I sleep, it hangs from cord around my neck, nestled between my breasts. Older Brother calls me Blade-Heart. He thinks it's a joke, but his nickname suits me. I might ask Uncle Pham to tattoo it on my bicep.
When I sleep, it hangs from cord around my neck, nestled between my breasts. Older Brother calls me Blade-Heart. He thinks it's a joke, but his nickname suits me. I might ask Uncle Pham to tattoo it on my bicep.
"Freeze,
bitch."
I'm
expecting the challenge, but still, my stomach does a queasy
flip. I remain motionless, as instructed, keeping both hands
visible. A tall, lean figure steps out from behind some pollution-rusted
shrubbery in front of a ruined apartment building.
He carries his Kalashnikov like it's another limb, one which
he points directly at me. Funny how there's never enough food,
but no problem getting guns.
"What
you doin' here? This ain't your territory. You get your gook
ass back 'cross the street before I kick it back!"
Though the guard talks tough, I can see he's young, maybe younger than I am. He fixes me with a belligerent glare and brandishes his weapon like he'd just as soon shoot me as not, but there's a softness to his mouth that lets me imagine him smiling. Using his left hand to draw an ugly blade from his belt, he strides in my direction.
Though the guard talks tough, I can see he's young, maybe younger than I am. He fixes me with a belligerent glare and brandishes his weapon like he'd just as soon shoot me as not, but there's a softness to his mouth that lets me imagine him smiling. Using his left hand to draw an ugly blade from his belt, he strides in my direction.
He
wears threadbare jeans and a faded camouflage shirt, open
to the waist. The inky skin on his bare chest gleams with sweat,
despite the brisk wind. The paler flesh of a scar slashes across
his chest, just above his left nipple. That must have been a
dire wound, close to fatal. He might be young, but he's no stranger
to battle. None of us is, these days.
"You
hear me, bitch?" he growls and jabs at me with his knife.
Instinct
taking over, I shrink backward, then recover. He mustn't
think I'm afraid. Straightening my spine, I raise my flag a
bit higher.
"I
claim the right of truce." I make my voice low, even, and respectful.
But not subservient. "I'm looking for my three-year old
brother. He wandered out of our territory earlier today. Someone
said he might be in Niggertown."
"You
better hope he's not." The guard gives me an evil grin. "Me
and my boys just love a bit of barbecue."
I
ignore his jibe. He's just trying to pull my chain. I hope. "Can
I have a look around? Please?"
"Any
gooks enterin' Niggertown got to pay the toll." His leer widens,
his white teeth a shocking contrast to his soot-dark complexion.
****
If
today’s events make you as sick as they make me, consider buying a
copy of Coming Together: Moving On. Take a stand against the
new normal. (And enjoy some great fiction, too.)
Available
at other booksellers soon.
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