Bending:
Dirty, Kinky Stories about Pain, Power, Religion and More
By
Greta Christina
Dirty
Heathen Publishing, 2013
“These
are
not
nice
stories,”
begins
Greta
Christina's
introduction
to
her
collection
Bending.
She
warns
the
reader
to
expect
borderline
and
even
total
lack
of
consent,
sexual
manipulation,
degradation,
violation,
humiliation,
“a
lot
of
fucked
up
shit”.
Of
course,
one
isn't
completely
surprised
by
this,
given
the
book's
deliberately
provocative
sub-title.
Furthermore,
I
agree
with
the
author's
assessment.
Some of the activities chronicled here are extreme even for a kink connoisseur like me. Perhaps the most notable example is a scene in the novella which gives the collection its title, where a woman is fucked in the ass while her Domme repeatedly forces her head into the toilet water. Then there's “Christian Domestic Discipline”, in which playful mutual exploration of spanking as punishment for a wife's “sins” turns into fanatic cruelty. Or “Craig's List”, where a woman advertises for a man to literally abuse her, and finds someone who more than meets her specifications. Or the more subtly disturbing “What She's Not Telling Him”:
Some of the activities chronicled here are extreme even for a kink connoisseur like me. Perhaps the most notable example is a scene in the novella which gives the collection its title, where a woman is fucked in the ass while her Domme repeatedly forces her head into the toilet water. Then there's “Christian Domestic Discipline”, in which playful mutual exploration of spanking as punishment for a wife's “sins” turns into fanatic cruelty. Or “Craig's List”, where a woman advertises for a man to literally abuse her, and finds someone who more than meets her specifications. Or the more subtly disturbing “What She's Not Telling Him”:
Their arrangement
is, in theory, completely consensual. Safewords, and limits, and all
the usual stuff.
What she's not
telling him is that, the moment he orders her in for a punishment,
all of that disappears. The moment he tells her that she must be
punished – no, even before that, the moment he gets the gleam in
his eye that prophecies a punishment – her submission takes over
her mind, and her safeword and limits and understanding that she has
consented to this are obliterated. What she's not telling him is
that, for her, the game of sadistic master and obedient slavegirl is
real, and is becoming more real with every passing week.
The
thing
is,
her
partner
begins
to
change.
He
starts
as
the
model
dominant,
asking
for
feedback,
checking
her
status,
remaining
aware
of
her
as
a
person
and
a
partner
in
kink.
The
harder
he
finds
he
can
push
without
her
resorting
to
her
safeword,
though,
the
more
sadistic
he
becomes.
As
he
administers
ever
more
painful
punishments
and
demands
more
degrading
and
disgusting
indignities,
she
becomes
her
own
fantasy:
an
object
with
no
will,
no
rights,
no
recourse.
As
is
characteristic
of
many
of
these
tales,
Ms.
Christina
allows
the
reader
to
decide
what
happens
next.
This
book overflows with physical perversity: a woman who gets her kicks
opening her pussy for audiences to admire (“Open”); an ex-nun who
pays to be chastised in order to expiate her guilt, only to find she
feels even more culpable than before (“Penitence as a Perpetual
Motion Machine”); a couple of escapees from a religious cult who
recreate the savage beatings they received for “purification”
(“Deprogramming”); intense breast torture (“Breasts”); being
forced into porn (“Dixie's Girl-Toy Gets Spanked for the First
Time”; brutal and anonymous butt-fucking in a filthy men's bathroom
(“The Rest Stop”). However, the true action in these stories
happens in the mind. These stories aren't really about physical sex –
they're about obsession, fetishes, psychological games, terrible
fantasies, all the secret and shameful notions that run through our
minds no matter how safe and sane, rational and independent and
centered and mature and careful we pretend to be.
These
are wank tales - Greta Christina comes right out and says so – and
her attention is on the psychological impact, because that's what
turns her on. It's obvious, given their recurring themes, that many
of these stories represent personal fantasies. Indeed, this author is
a good deal more honest than most in proudly admitting this.
Consider
the opening of “This Week”:
Here's what it is
this week. A girl, a college student, is being spanked by her college
professor. She's young, nineteen or twenty, young enough to be in
college, but old enough to have some sexual knowledge. He's older, of
course, probably in his forties, dressed casually but with dignity, a
trim beard with a hint of gray. She is dress, not in the schoolgirl
outfit of porn cliché, but in regular modern clothing that merely
implies the schoolgirl look: a short skirt with a flare, a simple
blouse, white panties. The white panties are important. She is bent
over his lap with her skirt pulled up and her panties pulled down,
and he is spanking her with his hand.
We
have the setup here for this week's masturbatory scenario. Not
particularly creative or unusual, but then, fantasies often are not.
From here, though,the story takes a different track than the
standard, because interspersed with the spankings and the scoldings,
the red ass cheeks and the tears, Ms. Christina shows us what both
the girl and her professor are thinking and feeling, and that's where
the main erotic charge lies.
He's not an idiot.
He's an adult, a middle-aged man of the world, and he can see what
she wants. He wants it too; she's a lovely girl, she makes him feel
powerful and wise, and the thought of bending her over his lap makes
his dick twitch. At the same time, he's not an idiot. He knows how
much trouble he could get into if he's guessing wrong, or for that
matter if he's guessing right.
The
tension between lust and responsibility – the awareness of one's
own depravity and the fact that this doesn't diminish the fascinated
desire – this is the payoff, not the spanking or the fucking or the
abuse by itself.
Nowhere
is this clearer than in the wonderful story “The Shame Photos”.
There's no sex in this tale at all, just a conversation between a
porn photographer and a businesswoman at a bar, during which he
encourages her to elaborate on her fantasies of sexual shame. That's
the key element that excites her, the element she says is lacking in
the photos of his that she's seen online. Gradually it becomes clear
that she will become his model, that she will let him create the
shame photos she describes, that she can't help doing this because
this is the essence of who she is and what turns her on. The story
ends with him ordering her to go get a hotel room. The fact that
she's about to obey him is the most shameful thing of all, and yet,
it's just the beginning.
Ms.
Christina leaves us to imagine the rest on our own.
Bending
is
organized
into
several
sections,
grouping
together
tales
that
the
author
felt
were
similar,
under
the
following
headings:
Bad
Ideas;
Force,
Power
and
Messed-Up
Consent;
Unicorns
and
Rainbows
(which
contains
a
single
bizarre,
hilarious
story
about
a
jilted
unicorn
fucking
a
rainbow);
Religion;
Sweet
Stuff;
and
the
novella
“Bending”.
I
feel
that
the
book
would
have
been
improved
by
mixing
things
up
and
providing
more
contrast.
Some
of
the
tales
are
seriously
dark
(as
you
are
warned
at
the
start).
It
would
have
provided
some
relief
to
alternate
these
with
lighter
or
more
emotionally
fulfilling
stories
(like
the
delicious
“A
Live
One”,
about
a
surprisingly
real
encounter
between
a
peep
show
performer
and
a
customer).
Also,
some
of
the
categorizations
seemed
strained.
“The
Rest
Stop”,
for
example,
the
only
gay
story
in
the
collection,
is
thrown
into
the
religion
section,
simply
because
the
characters
know
each
other
from
church.
The
novella, though, is in a category by itself.
Dallas,
the main character, has a very specific fetish. She dreams of being
bent over. What happens next can vary: punishment, fucking, simply
being forced to immobility in this vulnerable position. All she
really cares about is the sensation of bending,the knowledge of
accessibility, the uncertainty about what will come next. She acts
this out on her own; she struggles to find sexual partners who will
indulge her; she has insatiable craving to be nothing but an ass in
the air.
Enter
Betsy, an imaginative and horny dominant who fulfills her needs as no
one has ever done, and gets a huge kick out of the process. They're
perfect together, until Betsy notices Dallas is still restless, and
asks her what she wants.
Unfinished. That
was it. It dawned on her on the bus ride home. She felt unfinished.
Hungry still. Like she'd had a huge meal, with chicken and potatoes
and two slices of pie, and was still staring at the pie thinking that
a third slice might be nice. And for all her sex-positive,
slut-positive, I-am-woman-watch-me-fuck attitude, she still thought
her hosts would think she was greedy if she asked for that third
piece of pie. And not without reason. Some of her hosts had thought
she was greedy for wanting the first one.
Unfazed,
Betsy arranges for them to take two weeks off from their jobs, and
promises to bring Dallas to the point where even she has had enough.
Betsy fulfills her promise, but the psychological results are not
what either of them expect.
Bending
is
just
amazing,
a
brilliant
exploration
of
the
inexplicable,
irresistible,
labile
nature
of
sexual
obsession.
The
earlier
stories
in
this
collection
impressed
me,
but
this
final
offering
dazzled
me
with
its
insight
even
as
it
made
me
squirm
(yes,
me!)
with
its
filthiness.
I
wanted
to
applaud.
The
book concludes with an extensive kink resource guide: websites,
hotlines and books. This useful material, along with the cautionary
introduction, frame the fiction in between, emphasizing the
distinction between what happens between your ears and what happens
in the real world.
Bending
will
not
please
everyone.
It
might
shock
some readers,
and
even
if
you're
not
shocked,
you
might
not
find
the
stories
arousing.
Indeed,
my
kink
buttons
are
a
bit
different
from
Greta
Christina's.
I've
never
found
shame
to
be
a
turn-on.
Nevertheless,
I
highly
recommend
this
book
for
its
clever
language
and
deep
understanding
of
what
makes
us
perverts
tick.
Bravo.
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