Showing posts with label Native american. Show all posts
Showing posts with label Native american. Show all posts

Monday, March 4, 2019

Montana Roots - #giveaway #NativeAmerican #Montana @ConstanceBretes


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By Constance Bretes (Guest Blogger)

Before I moved to Alabama last Spring, I lived in a tiny little town called Basin, in Montana. The population was about 250 people. I made some really nice friends there, and a few of my friends became my readers who enjoyed reading my romance books. They asked me if I’d consider writing a romance centered around a small town in Montana, like Basin.

Basin sits in a small valley surrounded by mountains. Off to the north of Basin sits Boulder, Montana, and Elkhorn Mountains. Basin is also known as a miner’s town. At one point, there were three mines in operation, searching for gold and silver, and the town grew to over a thousand residents. When the mines dried up, it reduced the population, and left some empty buildings in its wake. Some of those empty buildings were at one time, considered brothels. The only things now operating in Basin, is a pizza place, a restaurant and bar, a post office, two radon mines and a grade school.

In addition to all this, there was a couple of railroad tunnels that went through Basin. It actually at one point, came from Helena and traveled down to Butte. The rail tracks are long gone, but the tunnels remain. Not too far from Basin, is a ghost town called Comet. The pictures attached are the Comet mine, and the old tunnel that is in Basin. 

 



My story, Elkhorn In The Moonlight, was generated from this information. I changed the name of the town to Mason, and I added one more business to the town, a small motel, which I situated at the same location of what is now currently called Earth Angel. Some of the characters represented are some of the residents that lives there, including my husband and I, but all the names are different. The restaurant and bar, along with the pizza place, the post office and the school are in the story, as well as the three mines. Everything was renamed so to not put anyone on the spot or violate anyone’s privacy.



I’m giving away an ebook copy of Elkhorn InThe Moonlight and an ebook from my backlist during the tour. Please use the Rafflecopter below to enter. Remember there is a chance to enter everyday so be sure to follow the Blog Tour. You may find the tour schedule and locations here https://goo.gl/WosRX4

About Elkhorn In The Moonlight

The search for stolen Sacred Arrows leads to much more.

Marcus Blackhawk is on a mission to locate the Sacred Arrows that were stolen from the Cheyenne Nation. When he learns that someone has seen the arrows he leaves immediately to track the person down and get more information.

Nicole Lancaster ekes out a living in a small town by helping her brother run a motel and working part-time in a restaurant. Her mundane life suddenly becomes more exciting when Marcus arrives in town asking about some arrows that she came upon years ago while hiking in the Elkhorn Mountains. The gorgeous man makes her heart beat fast, but she knows he’d never be interested in a Plain Jane like herself.

When Marcus offers Nicole a large sum of cash to lead him to the cave where she saw the arrows, she takes him up on the offer. After a three-day hiking trip through the mountains they locate the cave, but then the unthinkable happens, and they find themselves trapped inside. As they wait, hopeful they’ll be rescued, they give into the passion that’s been simmering between them.

Will help arrive in time to save them? And if so, can their night of passion ever be anything more? Marcus has no interest in an actual relationship, and Nicole wants the whole nine yards.

Genre: Contemporary Romance
Heat Level: Medium Hot

Excerpt

“You pass it every time you go into Mason. The other two are on the other side of the overpass. Sandpiper Mine you can see from the highway, but you have to go on Gulch Mine to get to the Elkhorn Mountains. The mountain ranges there are the highest, and there are a lot of vertical drops, so you’d have to travel where you can walk it. It’s not something where you can climb it and be there. You have to go in a roundabout way.”

“Do you have a very clear vision of where this cave is, and how to get to it?” he asked.

“Yes. I remember it clear as day now.”

“How soon can you get yourself ready for the hike?”

“What? I’m not going there. You are. I can’t just take off and leave, I have work to do. Plus, it’s way too cold to go there right now. The mountains in that area still have snow on them.”

“You think I would know where to go by the information that you provided?”

“I gave you very good information,” she said.

“Do you have the coordinates for GPS?”

“No. I don’t.”

“So, you think that I, who have never traveled these mountains before, would have no problem finding that cave?” Marcus’s eyes narrowed as he regarded her.

“I don’t have any idea how you intend to get there. Personally, I think you should wait until summer to do it. The weather in the mountains is unpredictable.”

Marcus sat thinking about the situation for a second, and then he said, “Name your price.”

“Huh?” “I said, name your price,” he repeated. “I need you to lead me to that cave, and I have to do it this week.”

“You’re not listening to me. I can’t take you there. I have work to do here. I can’t leave to go on a weeklong camping trip.”

“You can for a price,” he said grimly.

“You can’t buy me off to get what you want,” Nicole said defensively.

“Everyone is willing to do certain things for a certain price. Will thirty thousand get you interested and willing to go?”

“I…I…thirty thousand? No, I won’t be bought,” she stammered.

“Look, Nicole. Let’s quit with the games. I’m going to go there to get those Sacred Arrows, and you are the one who is going to take me there and bring me back. I’m offering you thirty thousand for a week…week and a half of work. I think your brother and his wife can handle the motel for that length of time.”

“I’m sorry.” She stopped for a few seconds. “I won’t be bullied. My answer is no.” She stood up to leave.

“Just think about this. Like I said, thirty thousand for a week and a half of work. Think what you could do with that money. Think of all the possibilities and opportunities you’d have. As for the weather, I know you have lived through worse weather right here in Mason. You know what to expect. I would not let you go up there without your GPS, your cellphone and satellite phone, your two-way radio, and letting your brother know exactly where you’re at should there ever be an emergency. I’ll give you until tomorrow at noon to tell me your decision, and if I were you, I’d think about this very seriously. I intend to have my way in this,” he said sternly. Grabbing his maps and the pictures she gave him, he walked back to the causeway and to his room.

About the Author


Constance started writing contemporary romance and contemporary romance suspense fifteen years ago.

She was born and raised in Michigan. After 38 years working for the State of Michigan, she retired. She and her husband moved to Montana and lived in the mountainside of a small town that this story, Elkhorn In The Moonlight, was based upon. After living there for three years, they moved to Alabama, with her three feline furballs who own her and her husband.

Her hobbies include basket weaving, reading romance books, and jewelry making as well as writing.

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Friday, March 9, 2018

Spirit of the Amaroq - #NativeAmerican #Alaska #Adventure #Salvation @JCharlesBooks

Spirit of the Amaroq cover
Blurb

Pastor Jack Douglas resigns his ministry after a traumatic event and hikes across America. In North Dakota, he finds work on an oil rig until a violent turn of events forces him to seek seclusion in the Alaskan wilderness where he’s stalked by the mythical Amaroq wolf.

In Nome, Jack takes a job on a king crab fishing boat where he continues to struggle with his past tragedies while fighting feelings for the proprietor of a rustic inn, a beautiful Inuit woman, Qaniit.

A man from the past perpetrates a catastrophic event that will once again challenge Jack’s faith. Will Jack survive or will God forsake him once more? 

Excerpt

One night a few days later, after spending most of the day in the office, Jack works on getting caught up with the paperwork, payroll, and invoices, ordering, paying bills, and prepping for the next haul. Next to his desk he takes a sandwich out of the small refrigerator he bought to keep meals in so he wouldn’t have to mess up Qaniit’s kitchen, and to avoid her.

Taking his first bite, the office phone rings. Quickly washing his food down with water, he answers on the third ring, “Nasak Fishing Company. This is Jack speaking.”

“Jack? It’s Qaniit,” she says barely audible. “Grandfather passed. We’re all going to the house now.”

His heart skips a beat, not only because he hasn’t heard her voice in days, but with this news. He doesn’t want to go to the house. This is a time for family to be together. He is not family, but an employee.

“Can you pick me up on the way?” she says.

Oh, great. Ulloriaq had given him the truck for a supply run for the boat this day. Although as a pastor he had helped those in this state of mourning, it’s no longer his place. He doesn’t belong, either as a family-member, or as a pastor. But, she needs a ride. “Okay,” he whispers. He hangs up and drives to the Prospector.

Qaniit waits for him on the porch, her long, black hair blowing across her tender, snowy-white face. As he watches her walk over to the truck, he can’t help but think how she has seen so much tragedy in her life. She climbs in, brushes her hair aside, tucking it behind her left ear and revealing to him such a sad face he feels he might die all over again. First her parents, then her husband, now her grandfather. Malik had raised her. Her protector is gone.

After she buckles in, he spontaneously reaches over, takes her hand in his, gently squeezing it. She looks over at him and he removes his hand, putting it on the wheel to drive.

They ride in silence. Jack glances over at her once, but she stares out through the windshield.

He pulls up, parks and shuts off the engine. She climbs out, starts for the house, but looks back at Jack sitting in the truck. She doubles back, comes over to the open driver window. “What’s wrong?”

He looks at her. “Nothing. I’ll take you back when you’re done.” He looks away from her.

“You’re not coming in?”

“No. No, I, I don’t think I should. It’s a time for family.” He looks back at her as her hair falls off her ear and covers half of her moonlit face.

She once again brushes at her hair tucking it behind her ear. “Jack, you’ve been a part of our family for a while now.”

Family? He turns his head away from her again and reaches for the amaroq claw, squeezing it.

“What’s wrong?”

“Nothing.” Hiding it from her, he wipes at his eye to catch a tear.

Qaniit opens the truck’s door, takes his hand. “Come on,” she says.

“Are you sure?”

“I’m sure.” She tugs on his hand, but he doesn’t budge. “Would you come on?” she says pulling.

Defeated, again, he gets out of the truck. As she leads him inside by his hand, his heart races.

The door opens to reveal many family members including aunts, uncles, cousins, and Ulloriaq and Akiak, who both spot the handholding as they come through the door. Qaniit and Jack release their hands. The family surrounds them. Ulloriaq hugs Jack. The aunts, uncles, and cousins all take turns hugging Qaniit and Jack.

Jack has flashbacks. Memories, sorrow, pain. A sniffling Akiak comes over and hugs him, dripping tears on his shoulder. Jack squeezes the kid and says, “I know, kid. I know.”

They stay for a little while, until after the funeral director retrieves Malik’s body. Jack drives Qaniit back to the Prospector, both riding in silence.

Inside, Jack heads for the stairs as Qaniit closes the front door. “Jack?” she calls to him.

He stops and half-turns to face her.

“Thank you,” she says. “For coming in.” She walks over to him, standing a foot away. “It means a lot to me.”

His heart beats faster. He wants to run upstairs, crash down his door, and bury himself in the pillows and hide like he has done so many times these past weeks. “I’m so sorry, Qaniit. Whatever I can do to help.” He looks down at the first step of the stairs.

She examines something on his face, reaches up, he flinches, but she wipes at a small tear welling under his eye. He closes his eyes, tight.

“I’m so sorry, Jack,” she says.

He opens his eyes and discovers tears now dripping from her eyes onto her cheeks. He reaches up and wipes some tears from her cheek with the tips of his fingers. However, she sheds more and begins to quiver. He reaches out and pulls her close, hugging her tightly. She buries her face in his chest.

They embrace for quite some time. Sobbing, she soaks his Prospector T-shirt with her tears. After a minute, perhaps two, they pull back and look into one another’s eyes. Her soul is as void as mine.

Out of nowhere, and at the same time, they kiss and hold it.

In an abrupt second, just as fast as they kissed, they pull apart. “I’m sorry,” Jack says pulling away, looking down and away from her. “I…I don’t know what I was thinking.”

“No,” she says backing away. “No. No, I’m sorry. I…I don’t know what I was thinking.”

She hurries to her room, Jack watching, feeling like a fool for letting that happen, taking advantage of her grief. That is not me. Who I am. I’ve never acted like this in my entire life. What was I thinking? Was I thinking?

He sprints up to his room and does what he had wanted to do all along, jump into bed, curl up, and hug his pillow. He glances over at his family photo propped up against his Bible. He lies there, staring.





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About the Author

James Charles has written six books. He is a former Administrator with the Los Angeles Unified School District and an Army Veteran. He lives in Hawaii with his wife, Linda.


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Wednesday, October 23, 2013

The Unholy: Love and Rage

By Paul DeBlassie III (Guest Blogger)


The stronger the character in terms of capacity for both love and rage the more compelling they are and it is in this that the true character is birthed. Love and rage are in essence the nests in which the characters are cared for and nourished and then allowed to fly free.

I find that I must dip into my own capacity for primal feelings of love and rage in order to discover that aspect of myself that is like the character, has been like or felt like the character feels in the situation. It’s critical to always allow this to move the story forward and not get stuck by over thinking the character, to just hit and go into the emotional life of the character and let the character then tell me what he or she wants to express. 

The rage in particular can be horrifying because of our human capacity to inflict injury on others or society. To then express this on the page leaves me feeling vulnerable yet also true to myself within this dimension of storytelling. It’s mind boggling for me to experience the rage of the character and what the character like Archbishop William Anarch in The Unholy wants to do and does to innocent human beings. 

Claire Sanchez, the medicine woman, on the other hand needs to find rage, a healthy aggression, that has gone awry in Anarch, and only by doing this, if she can, will she potentially be able to discover the strength to fight the powerful archbishop.





Blurb 

A young curandera, a medicine woman, intent on uncovering the secrets of her past, is forced into a life-and-death battle against an evil Archbishop. Set in the mystic land of Aztlan, The Unholy is a novel of destiny as healer and slayer. Native lore of dreams and visions, shape changing, and natural magic work to spin a neo-gothic web in which sadness and mystery lure the unsuspecting into a twilight realm of discovery and decision.

Excerpt


“Help me? Help yourself! Face what is yours to face,” Elizabeth hissed. She yanked the door open then forced it to slam behind her.

Claire stood still for a moment, feeling as if a tornado had swept through the room. Elizabeth’s demand had left her shaken. She drew a deep breath, then went to her desk and picked up her tea, noticing her trembling hands.

Turning toward the window, Claire saw a muscular orderly accompanying Elizabeth to the locked ward at the far end of the hospital compound. A flock of crows circled high overhead, seeming to follow the two receding figures. As they arrived at the outer doors of the locked unit, the orderly reached for his keys. The crows circled while the two crossed the threshold of the unit, Elizabeth suddenly pausing, turning, and looking outside, her gaze riveted on the flock of birds.

All but two flew off, disappearing into the piñon-covered hills. The two that remained came to rest on the red brick wall adjacent to the locked unit, their black eyes boring into Elizabeth. She looked panicked then enraged and, shaking a finger at the creatures, yelled something. Her frantic gestures told Claire that she was screeching curses to ward off evil.

Claire took a step back from the window, from the impact of Elizabeth’s rage.

The orderly grabbed Elizabeth roughly by the arm and pulled her inside.

The crows waited, watched, then flew away.


Author Information


Paul DeBlassie III, Ph.D., is a psychologist and writer living in Albuquerque who has treated survivors of the dark side of religion for more than 30 years. His professional consultation practice — SoulCare — is devoted to the tending of the soul. Dr. DeBlassie writes fiction with a healing emphasis. He has been deeply influenced by the mestizo myth of Aztlan, its surreal beauty and natural magic. 

Dr. DeBlassie is a member of the Depth Psychology Alliance, the Transpersonal Psychology Association and the International Association for Relational Psychoanalysis and Psychotherapy.


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