Showing posts with label civil rights. Show all posts
Showing posts with label civil rights. Show all posts

Wednesday, February 22, 2017

"Be wise as serpents and harmless as doves" (#civilrights #sixties #literaryfiction)

Serpents and Doves cover

By G. Lloyd Helm (Guest Blogger)

My latest book is a literary novel called Serpents and Doves. It is a book that took forty years to write. It is about my college experience in the mid-1960's. It is fiction but, as with all decent fiction, it has a lot of the author in it. The title comes from the new testament Book of Matthew. When Jesus was first sending out the disciples out to preach he said, "I send you out as sheep among wolves, therefore be wise as serpents and harmless as doves." The novel is about learning what that really means and about finding wolves in places where there should be sheep.

The mid-1960's were tumultuous. The Vietnam war was the background for everything though it was easy to forget that in the midst of the sexual revolution, but the two--sexual revolution and war -- mixed in the midst of protests. Add in some civil rights protests and there is more confusion and more spice.

I was in the middle of much of the protesting, not so much the war as the civil rights protests. I had many black friends. I had never experienced that in my pre-college days, but when I got to college I met many great young men who were all caught up in Dr. King's Civil Rights movement and those friendships pulled me right along into the movement as well. I was not a major player, more around the edges, which put me in a position to observe.

That of course is what writers do. We observe then shape and record what we see. My recording/shaping took a long time. I wrote more than a thousand pages before I really began on Serpents and Doves. I just couldn't get hold of a starting thread.

I think that is among the hardest thing any writer can do. The old chestnut about fearing the blank page is absolutely true, but from a different angle than most people think. Most writers when they sit down to write have some idea of what they are going to write, but finding that first thread to begin weaving the whole cloth of the story, that is hard.

I have found that thread for other books and written five including a volume of short stories, but Serpents and Doves was particularly difficult, perhaps because it is so close to my own life. I had to get my mind around how to present the happenings of my life without libeling any of the people therein. That's why, if anyone who knew me in those years should read the book, they are likely to recognize some of the characters with different names and slightly filed off serial numbers.

My life since college has been interesting. I have traveled around the world with my wife and children having lived in Spain, Germany and Italy as well as Virginia, Indiana, and California. A novel set in Indiana is probably coming down the pike. I am making notes and considering things right now but it will get written if I live long enough. Right at the moment I am concentrating on short stories and criticism as well as selling books around Southern California.

Blurb

The mid-sixties were turbulent: the Vietnam War, Protests, the Civil Rights movement, and the Sexual Revolution. Stephen Mitchell, a naive California church boy, goes off to school at a small church college in Tennessee, where he learns about sex, betrayal, friendship, and what it really means to be black in the segregated south.

Excerpt

The cop bent down a bit more and looked at Stephen. “Whose yer uncle boy,” the cop asked.

Rev, Paul Clark sir, West Side Cumberland Church,” Stephen said.

West Side, eh? He one of them integration preachers?”

Stephen was stunned and he didn’t know how to answer. If he lied and said no the cop was gonna wonder why this single white boy as riding with these coloreds, and if he said yes the cop might decide to make life tough for all of them.

Well sir,” Stephen began, “He’s just, Uh. I’m going there to help him serve Thanksgiving to some college students.”

The cop didn’t like the answer. He blinked at them, rain running off the patent leather bill of his cap and said, “I think maybe ya’ll better step on out of the car here,” he said.

But officer,” Stephen began and Robert knocked his knee against Stephen’s, clearly saying shut up.

Yes Sir,” Charlie Horse said as he opened his door. The other doors opened and the young men stepped out. Stephen was boiling, but he kept his mouth shut.

Ya’ll just go ‘head and lean up on the side of the car,” the cop said. All the black men did as they were told, assuming the position, but Stephen once more protested. “We didn’t do anything. We were just driving down the road.”

The cop did a step through and dropped Stephen to the hard concrete of the sidewalk on his face. “Don’t you sass me boy, I am the PO-lice and when I say do something you do it.”

Stephen was stunned and his nose was bleeding from being bounced on the concrete. The cop had a knee in the middle of his back and was patting him down looking for weapons, and as the hands went roughly over Stephen’s sides one thought kept rolling through his mind, but, I’m white. I’m white, I’m white.

Now you just stay right here boy,” the cop said “while I check your friends for guns.”

Pat them niggers down too, Buford.” He said. “I’m ‘ona search the car.”

Buford stepped up to Reg and Bobby and ran is hands perfunctorily down their sides then made a point of jamming his hand hard between their legs. Both men winced, but didn’t take their hands off the roof of the car.

The first cop, half crawled in the still open doors or the car, turned off the engine and pulled out the keys to go and open the trunk, meantime Buford had searched Charlie, Silent Al, and Stan, giving them the same final squeeze of their testicles. They all stood tight.

OK Frank” Buford said, “They clean.”

Frank came back to Stephen who had done as he had been told and not moved. There was a growing puddle of watery blood forming where his nose had dripped to the concrete. Frank poked his toe into Stephen’s ribs, hard enough to hurt, but not break anything. “Ya oughtenta hang around with niggers boy. It could get ya killed.”

Stephen didn’t say anything. The litany of race kept running through his mind, I’m white, I’m white, I’m white.

All Right ya’ll,” Frank said. He bent down and hauled Stephen up by the collar. “Get on outa here. But don’t you let the sun set on you in this neighborhood.” He tossed the keys at Charlie.

Yes sir,” Charlie Horse said. Everyone got into the car. Charlie hit the starter and the engine turned and turned, but didn’t catch. He let the button go then cranked it again. This time the engine coughed, stubborn because of the wet. He hit it again, the engine coughed again and caught. After he let it run for a moment he slowly pulled away from the curb watching the two cops in the rear view mirror. After a moment he glanced at Stephen in the mirror. “You alright Steve?”

Yeah,” Stephen said, pulling a handkerchief from his pocket and holding it against his nose.

Is it broke?” Robert asked

Serve you right it is,” Stan said. “Dumb fuck! Mouth off to a cop.”

Yeah, yeah,” Stephen said. The front of his rain coat was stained with blood. “But we didn’t do anything!”

Just like we told ya. Driving while Black, and especially with a honky in the car.” Reg said. “We damn lucky he didn’t decide we were agitators or something. Would have jailed us sure or maybe shot us, but he just decided he’d settle for just hoorahing some niggers.”

Stephen sighed and said, “I’m sorry fellas, I didn’t know—“

Robert said, “Yes you did know, because we told you, but now you don’t just know. Now you understand.”


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About the Author


G. Lloyd Helm writes fantasy but fantasy of a different type. In his work people have to power to stop war by simply saying “stop” and to change the universe by belief in a system called “the design.”
Helm has been writing for more than forty years, short stories and three novels. He is currently working on a sequel to his first novel OTHER DOORS. His work harks back to the classic fantasy of the golden age but is as modern as the war in Afghanistan.

G. Lloyd has traveled the world spending ten years in Europe, living in Spain, Germany, and Italy with his wife of forty years. His epitaph will no doubt read, "Ne're do well scribbler, and part time genius. He married Well."

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Friday, January 20, 2017

Protesting the New Normal (#newrelease #antitrump #erotica @MoveOn)


This is a political post.

Normally I try to avoid politics and controversial religion on my blog. I am a strong believer in every individual’s right to his or her own opinion, as long as no one tries to foist that opinion on me. Live and let live has always been my motto. Plus I recognize that despite the appeal of painting the world in black and white, almost every issue actually involves shades of gray.

Normally, I’d just title this post “New Release”.

However, things these days are not normal.

The United States is about to swear in a president whose main claim to fame is his ability to insult other people in 140 characters. I’m not going to bore you by listing all his objectionable traits. If you share my views, you are already far too familiar with his vile behavior. If you’re one of the people responsible for today’s historic and, to me, horrifying event—well, you’ve probably given up reading already. Unless of course you’re preparing to leave me some comment full of invective, in the manner approved by your candidate.

Anyway, the day after the election results were announced, Alessia Brio, the founder and guiding light of the charitable erotica imprint Coming Together, sent out a call for submissions. Coming Together: Moving On is an anthology of fiction and poetry on themes made painfully salient by the presidential campaign and its aftermath: civil rights, equality, LGBTQ rights, tolerance, charity, sexual assault, politics, voting rights, immigration... You get the idea.

It's out today...Inauguration Day.

All proceeds from the book benefit MoveOn.org , a civic and political action group which has been at the forefront of efforts to resist the president-elect’s dangerous agenda and nominees, and his un-presidential behavior.

I’ve got a story in the book. I know many of the contributors. We’re donating our work for free, fighting our despair, because we want to do something to improve the situation.

It might not be much. But each of us can make a small difference, writing, and then living, our principles

 

Here’s the table of contents:

Introduction by Alessia Brio
Passion's Pull by Corbin A Grace
Hypocrites by Alyssa Turner
When There Are No Words by Sonni De Soto
The Help by Sonni De Soto
Kayla's Birthday Present by Ashlyn Chase
The Stoning by Michael Swanson
Checklist by B.K. Bilicki
Divided We Fall by Lisabet Sarai
For Their Own Good by Lola White
We Desire Many Things by Skilja Peregrinarius
The Aisle Of Lesbos by Allison Wonderland
A Healthy Passion by Mary Winter
Moving On by Kally Jo Surbeck

My story, “Divided We Fall”, is set in a near-future Los Angeles in which different ethnic groups have been confined to their ghettos and encouraged to wage war on one another.

Here’s a bit to give you the flavor.

***

There are no walls. Just IEDs, trip-wire bombs and snipers. We've learned a few things from the jihadis.

The Santa Anas whip at the white rag attached to my broom handle as I cross Vermont. No-man's land. Black hair tangles in my eyes, obscuring my vision. I should chop it all off, maybe even shave my head. That would be safer. Would look scarier, too. Pathetic how vanity survives, even in the most desperate situations.

Afternoon shadows stripe the broken pavement. The only vehicles visible are burned-out skeletons, picked clean by scavengers from both barrios. I dart from one to the next, keeping a good distance away from the blackened hulks while still trying to use them for cover as I approach the Niggertown gate. Any one of them could be booby-trapped, though that would break the unwritten rules that have allowed us Viets to co-exist with the niggers. So far at least.

I don't want to be here. I've got no confidence my truce flag will buy me any kind of safety. But what can I do? My little brother's disappeared, last seen headed toward the black ghetto. We searched every corner of Viet Village. Unless he's deliberately hiding―not likely given his age and his usual good behavior― he must have wandered outside the bounds.

The many kinds of harm he might meet scroll through my mind like credits for some old movie. I force myself to slow down as I approach the West Century intersection, the only un-mined street leading east into Niggertown. Gripping my flag in one hand, I raise the other high to show I'm unarmed. It's true, aside from the switchblade hidden my boot. I don't step out of the abandoned grocery my family calls home without that knife.

When I sleep, it hangs from cord around my neck, nestled between my breasts. Older Brother calls me Blade-Heart. He thinks it's a joke, but his nickname suits me. I might ask Uncle Pham to tattoo it on my bicep.

"Freeze, bitch."

I'm expecting the challenge, but still, my stomach does a queasy flip. I remain motionless, as instructed, keeping both hands visible. A tall, lean figure steps out from behind some pollution-rusted shrubbery in front of a ruined apartment building. He carries his Kalashnikov like it's another limb, one which he points directly at me. Funny how there's never enough food, but no problem getting guns.

"What you doin' here? This ain't your territory. You get your gook ass back 'cross the street before I kick it back!"

Though the guard talks tough, I can see he's young, maybe younger than I am. He fixes me with a belligerent glare and brandishes his weapon like he'd just as soon shoot me as not, but there's a softness to his mouth that lets me imagine him smiling. Using his left hand to draw an ugly blade from his belt, he strides in my direction.

He wears threadbare jeans and a faded camouflage shirt, open to the waist. The inky skin on his bare chest gleams with sweat, despite the brisk wind. The paler flesh of a scar slashes across his chest, just above his left nipple. That must have been a dire wound, close to fatal. He might be young, but he's no stranger to battle. None of us is, these days.

"You hear me, bitch?" he growls and jabs at me with his knife.

Instinct taking over, I shrink backward, then recover. He mustn't think I'm afraid. Straightening my spine, I raise my flag a bit higher.

"I claim the right of truce." I make my voice low, even, and respectful. But not subservient. "I'm looking for my three-year old brother. He wandered out of our territory earlier today. Someone said he might be in Niggertown."

"You better hope he's not." The guard gives me an evil grin. "Me and my boys just love a bit of barbecue."

I ignore his jibe. He's just trying to pull my chain. I hope. "Can I have a look around? Please?"

"Any gooks enterin' Niggertown got to pay the toll." His leer widens, his white teeth a shocking contrast to his soot-dark complexion.

****

If today’s events make you as sick as they make me, consider buying a copy of Coming Together: Moving On. Take a stand against the new normal. (And enjoy some great fiction, too.)



Available at other booksellers soon.