THE
HARDER SHE COMES: BUTCH/FEMME EROTICA
Edited
by D.L. King
Cleis
Press, 2012
I'm
probably not the ideal reviewer for The Harder
She Comes. I'm bisexual and I definitely
enjoy lesbian erotica – I've written some myself. However, I'm
pretty clueless about lesbian sub-culture, with its myriad labels,
roles and self-identifications. Sure, I've heard the terminology –
baby butch, boi, high femme, transman, and so on – but I don't have
the first hand experience, the sociocultural background if you will,
to fully appreciate the intended distinctions. It's a tribute to D.L.
King's acumen as an editor that I enjoyed (and understood!) most of
the stories in this book despite my ignorance.
A
simplistic definition equates “femme” with feminine traits,
appearance, and behavior, and conversely, “butch” with masculine
attributes. One of the messages of this collection, however, is that
the real meaning of these terms varies dramatically with the
individual. On the one hand, we have Evie, the slinky flapper in Evan
Mora's “Speakeasy”, and Jay, the dressed-to-the-nines “gentleman”
who claims her during Roaring Twenties night at the local lesbian
salon. The roles are well-defined, with Evie literally swept off her
high-heeled feet by Jay's confident conquest. At the other extreme,
there's the unnamed narrator in Aimee Herman's “Channeling Charles
Bukowski”. Impersonating the notorious poet from the title for a
Halloween dress-up day at work, she is discovered in the men's room
by Emily from accounting, who has changed her usual feminine garb for
a cowboy costume. In the steamy encounter that ensues, it's not at
all clear who's playing what role – but it doesn't matter.
Up
until now, I had never let a girl go there, minus a few times in
college. I am a top, wrist grabber, dominant thruster. Allowing
anyone down there puts me in too vulnerable a position. But I'm not
me today; I'm not political butch bull dyke; I am a man who was too
boozed up and covered in poems to say no or to have a type, so
I just let go.
Suddenly,
I understand what it feels like to be bisexual – the best of both
worlds – except my genitals are sexual multitaskers, transforming
shape and desire. My dick wants to be sucked on, to stick itself into
something, someone. My pussy wants to be stuffed, filled,
suffocated.
In
between these two poles, The Harder She
Comes offers a million variations along the two dimensions
of male/female and dominant/submissive. “Winner Take All” by
Andrea Dale features a shy, sincere butch who's trying to win a truck
for the animal welfare non-profit where she works. Teddie's only real
competition is Grace, a petite, glamorous woman who distracts poor
Teddie by whispering the most filthy, kinky suggestions the poor
butch has ever heard. Ultimately Teddie wins the truck, and Grace
takes Teddie as her own prize.
“It's
So Peaceful Out Here” is a funny, sexy story about a naughty femme
going camping with a bunch of butches. Flirty, exhibitionistic
Frankie is bound, clamped and brutally fucked by her Daddy, just the
punishment she deserves – and just what she wants.
“Manchester
2000” by Stella Sandberg describes a New Year's Eve encounter
between the butch narrator and a voluptuous straight woman who
apparently believes she's screwing a biological man – or does she?
“Valentine”
by River Light is hard-core BDSM, again with the femme on top.
Silvia, the narrator's mistress and lover, presents the butch
narrator to her own top, Casey, as a Valentine's gift. The physical
trials Casey inflicts are not nearly as difficult to endure as the
fear that the narrator has been abandoned.
In
“Farmhand”, Miel Rose creates a confusing but delicious ménage
involving a married butch/femme couple and the butch young woman whom
they hire to do farm chores in return for rent. From one scene to the
next, the power shifts in unexpected but exciting ways. “Official”
gender roles are discarded in the pursuit of pleasure and connection.
Two
of my favorite stories concern long-term relationships, in which the
butch/femme roles are not really the focus at all. Kathleen Bradean's
(literally) luscious “Tamales” is a snapshot of a couple's
Christmas traditions, which involves cooking and other sources of
heat. “The Bucket List” by Charlotte Dare deals with the
unrequited love between a thirty-something butch and her married
fifty-something best friend, highlighting the nonsensical barriers to
their own happiness people sometimes erect.
The
cocky butch in Valerie Alexander's “A Date With Sharon Date”
seems at first to epitomize the stereotypes. Yet her determination to
win back the affections of her ex-girlfriend Shandra (who left
because of a lapse in the narrator's fidelity) reveals a level of
need she can barely admit.
In
Anna Watson's “Bienvenido”, Daisy doesn't just want to play a
masculine role; she's desperate to actually be a man. Wade, an
unusual consultant, tutors the young butch in male attitudes,
behavior and manners, turning his protegé into an accomplished
Southern gentleman well-equipped to satisfy a lovely lady.
Other
contributors to this collection include Shanna Germain, Beth Wylde,
Rachel Kramer Bussel, Sinclair Sexsmith, C.S. Clark, Crystal Barela,
and Teresa Noelle Roberts. The fact that I haven't specifically
called out their stories should not be interpreted as negative. I
want to leave some tales for readers to discover on their own! Also,
these stories in many cases reprise strong themes of dominance and
submission that I've already mentioned, sometimes with the butch on
top, sometimes the femme.
Overall,
D.L. King has done a great job with this anthology. Whether your
criterion of excellence is deft writing, intriguing characters,
sizzling sex, or all three, you won't be disappointed by The
Harder She Comes.
