Tuesday, September 22, 2015

Review Tuesday: Switching Off by Amy Valenti

Switching Off by Amy Valenti
Totally Bound, 2013

Amy Valenti’s story Switching Off was originally published in the Totally Bound Switch anthology, along with my own story Mastering Maya, but it’s also available as a standalone short. The tale takes a somewhat different approach to the anthology theme.

In D/s parlance, a “switch” is a person who can assume either a dominant or a submissive role in a BDSM scene, depending on circumstances and the other people involved. In “Switching Off”, however, Ms. Valenti’s heroine Nina is not a Domme in the sexual sense. Instead, she’s a high-powered career woman, used to giving orders and getting her way—and that role is destroying her. She’s tense, irritable, driven and seriously unhappy.

Her good friend Jon is determined to help—by giving Nina the chance to surrender herself to his skilled and caring power. He begins by cutting her loose from her mobile, but soon he has severed the strands of worry and frustration that bind her to her work. He leads her into a new space where she can connect with her body, her needs, and with him, the man who has quietly loved her and sadly watched her work herself to near-collapse.

Nina is rebellious at first, then astonished at how she responds to Jon’s dominance. As he strips away the power she thought defined her identity, she finds much deeper satisfaction in following his orders and focusing on his pleasure. Not that Jon neglects her pleasure, but the essence of submission is service to the Dom, and Ms. Valenti captures this beautifully.

I loved this story. I’ve rarely encountered a BDSM romance that describes so accurately and effectively the paradoxical experience of submission—the simultaneous fear and need, the wonder at what you’re allowing even as you crave more, the mingled pride and shame. With all the erotica and romance I read and review, I’ve come across many portrayals of so-called “subspace”. I will tell you from personal experience that unlike many authors, Ms. Valenti gets it right.

Of course given my own submissive leanings, I found the entire story hugely arousing. Jon is exactly what I’d seek in a dominant. He’s strict with his sub-for-a-weekend, but ultimately focused more on her pleasure and well-being than on his own. He has a sense of humor plus an understanding of Nina’s shock at discovering she likes being topped. And of course (like all romance heroes...) he’s lusciously handsome and physically fit, with awesome sexual stamina.

Hey, we can dream, right?

All in all, this is wonderful introduction to the BDSM romance genre. There’s no abuse here, only respect and caring. The pain is so mingled with pleasure that you will not be able to separate them any more than Nina can.

Highly recommended!




Monday, September 21, 2015

Sneak Peek: Tall, Hard and Trouble by Cerise DeLand

[Cerise DeLand's got a new two-book boxed of romantic suspense books.  Only 99 cents for a limited time! ~ Lisabet]


No Night Without You
Book 1

What if a man wants to savor one of his employees after hours—and she’s never even given him the time of day?

What if he’s honorable? And he sees her attacked?

Tate Ryder chucks his ethics in a heartbeat.

But Anna Stevens can’t let Tate protect her. He’s sweet. He’s damn delicious. But he could get hurt. And she knows if shows him how deeply she cares for him, he won’t back off.

Good for her that Tate won’t take no for an answer.

Good for him that Anna has hungered for him for years.

Too bad no one can protect her from the secret that’s stalked her all her life.


No Night Too Long
Book 2

What if a man can’t forget one special woman who left him months ago without a word?

What if she suddenly appears one morning in Venice at the same meeting with the same agenda?

And she apologizes. Explains.

Coco Dalton isn’t just a photographer. She’s much more—and because of a job gone wrong, she’s in trouble. Desperate trouble.

Grant Warwick is stunned.

Can he help her?

He has to—or she’ll lose her life and he’ll lose his reason to live.

Buy Links

Ebook: AMAZON
Print: Coming soon!

Excerpt from No Night Without You.

Tate Ryder tore his eyes away from the vision of elegant Anna Stevens as she strode toward him onto the veranda of his Houston penthouse. She fished in the pocket of her black satin trousers and brought out her cell phone. With a frown on her face, she answered a call.

So, yeah. She wasn’t looking for him. She didn’t want to chat. Break down the walls between him and her. She never did.

He bit the inside of his cheek and reminded himself once more of the three rules he never broke. Don’t borrow trouble. Don’t start anything you can’t finish. And most important of all, don’t romance the staff.

Leaning back on the railing, he gazed through the glass walls of his condo and surveyed the party raging inside. He congratulated himself he’d never approached Anna as anything other than the CEO of Ryder Resorts and Spas. God knew, every time he got within twenty feet of his director of oriental meditation services, he needed to chill. Even now from the corner of his eye, he could feel her seep into his pores. Hear her sandpaper contralto that rubbed his body into a hot rash of desire.

Like her voice is the only asset that makes me pant. How about those long legs in those flowing slacks? The pert breasts poking up in that ruffled silk blouse. The grace of her in stilettos. The full-throated laughter that usually marked her personality. That wasn’t apparent tonight, but what the hell. The whole package made him ache.

Don’t do the staff.

For the past two years, he’d been such a good CEO and followed that rule with her. And it took more than an ounce of willpower every damn day to keep his eyes polite and sweaty palms to himself.

Sure, he praised himself for his dedication to being an ethical boss, but damn, if he didn’t still want her. Good thing she hadn’t ever indicated any interest in him.

Like that matters. Her rich beauty burned his brain. Worse, his cock got locked and loaded every time he looked at her.

He downed a swig of his champagne and cursed his dilemma.

She was nothing like the women who used to attract him. Lithe, delicate, Anna sported a cloud of rich rosewood hair, sprinkles of freckles on her nose, flawless porcelain skin and the biggest set of hazel eyes he’d ever seen. The yoga and Pilates director at the Texas Gulf Coast spa he owned with his brother Cord and sister-in-law Sienna, Anna moved like a sea breeze. She had firm breasts that stood up without benefit of a bra, her huge flat nipples outlined in the ridiculously thin leotards she wore to work. But what really worked him over were her legs. Long as a gazelle’s, they were beautifully cut from years of working-out. The hollow of her inner thigh was a curve he longed to bury his face in. Better yet, her thighs were supple muscular treats that deserved to be grasped and opened often by a man who knew how to lavish kisses on her and make her purr.

He licked his lower lip, wondering for the thousandth time what she tasted like. He shifted, his cock rising to the fantasy that never left him.

He swallowed back his frustration. He was the host here in his condo, he should act like it. Mix. Mingle. Try to summon some interest in any one of the women in attendance tonight who neither worked for him nor wanted anything from him except maybe a great time in bed.

He downed his drink. Like he’d even been able to get interested in any woman except Anna for the past year. He had one night stands. Correction. More like, one hour stands. For all the exercise his cock was getting lately, he might as well become a monk. “Time to think about getting laid with someone you can have.”

Talking to yourself these days?” His older brother Cord clamped a hand on his shoulder. Mona Travis, their friend and owner of another chain of spas in the U.S., stood beside him.

Tate shot them both a grim look. “What I do best.”

Cord chuckled. “Only about one subject.”

Mona arched a long thin brow. “Are you drooling over Anna again?”

Tate scoffed. “Should I wear a billboard?”

Ever since the day you hired her away from me,” Mona taunted Tate, “you’ve had a fever for the lady.”

Does not compute, you guys.” Tate warned. “The lady is not interested.”

I do wonder why.” Cord cast an eye at Tate’s auburn hair. “You are a catch, man. Rich, good looking.”

Says you. But I’m resigned. She’s never given me a second look and my poor damaged ego can’t bear to ask her why. Plus, I am not going to break our rule.” Cord had spoken to Tate frequently lately, recognizing Tate’s desire for Anna was a temptation. But Tate had never broken a trust with his brother—and didn’t intend to. Not for a woman who couldn’t care less for him.

Cord nodded. “Good thinking. Me? I’m just saying good night. I’ve greeted everyone. So we are officially in good shape for the opening of the Texas spa. But I’ve got to home. Sienna needs me.”

Tate smiled. “Sure. Do it. Those twins are demanding little guys.”

Sienna’s still exhausted from their birth.”

I’ve got control here. I’ll show all these folks the door soon anyway. I need my beauty sleep to get an early start in the morning. The boat’s ready, stocked with food and supplies.”

Mexico?” Mona asked.

Yep,” Tate said. “They screwed up the plumbing on the first foundation and have to pour a new one.”

And they’re late,” Cord added with a scowl.

What else is new?” Mona commiserated, then leaned forward to kiss Tate’s cheek. “I’m leaving too, honey. Early day tomorrow with one of my importers from Monterrey.”

Take it easy, Mona.” Tate gave her a hug. The older woman had become a good friend over the past few years as well as a business associate. As she walked toward the door, he took stock of the people in his living room. The builders, the architects and suppliers for the Texas Gulf Coast property mixed with the resort spa’s staff, laughing and joking, celebrating the beginning of construction of their Mexican spa and resort.

He glanced at his brother. “Go home to your wife and babies.”

Give ‘em hell down there, Tate. That new foundation should’ve been finished last month.”

I won’t pay the next installment until it’s done. No worries, Cord. Good night.” He slapped his brother on the back.

As Cord made his way through the throng toward the front door, Tate saw that crowd was thinning, many drifting toward the door. He spied Anna at the far end of the veranda. Alone. Leaning away from him so he couldn’t overhear her conversation.

Some discussion that was to put that terrified look on her face.

What the hell?

She had no family. He’d learned that much about her during the past two years. Friends. Sure, she had loads of girl friends. He saw them come for her by the carload often to pick her up after work or dart in to the spa to meet her for lunch. Men were another story. She didn’t date. Or no men he’d ever heard of. None he’d ever seen her bring to their corporate dinners or parties. He’d wondered at one point if she preferred women, but his sister-in-law Sienna had soon cleared up that misperception.

Anna is saving herself for Mr. Right.”

That told him four things that alternately thrilled him and destroyed him. She liked men. Wanted one. One right man. But clearly, he wasn’t a candidate.

He examined her as she argued with whoever was on the other end of that conversation. Was that a man?

Curiosity and jealousy drove him forward. If it was a guy who put that expression on her face, Tate would crush the asshole.

Tate halted in front of her and lifted his chin toward the phone, a question forming on his lips.

She watched him approach, her eyes growing rounder, starker with fear that made Tate narrow his eyes at her.

She put a hand up to ward him off.

He shook his head at her.

No,” she ordered the person on the other end, “do not do that.”

Tate could hear the person reply, something dark, angry and male.

She fumed. “I told you no. Do not call me again.” She stared up at Tate as she ended the call and dropped her cell in her trouser pocket.

He caught her wrist. “What’s wrong, Anna?”

Nothing.” She stepped to one side. “Let go.”

No.” He put two hands to her upper arms. Something he’d never done. But he was jarred by how strong, how honed her triceps were. And the tension rippling there froze him. “Do you always tremble for no reason?”

She jerked out of his hold. “This is none of your business.”

He stepped forward and contrary to that rule about borrowing trouble, he knew he had to do something about hers. “This does concern me. You’re scared. Why?”

Forget it, Tate.” She yanked away from him. “I’ve got to go.”

Once more, she did what she’d done so well for two years. She’d been impersonal with him. Professional. Putting him in his place.

He fumed silently as she marched toward the hall closet where she collected her shawl and flung it over her arm. On her way, she hugged Mona who was saying her own good–byes to a builder. Then Anna opened the front door and let herself out.

He’d never seen her afraid. Never seen her angry. She was so even-tempered, happy, throwing back her mane of rich chocolate hair to laugh at most of life. That had been the first thing that struck him about her. Her enjoyment of little things, all things small and joyful. He’d never known a woman like that.

And he liked women. Loved to be with them. Especially in bed. But as years went on, he found fewer and fewer who attracted him. Those he did take to bed were certainly beautiful. Most were spoiled or wanted to be. They were self-impressed. Self-gratifying. Eager to say they’d been laid by Super Bowl football legend, Tate Ryder. But Anna was nothing like any of those women.

And it gutted him that she couldn’t give a rat’s ass if he ever looked at her. Wanted her. Craved her.

But damn if he was going to let some man frighten her.

He strode over to his caterer and instructed him to go around and signal that the party was over.

The host was leaving and determined to break one of his own rules.

With one of the staff.



Author Bio

An author acclaimed for her eloquence and scintillating tales of romance and suspense, Cerise DeLand writes historical and contemporary novels with spice and charm. Visit http://www.cerisedeland.com

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Sunday, September 20, 2015

Sunday Snog #192: The Antidote

My snog excerpt today is from my most recent release, The Antidote, a bit of speculative erotica with a lot of heat and a bit of a message. Hope you enjoy it!

When you’re done reading my kiss snippet, head back to Victoria’s for more sexy Sunday Snogs.




What if the government stole your libido? What would you do to get it back?

Sixty years after the Plague, most people accept the Council’s mysterious libido-suppression technology as necessary to prevent a resurgence of the deadly virus. Lena’s different. Though she loves her husband Jeff, she yearns to experience the thrill of forbidden lust. Denied from birth, Lena is willing to risk everything—her marriage, her freedom, even her life—for one taste of unbridled desire.

****

You bastard!”

Lena, please...”

I sat up in our bed, pushing away the hand that tried to stroke my hair.

What about me? What about the rest of us? What about Bolt? And that poor woman who was with me? What about her? What will happen to her?”

That’s not my responsibility.”

The hell it’s not! You pretend to be Mr. Morality-and-Social-Conscience, all cozy with the Council, but do you care what you’re doing? What you’re supporting? All you want is to get your rocks off.”

That’s what you wanted.”

Yes, but I have no power to change anything. You’ve got connections, or so you say. Maybe it’s time for a change. The plague is long gone. Maybe it’s time the Council let us make our own decisions again, about who we fuck, and how.”

Maybe you’re right. But the Council won’t willingly give up the policy of lust-suppression. It makes us all so easy to control.”

He caressed my cheek, then allowed his hand to drop to my breast. Dimly, I felt something stir in my crotch. “Seriously, hon, there’s nothing that I can do.”

You can get hold of the antidote, right? For free?”

Well, for favors. But yes, I can get it. Several of my project sites are at the drug factories.”

Let’s start giving it away.”

Giving away the antidote? To whom?”

Anyone who wants it.” I thought about Merle. She’d take some. She’d pass it on.

The Council...the Inspectors...”

They can’t arrest us all. They need us.” I leaned forward and kissed him, trying to summon a hint of the passion I’d experienced earlier. Something flickered through me, a pale shadow of the lust I knew I was capable of. It was a tiny spark, but real. I thrust my tongue deep into his mouth, concentrating on that spark. Trying to fan it into flame.

Jeff returned my enthusiasm. The rich scent of his sweat tickled my nostrils, overwhelming his after shave. I broke the kiss, searching his face. “Did you take it again? The antidote?”

I managed to persuade the Inspectors not to inject me with the suppressors.”

Do you have any?” I wanted to feel it again—the rush of desire overwhelming every other emotion.

Saturday, September 19, 2015

Leaving the Sweatshop Behind

By Mitzi Szereto (Guest Blogger)

We’re hearing a lot more about “indie authors” and “indie publishing” these days. Although this has been going on for some time now, it has usually consisted of unknown or newbie writers giving away e-books for free or selling them for 99 cents. However, we’re now seeing an interesting shift taking place—specifically major name authors getting on board. You might ask why a bestselling author whom you’d expect to be raking it in should wish to go the “DIY” route. Well, when you consider that authors are among the very few working professionals that spend several months to several years creating a piece of work, only to earn a few paltry cents on the dollar in income from it, it’s a wonder that anyone even bothers with publishers (let alone literary agents) these days. The situation is particularly egregious when it comes to digital royalties. Although the so-called industry standard is still far too low, there are some authors being paid digital rates that are downright criminal. Unfortunately, I’m one of them.

Therefore I too, have joined the ranks of the Indie Author. For me, the indie publishing route isn’t just about getting a better return on my investment, though that’s still a very important part of it. It’s also about independence and creative freedom. It’s about having control over how my book is marketed and how it is perceived by the reading public. It’s about having full credit given to me for my hard work, rather than seeing that credit being mistakenly given to or hijacked by publishers, who (at least for my books) have nothing to do with the creation or editorial direction of the work, but merely handle the mechanics of it through to publication. Indie publishing is about freedom from exploitation. It means getting a fair deal rather than being the equivalent of a child in the Third World working all hours in a sweatshop while someone else pockets the profits.

I launched my first major indie project back in 2012 with Normal for Norfolk (The Thelonious T. Bear Chronicles)—the first in my quirky crime/cozy mystery series co-written with my celebrity sidekick bear, Teddy Tedaloo. I’m now pleased to announce the release of the second installment—Rotten Peaches (The Thelonious T. Bear Chronicles). The series features protagonist Thelonious T. Bear, who’s a pint-drinking, Mini-Cooper-driving British photojournalist bear (yes, I said bear!) who always seems to run into trouble wherever he goes. In the first book it was village pub landlords being murdered in Norfolk, England. This time it’s an armed gang of bank-robbing little people in the American South. Thelonious definitely has a flair for being in the wrong place at the wrong time—and with hilarious results!


Now I’m not saying I’ll never work with a traditional publisher again. There are some good publishers out there and I’d be happy to work with them. But like many of my book-writing contemporaries, this time I’ll make 100% sure I’m getting a fair publishing deal—particularly with regard to digital royalties—before I place my hard work with anyone.


Book blurb for Rotten Peaches (The Thelonious T. Bear Chronicles):

Animal Dwarf Bandits” with Tommy Guns are on a crime spree in Georgia!

Dillinger-style bank heists are being committed by a dangerous gang of little people wearing animal masks. Enter ursine photojournalist Thelonious T. Bear. Still smarting from his misadventures in Norfolk, he’s eager to begin his assignment in the American South. However, Thelonious soon learns that the South isn’t all fried chicken and sweet tea. In between encounters with a trigger-happy farmer and a fire-and-brimstone preacher with a snake, he’s stalked by a man in a red pickup truck and nearly bear-napped by a family of hillbillies. Thelonious’s resemblance to one of the bank bandits puts him on the radar of Sheriff Maynard Grizzle and budding reporter Nate Jessop, both of whom are convinced he’s in the gang. As the robberies gain more media attention, locals smell fame in the air. Suddenly everyone wants in on the action. And Thelonious finds himself at the heart of yet another series of crimes!



Excerpt

By late afternoon a tired and hungry Thelonious was ready to pack it in for the day—until he saw the ruined timber barn. It was set well back from the road in a field so long untended it actually seemed to consume the structure. An oak tree had fallen onto the roof, causing it to collapse. The tree was thriving and had even become part of the barn, feeding new life into something left to die. Parking at the edge of what once had been a driveway, Thelonious got out of the Mini. He stood for a moment perusing the site. Slinging his camera bag over one shoulder, he trundled forth into the overgrown field. A No Trespassing sign lay on the ground, covered over with weedy detritus. It was still attached to a chain that had fallen down between two rotted posts. He passed right by, never seeing it.

Thelonious photographed the barn from various angles, changing lenses as he saw fit. Although the weight of his camera bag was a nuisance, he dared not set it down for fear it would be swallowed by the overgrowth. Approaching the barn’s entrance, he noticed several bales of hay inside that had been left there to rot. Rust-covered farm implements lay scattered about both inside and out. He included them in some of the images, since they lent extra character to the scene. He even captured a triangle of sunlight coming through the barn’s collapsed roof as it returned the mouldering hay to its original golden splendour, zooming in when a mouse poked its head out to feel the sunshine on its whiskers. The light shifted and changed hue, adding shadow, depth and richness to his compositions. Had Thelonious’s attention not been caught by a ramshackle assemblage of containers off to one side, he might’ve seen the figure skulking in the shadows behind him.

A rusty metal cylinder with a triangular-shaped lid had been set up in a corner of the barn. An encrusted pipe had been attached to the top, the elbow joint bending it sideways connecting it to a worm-eaten wooden barrel; its remaining iron bands had turned green with corrosion. Glass jugs and jam jars lay strewn about on the dirt floor. Some looked as if they had mouse droppings on them. Thelonious’s nostrils detected the odour of fermenting grains. It appeared that he’d stumbled upon a moonshine still.

As Thelonious framed it in his viewfinder, he heard a loud explosion. A bullet whistled past his right ear, nearly taking his deerstalker hat with it.

Hold it right thare!”

A wiry old man with a shotgun stepped out from the shadows. He planted himself solidly behind Thelonious. A long scraggly beard hung from his chin; it would’ve been white if not for the dribbles of tobacco juice. Thelonious was pretty sure he saw things moving in it.

The ancient codger aimed the firearm at Thelonious’s chest, the brown sticks of his arms surprisingly steady as they stuck out from his tattered bib overalls. “This here’s private property!” he shouted.

Thelonious took a few steps back, feeling his bowels loosening. “I thought the barn was abandoned?” he croaked.

Abandoned?” The old man spat into the dirt. “This here barn ain’t abandoned!”

I must’ve made a mistake.”

Ah’ll say y’all made a mistake! This here’s my farm!”

Sorry.”

Hmmph…” The farmer squinted hard at his intruder, his creased face like a dried plum above the beard.

Thelonious shifted the camera bag to his other shoulder. “I’ll just be on my way then.”

But the farmer had other ideas. He moved nearer, closing the gap between them. “Did that no ’count Bobby Ray Tuggle send y’all down here to steal my corn liquor?”

No!” Thelonious shook his head until he thought it would fall off. The cosy relationship between the old man’s index finger and the shotgun’s trigger was making him nervous.

Y’all don’t know Bobby Ray?”

I don’t know anyone!”

Okay. If’n y’all say so.”

Hoping this was the end of it, Thelonious turned to go.

Not so dang fast! Didn’t y’all see my ‘no trespassing’ sign?”

What ‘no trespassing’ sign?”

Y’all walked right on past it. It’s thare, plain as day!” A skeletal brown finger pointed toward the barn’s gaping entrance. “C’aint miss it!”

But I didn’t see any sign!”

Ah shoot trespassers.” The farmer gave Thelonious a grisly brown grin. “Shot me one last year. He’s buried out back of the barn. Wanna see?”


About the Authors

Mitzi Szereto is an author and anthology editor of multi-genre fiction and non-fiction. She has her own blog Errant Ramblings: Mitzi Szereto's Weblog, and a web TV channel Mitzi TV, which covers the “quirky” side of London. Her books include Normal for Norfolk (The Thelonious T. Bear Chronicles); Love, Lust and Zombies; Darker Edge of Desire: Gothic Tales of Romance; The Wilde Passions of Dorian Gray; Thrones of Desire: Erotic Tales of Swords, Mist and Fire; Pride and Prejudice: Hidden Lusts; Red Velvet and Absinthe: Paranormal Erotic Romance; In Sleeping Beauty’s Bed: Erotic Fairy Tales; Getting Even: Revenge Stories; Dying For It: Tales of Sex and Death and Silk Sheets: Collected Stories of Mitzi Szereto.

Teddy Tedaloo is an author, celebrity teddy bear and the publisher and editor of The Teddy Tedaloo Times. He’s also a trendsetter, world traveller, and the production assistant extraordinaire/co-star of the web TV channel Mitzi TV. Popular in social media circles such as Facebook and Twitter, he’s known for his entertaining commentary and opinions as well as being an advocate for animal welfare. He lives (and goes) wherever Mitzi lives (and goes). He’s the co-author of Normal for Norfolk (The Thelonious T. Bear Chronicles). Rotten Peaches (The Thelonious T. Bear Chronicles) is his second novel in the series.




Links:

Mitzi Szereto’s website: http://mitziszereto.com

Mitzi Szereto on Twitter: https://twitter.com/mitziszereto



Teddy Tedaloo on Twitter: https://twitter.com/teddytedaloo



Rotten Peaches (The Thelonious T. Bear Chronicles) website: http://mitziszereto.com/rottenpeaches

Normal for Norfolk (The Thelonious T. Bear Chronicles) website: http://mitziszereto.com/normalfornorfolk

Errant Ramblings: Mitzi Szereto’s Weblog: http://mitziszereto.com/blog/



Book buy links:






Thursday, September 17, 2015

In Praise of Grammar

I recently reread a favorite book from my youth, Wilkie Collins' The Moonstone. Originally published in 1868, it is considered to be an early classic of detective fiction. An unscrupulous British officer stationed in India plucks the Moonstone, a massive diamond, from the forehead of a Hindu idol and carries it back to England. Misfortune, reputed to be the effects of a curse, dogs the man until his death, whereupon the gem becomes a bequest to his niece upon her eighteenth birthday. On the very night Rachel receives the stone, however, it disappears from her bedroom. Broken engagements, assaults, scandal, madness, illness, despair and death follow, as the mystery becomes increasingly tangled.

The first time I read The Moonstone, I was caught up in the story. That was long before I began my career as a writer. During this more recent reading, I found myself at least as conscious of Collins' style and craft as I was of the plot.

The novel unfolds in sections narrated by different individuals, each of whom (according to the framing conceit of the tale) has been asked to report on the events he or she personally witnessed relating to the loss of the diamond. Some of the narrators are major actors in the mystery, while others are peripheral. Collins does a magnificent job giving each one a distinctive voice. The various sections not only propel the plot, reveal clues and cleverly misdirect the reader's attention, they also create surprisingly three dimensional images of the characters – their motivations, prejudices and peculiarities. My pleasure upon this second reading of the book came as much from appreciating these unwitting self-portraits as from the gradual unraveling of the secrets of the stone. And much of the richness of these vignettes derives from the characters' differing use of language.

The experience started me thinking about the wonders of English grammar. Victorian prose tends to be far more complex grammatically than what you will find in modern novels. Sentences are longer, with multiple clauses, adverbial modifiers, rhetorical questions and parenthetical asides. Of course, some authors of the period produced sentences so pedantic and labored that they're painful to read. A more skilled writer (like Collins) uses these linguistic variations to express nuanced relationships that would be difficult to communicate with shorter, more direct sentences.

Consider the following passage, chosen more or less at random. The narrator (Franklin Blake) is a young gentleman, educated in Europe, and hopelessly in love with Rachel.

I might have answered that I remembered every word of it. But what purpose, at that moment, would the answer have served?
How could I tell her that what she had said had astonished me and distressed me, had suggested to me that she was in a dangerous state of nervous excitement, had even roused a moment's doubt in my mind whether the loss of the jewel was as much a mystery to her as to the rest of us – but had never once given me so much as a glimpse of the truth? Without the shadow of a proof to produce in vindication of my innocence, how could I persuade her that I knew no more than the veriest stranger could have known of what was really in her thoughts when she spoke to me on the terrace?

Complex indeed! We have both simple past (“I remembered”, “I knew”) and past perfect (“had said”, “had astonished”, “had suggested”). Blake is describing a past conversation with Rachel, in which they discussed another conversation that occurred the day after the diamond disappeared (a time previous to the first conversation). Even more intricate are the connections between facts and the counter-factual or hypothetical, both in the simple past (“might have”, “could I”) and more distant past (“could have known”). The tense inflections and adverbial modifiers elucidate relationships not only between different stretches of time but also different degrees of reality.

How many of us could pen a paragraph so complicated and yet so clear?

As an exercise, I tried to translate the passage above into simpler, more modern prose.

I could have told her I remembered every word. But I doubt she would have believed me.

I could have said that she astonished and distressed me. She had been in a dangerous state of nervous excitement. I had even wondered whether she really knew more about the loss of the jewel than the rest of us. But when we spoke, she hadn't given me the slightest hint of the truth. Since I had no proof of my innocence, there was no way I could convince her that during our conversation on the terrace her accusations were as much a mystery to me as they would have been to a stranger.

Even this reworking requires the past and past perfect. There's no way to get around them, since the distinction between the first and second conversations is crucial to the sense of the paragraph. I didn't manage to completely remove counter-factual expressions (“could have”,”would have been”), either. If I had, significant chunks of meaning would have been lost. As it is, I feel that the translation doesn't begin to compare with the original in terms of expressing subtleties of both logic and emotion.

Authors today have a tendency to view grammar as a necessary evil, a set of incomprehensible rules designed to trip them up as they proceed in telling their story. I look at it differently. Grammatical structures (and punctuation) exist in order express linguistic distinctions. As writers, we're fortunate. English is capable of communicating a bewildering variety of such distinctions, in wonderfully precise ways.

By comparison, I've been studying a foreign language where there's no grammatical difference between present and past tense, or between singular or plural, a language without articles or grammatical mechanisms for indicating that something is contrary to fact. Native speakers manage to understand one another, but I find the language frustrating in its lack of specificity.

I'm sorry to see the changes that are stripping English of some of its grammatical richness. One rarely sees the subjunctive anymore, even in written communication. Semi-colons are practically extinct. Indeed, one of my publisher's house style prohibits them, along with parenthetical asides.

Since I began publishing, my own writing has followed the popular trends. I've learned to limit subordinate clauses to no more than one or two per sentence. I've been trained to avoid long passages in the past perfect and to eschew adverbs. I won't say that my writing has necessarily suffered; my early work definitely tends to be overly prolix. Still, I sometimes feel like rebelling against the starkness and simplicity of modern prose.

When that happens, I sometimes write something pseudo-Victorian. Here, for instance, is a passage from Incognito, ostensibly from a Victorian woman's secret diary:

I scarcely know how to begin this account of my adventures and my sins. Indeed, I do not fully understand why I feel compelled to commit these things to writing. Clearly, my purpose is not to review and relive these experiences in the future, for in twenty minutes’ time these sentences will be invisible even to me. Perhaps in the years ahead, I will trail my fingers across the empty parchment, coloured like flesh, and the memories will come alive without the words, coaxed from the pages by my touch like flames bursting from cold embers.

I have a secret life, another self, and that secret has become a burden that I clutch to myself, and yet would be relieved of. So, like the Japanese who write their deepest desires on slips of rice paper and then burn them, I write of secret joys and yearnings, and send that writing into oblivion.

Let me begin again. My name is Beatrice. The world sees me as poised, prosperous, respectable, wife of one of Boston’s leading merchants and industrialists, mother of two sweet children, lady of a fine brick house on fashionable Mount Vernon Street, with Viennese crystal chandeliers, Chinese porcelain, French velvet draperies, and Italian marble fireplaces. I devote myself to the education of my dear Daniel and Louisa, the management of my household, works of charity, cultural afternoons. In sum, the many and sundry details of maintaining oneself in proper society.

Though I have borne two children, I am still considered beautiful. Indeed, with my golden locks, fair skin, turquoise eyes and rosy lips, I am often compared to an angel. How little they know, those who so describe me. For in truth, I am depraved, wanton, and lecherous, so lost that I do not even regret my fall.

Ah, the glorious grammar!

Am I the only one out there aroused by this structural intricacy, as artful and constraining as shibari?

(By the way...I'm in the process of re-editing and expanding Incognito, for a release early next year!)

Wednesday, September 16, 2015

The Serious Writer: Turning Passion into Craft

By G. E. Taylor (Guest Blogger)

If you want to be a writer, you must do two things above all others: read a lot and write a lot. 
 Stephen King

I couldn’t agree more with this quote by Stephen King. I like to read, have always enjoyed reading. Even when I was growing up I read everything in the “Hardy Boys” series, “Nancy Drew” and any Mills and Boon romance book I could find. Naturally, I’ve read other books, but those mentioned, I’d enjoyed and had read sometimes twice.

In my moments of reflection though, I do regret not pursuing my writing as ardently back then as I’m doing now. Yes, I did some writing but nothing worthy to meet publishing standards and I think I was pretty scared too. Still, that feeling was not strong enough to deter me from continuing to write and strive for the goal of completing and publishing that work. I attacked my first novel like I was writing and preparing for one of my most critical professors. The rewrites were many and at times downright discouraging but since I was upholding a standard there was no way I could back down. So, casting aside any feeling of discouragement I continued to work and focus on the goal of producing a novel I was satisfied with and readers could enjoy.

With my second novel I used almost the same demanding work discipline to achieve my goal. But somehow I found I was more relaxed, maybe because I’d faced the fire before and was now aware of the pitfalls and avoided them.

Someone said, you should toot your horn or no one will do it for you. So, I’m pleased with myself and happy to announce that I am the proud owner of two published contemporary romance books and I am working on the third one. My first book ─The Lady Mentor was published September, 2014 and Desperate Decision in July, 2015.

The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible. Vladimir Nabokov.

I am excited that once again I get to use my imagination to bring the invisible to life. Surrender My Heart is my next project and it is also a contemporary romance. This is the genre Im most comfortable writing. Once this novel is complete, then my goal is to continue creating and writing stories, that hopefully readers will want to read.

For now, Im pleased that I was able to meet the challenge of writing three novels as I am a member of RWA and want to be seen as a serious writer.


Desperate Decision by G.E. Taylor

Allison North’s flight to freedom is dangerous and desperate. As she scrambles into the stranger’s car crying “drive,” she prays to God this is not her last day on earth. Usually not a gambler, this move is high-stake gambling. Bruised, battered, and with no money, she needs a place to hide and heal until she finds work as a pastry chef. When the stranger offers her shelter, she takes it even as fear rushes up her throat and threatens to choke her.

Would she live to regret her decision?

Mason Franklin cannot believe his eyes but, with her urgent cry ringing in his ears, he presses the gas and the car leaps forward. What had possessed her to do such a dangerous act? He intends to find out. But no amount of probing loosened her tongue. Just when he decides to let her go, he accidentally sees her bruised body. Angry that someone did that to her made him want to meet the coward. He offers her shelter. Under his roof, he discovers she is the pastry chef who could not only lift his business to the top, but who built up a need in him that only she can satisfy. The wild passion they share can only lead to one conclusion.

Buy Links

Kobo: http://bit.ly/1MTrlOA

Excerpt

The cold November air hit Allison hard, chilled her bones, and caused instant goose flesh to rise and cover her skin. She hunched over momentarily trying to ward off the chill. Her eyes scanned the train station as a possible place to hide, but she discarded the idea immediately. It was too open. The streets across from the apartment were busy and not easy to cross.

Estimating her chance of crossing them before being captured, the odds were against her. She would not have the time or the strength to do it before they caught up with her. Moving as fast as she could, she walked across the courtyard, down the embankment to the sidewalk.

Several cars and other vehicles waited at the stoplight. Making a desperate decision, she stepped up quickly to a car and yanked the handle. The door opened and she scrambled inside, slammed the door shut, and locked it. The light changed from red to green. The driver, startled, pressed the gas. The car leaped forward only to stop abruptly. Several horns blasted behind him instantly.

What the fuck!”

Drive! Please drive,” she begged.

The sound of her voice carried a desperation that commanded him to obey. The car leaped forward as two people, a man and a woman, dashed into the courtyard. They hurried through the wrought iron gate onto the sidewalk looking up and down the street, peering into cars as they drove by. Allison eased down on the floor of the car until the stranger’s car circled the green and headed toward South Street. Her heart pumped furiously, and she swallowed with difficulty. Lifting her shaky hand, she eased herself upon the seat. She had no idea what she would say to this stranger when he stopped his car. He must think she was insane or had escaped from somewhere. She hadn’t. This was the first time in her life that she’d ever done anything like this.

He pulled into the parking lot at the supermarket, flung his door open, and walked around his car to the back right door. His long strides reached it before Allison got out. As she pushed against the door, he pulled it open. He was furious with her for not only scaring the living hell out of him, but for doing this unthinkable act. What could have possessed her to do it? She’d better have a damn good reason.

With both feet firmly planted on the blacktop, she was ready to stand, but she could not lift her body. He stood solidly in her path, one arm resting on top of the door effectively cutting off her escape. Dressed in black jeans, cream polo shirt, and light black jacket, his body allowed little room for her to move.

Allison looked up at him and swallowed nervously. He was lean and taller than Douglas, so she would say he was over six foot tall. His face was deeply tanned, his blond hair shaped his head perfectly, and straight brows enhanced his cold blue eyes that were not looking at her in a friendly way. His nose was straight, jaws firm and square, his lips slightly full and sensual. His hard eyes concentrated on her steadily. A strong current of anger radiated from him. She felt it, and cursed Douglas fervently in her mind. There was a leached control about him that frightened her. Most of all, she needed to be on her way. The quicker she apologized, the faster she could leave, she decided.

I’m sorry, very sorry, I startled you back there,” she said sincerely. “Thank you for helping me. Again, I’m truly sorry. I’ll leave you now.
Like hell you will! Not so fast,” he stated, not moving an inch as he continued to look at her. Despite the anger that ran through him, the sound of her voice drew his attention. It reminded him of warm honey. He liked it, and he could hear genuine regret in her tone. She was also very nervous, and she should damn well be, for the stunt she just pulled. He wasn’t ready to let her walk away from him. Her skin was light brown, and he wondered what her eyes looked like. The huge dark glasses she stared at him through hid them very well.

His eyes on her were unnerving. She couldn’t help but move restlessly in her seat. If only he would move. Each minute he delayed her was making it easier for Douglas’s friend to find her.

What made you do such a foolish thing?”

Under ordinary circumstances, I wouldn’t have done it.” The thought of how close she came to involving him in an accident made her stomach turn.

Care to describe the circumstance?”

About G.E. Taylor

I became hooked on reading romance novels during my teen years and my attempt at writing began in high school. All of my manuscripts were mailed under my bed. Eventually, I threw out most of them. That was painful especially since I’d hand written them first, then typed them on my old typewriter.

In college I majored in English but ended up with a Master in Social Work and a Master in Education.

Though I had these different career paths, I never gave up my passion for writing. Now I’m much more committed to it and writing full time. I’ve drawn on my years of practicing social work to give my work authenticity and realism.

I live in New Jersey with my family.