Showing posts with label Forbidden Fiction. Show all posts
Showing posts with label Forbidden Fiction. Show all posts

Saturday, August 22, 2015

Ancient Battles, Modern Times: How ‘Gods Among Men’ came to be

By Jacqueline Brocker (Guest Blogger)

There is a story, common throughout mythologies whose language has Indo-European roots, of a thunder/lightning god who does battle with a great dragon/serpent. The details all vary, but the core remains the same – the storm god takes on the dragon and defeats him. It is tale of order winning over chaos. In Greek myths, Zeus battles Typhon. The Hittites have Teshub fighting Illuyanka. Thor battles with Jörmungandr in the Norse tales. And in Slavic mythology, there is Perun and Veles – Perun, god of Thunder, and Veles, god of the Underworld, who sometimes takes the form of a dragon. It is this myth which forms the basis for Gods Among Men.

The idea came when a call for submissions came out for transgressive divinity-themed erotica. Having an interest in dragons, and particularly Slavic ones, I thought, hmm, well, this might work for it. And because the call specified transgression, it meant I didn’t have to hold myself to the often stringent list of things you can’t do in erotica. I let my mind go wild. I decide that rather than just eroticise the original tale I’d update it and have present day equivalents as the centre, and intercut this with my telling of the original story in ancient days. Both of these gods, after the Christianisation of the Slavs, joined the Christian canon as St Ilya (Elijah) and St Nikolai (Nicholas), so that gave me their names, and from there, I let rip on the transgressive possibilities that two rivals might have, while their mythological history began to bleed in to their story. The sex in this story is often violent, bestial, and always a battle.

I finished it, got a friend to read over it, called it Storms of Ancient Gods, and sent it off. The editors accepted it. I was amazed. It was my second or third acceptance, and when the anthology came out, I was delighted and startled to be in such fine company and among a bunch of stories that were unafriad of the darker, edgier and sometimes frightening sides of sex. Hell, I’d been pleased with what I wrote, but wondered how my work had ended up in the anthology at all, the quality was so high. I had grand hopes for what Freaky Fountain Press were trying to do.

Alas, Freaky Fountain Press closed up shop later that year. We all got our rights back, and Storms of Ancient Gods needed a home. When Forbidden Fiction, with whom I’d already worked for my novella Body & Bow (m/f/m, creative uses of violin and cello bows if you’re interested...) put out a call for stories about gods and goddess, it seemed the right place to send it.

I got the acceptance and was very pleased indeed. Some edits were expected, but I thought it was going to be a simple run through with some minor adjustments to sentences. Straightforward, right?

Wrong. My editor put me to work. Really put me to work. I could see his points, certainly, but it was a massive rewiring job (a metaphor he used, so aptly) to reign in POVs (I’d written an omniscient POV which didn’t quite work), enhance some scenes that really needed more detail (I’ve rarely been accused of waffling – editors regularly ask for more detail than less), hack out the multiplicity of commas (I still like commas but they were definitely excessive) and ease off on the passive construction (I think in my head passive sentences feel more ‘storytelling’ and ‘mystical’ which is why they ended up in there). There was all that to do, as well as add in chapters, and then I had the bright idea of adding in a new subplot. If I hadn’t been aware of how much an editor can influence your work for the better I was now, and in the best way possible, for he made suggestions but also ensured it was always my voice coming through.

Simple? No. A lot of work? Hell yeah. Worth it? Utterly. Storms of Ancient Gods became Gods Among Men (another request was to change the title), and it is one of the stories of which I’m most proud. If you’re intrigued, do read on...


Blurb

Ilya, self-appointed protector of his Croatian coastal town, hates Nikolai, the one man who has never bent to his will. Meanwhile, the gods—Perun the Thunderer and Veles the dragon god of the underworld—do combat in ancient times. Ilya and Nikolai discover the battles of old may not be so far in the past, and that each of them may be closer to the gods than they could have imagined.

Excerpt

Nikolai leaned languidly against the frame of the window of his second-floor study and watched the bay below, and beyond. The water shimmered with the afternoon sun. Yachts and fishing boats bobbed at the docks, and in the distance windsurfers sped along the Adriatic. Vendors sold cold lemonade along the boardwalk while mothers and fathers pushed prams and held dripping ice-cream cones for their capering toddlers. Three old men sat on a bench: one stared vacant out over the harbour while the others contemplated a chessboard. A pair of teenagers kissed and giggled as they sat on the low wall above the water. Other groups played in the water or sunned themselves on the beach. Nikolai smiled; this was summer at its most perfect, for the day was pleasantly hot, and peaceful.

That was, until Ilya charged along the harbour road in his bright red American Mustang. He parked the car, slammed the door and stomped up the boardwalk. Straight towards Nikolai’s house.

Nikolai narrowed his eyes, glaring down at Ilya. Although he’d been expecting a visit, he ground his teeth together.

There he was: Ilya Gromovnik. The same nick-name as his father, also the namesake of St Ilya. All of them—saint, father, and son—called Gromovnik; that is to say, Thunderer. Ilya Gromovnik, owner of the furniture factory, the largest employer in town, president of the chamber of commerce. So well-respected by everyone in the town for his capacity to employ many people, to be good to them in return for their complete loyalty; for his generous donations to public works (the painting of the town hall, the play parks for children, the new local museum); for his gorgeous, buxom wife Dobrana and that brood of children. How many did the man have now? Six? Nikolai had lost count.

His striking looks aided him too. Ilya was a tall man, his chest square and broad. As he charged along the boardwalk, the sun caught glints of his close-cropped coppery hair and long, neatly kept beard. His features—handsome and with a hawk-like nose—were creased in anger and he walked as if he owned everything that lay before him.

Nikolai supposed in many ways he did. Not only did he have his factory, but he also had his house on the hill that overlooked the town with pompous pride. It was high enough that anyone in the market square could gaze up over the rooftops and see Ilyaʼs home, watching over them all. Like a beloved god.

Beloved. Nikolai snorted. Feared is the better word. For who would dare to cross a man who could make drug cartels scurry away to neighbouring towns with a single phone call, an action the police could not take? Who would fight with a man who, when riff-raff sailors made trouble when they came ashore, would ensure said sailors would be found floating in the harbour the next day? And those who failed to give him proper respect or decided to try and run the town or their business a little differently had felt Ilya’s wrath, and found themselves friendless or destitute.

Lord and protector. In a town where councillors were weak-willed and the police ineffectual, who needed a mayor when they had Ilya Gromovnik?

Nikolai sighed. He was well aware of the power of Ilya’s rage. Well aware, too, that everyone in town knew that he and Ilya despised each other. Even now in the bay below, the teenage girl turned her head. Likewise, a father pushing a pram saw Ilya’s progress; stopped to grasp his wife’s shoulders and whisper something into her ear. The man who’d been staring dumbfounded out to sea started as Ilya passed him, and a child’s ice-cream tumbled to the ground as the kid froze to gaze at Ilya. As Ilya closed the distance, Nikolai could feel and hear—even through the glass—Ilya’s thundering purpose and the hush that fell over the bay. Only the gulls continued to chatter.

They were not business rivals; Nikolai ran a shipping business. He, too, was a member of the chamber of commerce. Longer than Ilya at that—he suspected that Ilya would have blocked his application had Ilya been a member first. However, he kept a number of smaller operations running that the upright and self-righteous Ilya would have loved to have seen abolished. His dance club, for instance, which on paper was perfectly legal, but where Nikolai well knew all kinds of licentious and illicit behaviour took place. His patrons—mostly tourists, male and there for other men—as far as he was concerned, were dancing and embracing the joys of life. Nikolai turned a smirking blind eye to what else besides dancing went on there.

Someone at the chamber told Nikolai he was surprised that Ilya hadn’t run him out of town yet. Nikolai had only grinned. Ilya probably would have if not for Nikolai’s generosity: people in need of loans found themselves with a discreet envelope slipped through the door. Builders would arrive at a storm-damaged house and do the repair work, refusing payment and shrugging when asked why they had come. No trumpeting, no fanfare, but Nikolai was aware that his name was mentioned. He’d have preferred otherwise, but secrets were a near impossibility to keep.

The only kept secrets he knew were the ones between himself and Ilya.

People left in Ilya’s wake, quickly packing their bags and rushing up the beach. On the horizon, dark clouds began to gather, the signs of a sea-born storm, bringing with it a suffocating heat.

Nikolai sighed, rolled his shoulders back, and stood up straight. For all his irritation and hatred of Ilya, this meeting was unavoidable. Inevitable. The wheel that had been set in motion since they were children was now rolling towards a climax that neither of them could ignore.

Links

Buy link: http://forbiddenfiction.com/story/jb1-1.000192/ - This takes you to Forbidden Fictions website and has content notes, and a link to purchase either directly from FFP or to your preferred supplier.

Gods Among Men also appears in the following two anthologies: Bi Magic and Divine Desire




Bio

Jacqueline Brocker lives and writes near Cambridge, England. Her short erotic fiction has appeared in various anthologies, and her novellas and other short stories have been published by Forbidden Fiction. Originally from Australia, when not writing she does Scottish Country Dancing and pokes at Pinterest for pictures of dragons and interesting men.



Links

Tuesday, May 12, 2015

Review Tuesday: Liquid Longing by Annabeth Leong


Liquid Longing: An Erotic Anthology of the Sacred and Profane
By Annabeth Leong
Forbidden Fiction, 2015

Some erotica aims primarily to arouse and entertain. In stories of this sort, few complications arise, no one asks any difficult questions, and everyone achieves a world-shaking climax by the conclusion. Some erotica, in contrast, takes nothing for grantednot even sexual satisfaction. Stories of this type explore the intricate, layered meanings associated with desire, its fulfillment and its frustration. They recognize the intimate connections between sex and other powerful forces: violence, spirituality, healing and death. Happy endings are by no means assured.

Annabeth Leong’s stories belong to the second category. In Liquid Longing, she has collected a set of tales remarkable for their originality, their unflinching honesty and, in many cases, for their raw, uncensored sensuality. Elements of spirit and magic loosely connect them, but the tone and perspective vary greatly from one to the next.

Several stories (“Hunting Artemis”, “The Snake and the Lyre”, “Andromache’s Prize”, “Icarus Bleeds”) riff on plots and characters from classical mythology. Others (“In the Death of Winter”, “The Fires of Edo”) create new legends. “The Three Wives of Bluebeard” offers a sapphic-themed retelling of the familiar fairy tale, along with a chilling evocation of male brutality. “Screen Siren” is an weird but wonderful outlier, a thought experiment on the societal implications of zombies, while “Touching Freedom” provides a surprising twist on tentacle porn. “Less than a Day”, featuring a mysterious being who fucks women about to die, comes close to urban fantasy. “The Miracles of Dorothea of Andrine” offers a perverse but satisfying twist on Christian doctrine, and is perhaps the story that most closely mingles the sacred and profane of the book’s subtitle.

I liked every story in the book; some of them I absolutely loved. I don’t want to spoil the personal delight readers will experience in discovering these tales, so I will not go into detail. However, I can’t stop myself from raving about “Icarus Bleeds”, the gem at the heart of this collection. This is as close to a perfect erotic story as I’ve ever read beautiful, devastating, uplifting, and intensely arousing. Ms. Leong has created a small masterpiece in this tale of obsessive desire and it tragic fulfillment. I reread it three times, appreciating new aspects each time through.

Although inspired by the familiar Greek myth of the young man who flew too close to the sun, “Icarus Bleeds” unfolds in a dark future where the chasm between the elite and everyone else yawns even wider than it does at present. The story chronicles the nuanced, desperate, doomed relationship between exquisitely beautiful Icarus, whose only dream is to fly, and Daedalus, the aging technologist who’ll promise anything to keep Icarus near him. No one’s motives are pure and, as in the myth, the protagonists ultimately crash and burn. Yet at the same time, the story provides a hint of redemption and a haunting sense that a true dream may be worth even the most terrible sacrifice.

If there were a Pulitzer Prize for erotica, I’d award it to this story.

My one complaint about this book is leveled at the publisher, not at the author. All of the stories in the book have been broken into chapters. Furthermore, each story begins with a blurb, plus a summary of the types of sexual pairing found in the tale. I found both of these editorial additions very distracting, to the point of interfering with my reading experience.

Having read a few of the stories previously, I know that Ms. Leong didn’t originally write them in chapter format. In most cases, the artificial breaks negatively impact the story flow—at least for me. This was particularly true for “Icarus Bleeds”, where a steadily mounting tension carries the narrative forward in an upward spiral that the chapter breaks interrupt.

The gender labeling convention, common in erotic romance, felt insulting to me, implying that I’d choose my reading material based on the assortment of genitalia involved. Furthermore, in many cases the labels just don’t fit Ms. Leong’s erotica. Gender in her stories is fluid and ambiguous. Characters have sex with monsters, with gods, with demons, with the embodiment of a magical tattoo. There is even a case where a character who is originally a woman transforms into a male by the story’s end. Attraction in Ms. Leong’s universe (and in mine) does not fit into neat pigeonholes. I resented the publisher’s suggestion that it should.
 
Overall, I recommend Liquid Longing very highly, if you’re a person who enjoys erotica that engages your mind as well as your body. Some of the stories may make you uncomfortable; that’s intentional. If you prefer to skim the surface rather than plumb the depths of desire, you should choose a different collection.

Wednesday, March 21, 2012

Who is This Stranger in my Bed?

By Annabeth Leong (Guest Blogger)

I am always in bed with a stranger. I'm not saying I live on a constant diet of one-night stands. I mean that sex, along with death, is an undiscovered country.

Plenty of well-traveled highways crisscross the land--in and out and up and down. But beyond the feeble reach of the headlights of any given car, a great and terrible darkness waits, the secret desires of one or more participants, mingled and heady and volatile.

Even with a familiar lover, I feel it there. Suddenly, he keeps moving so I can't get my legs straight the way I want. A whispered word I can't quite hear. A nipple twisted with dangerous intent. Maybe the person becomes a strange snoring shape, or a pair of unreadable eyes blinking at the light of morning.

It makes me want to get closer, skin to skin and even closer. It makes me want to run away noiselessly, under cover of night. I've never been able to sleep the first time I'm with someone. I'm too aware of the person's new smell and the puzzling configuration of our limbs.

Sex reveals the most intimate details of a person, and yet it also highlights the ways this person will always remain alien and other. Sometimes I look deep into my lover's eyes. Sometimes I close my eyes and plunge into private fantasies.

When I started writing erotica, I got fascinated by how I could characterize people by how they have sex. Well-meaning people often say you should "be friends first" before jumping into bed with someone, but you don't have to talk to learn about someone. Sex uncovers plenty.

Does she refuse to receive pleasure, clinging to the power of a long blow job with no oral reciprocation? Does he make noise when he comes? Does she like to stroke his ass between hits with the flogger? Does he kiss or bite or both?

These are the sorts of clues that bring me closer to a lover, the little secrets that make me feel intimate with someone. They're also mysteries. Who the hell is this person anyway, and why does he or she do that?

For a long time, I've liked stories about characters who don't have much of a connection before they wind up in bed. I like the vulnerability of stranger sex, hidden just under the tough skin of I-Know-Exactly-What-I'm-Doing.

In "Less Than a Day," a short e-book I wrote for Forbidden Fiction, the main character, Tod, knows when a person has less than 24 hours to live, and uses the information for seduction. It's a vicious story that grew an odd sense of romance. My female character would rather fuck a stranger than be alone, but the way she fucks Tod becomes so gloriously specific and particular that he's tempted to pretend they have something more.

I never give her a name, and yet she looms large in my imagination, more vivid than characters I've spent months building, more alive than characters for whom I've invented birthdays and favorite foods. To me, she is the fascinating stranger, who likes her nipples bitten for reasons that aren't clear from the mishmash of books on the shelves in her neatly arranged house.

She is frank about her desires in a way that still makes me uncomfortable. I wrote the story against my better judgment, letting her escalate their encounter to the point that I wondered who would ever publish this thing. I've read and written enough erotica by now to know that "Less Than a Day" probably isn't all that shocking amid the field of all that's out there.

But to write this thing, I had to strip off another layer of my inner nice girl. I had to become a stranger to myself, turned on by things I don't want to admit and don't understand. Many times in my work, I wrap romance around stark sex scenes--it makes them more palatable, maybe to readers, but mostly to me. This story lays out the sex in all its ugliness and selfishness, but by my writing you can tell I think it's beautiful.

Sometimes, sex forces me to take a long, hard look--not just at the strange other body lying there with me, but also at the stranger in my head.

I kept "Less Than a Day" under wraps for a while after I wrote it, but I'm so pleased to have found the editors at Forbidden Fiction, who have really believed in it. Here's an excerpt.

***

He watched her ride him. He was turned on and ready for her, but the way she moved relaxed him. She was content to fuck herself with his cock. He didn’t need to do anything in particular for quite some time.

He toyed with her, pinching her thighs or her nipples or her sides. She fucked him, rubbing her clit, squeezing her nipples, slipping her fingers into her mouth and then down to her clit once they were spit-covered and then back to her mouth once they were cunt-covered.

Sometimes, she slowed. For a while, she lowered herself so she rested on his chest and ground her clit against his pelvis while she squeezed his cock hard with her cunt. She sat up after that and leaned back so her breasts thrust out, bracing herself with one hand on his thigh behind her. Keeping her body still, she brought her free hand to her clit and masturbated ostentatiously. He didn’t think it was for his benefit. Instead, she masturbated with his body. The idea turned him on. He felt his cock getting harder inside her.

He couldn’t believe her wrist wasn’t tired. She circled her fingers over her clit with ferocious intensity, sweating, gasping in frustration every time she didn’t quite climax. Eventually, she came so hard he could clearly feel her spasming even through the condom.

While she was still coming, she resumed fucking him, really slamming down on him now. For the first time he groaned, his eyelids falling closed. He reached out for her. He wanted to fuck her back. He wanted to arch up into her and come. He wanted to push deep into her, and pull back only so he could push into her again.

“Don’t you dare come yet, you motherfucker,” she said then, her voice coming tight through clenched teeth. “Don’t you fucking dare come.”

He opened his eyes and stared at her. She was biting her lower lip, gripping his shoulders while she fucked him hard. Her hair hung around her face in sweaty threads, and sweat dripped down her back and off the points of her tits. Her eyes were hooded and dazed, staring vacantly into his face and seeing something far beyond.

He couldn’t help himself. He grabbed her and pulled her down into a hard thrust. Once. Twice. Three times, and that was it. He groaned and came while she still tried to ride him. He heard her above him, saying, “Damn it, damn it, damn it.”

Feeling her tight pussy still moving while he came drained him all the way.

She came to a crashing stop on top of him. “You couldn’t wait?”

He shook his head, his cock still throbbing with the pleasure of it.

“I was so close to coming again.”

“I can take care of that.” He wouldn’t have said it normally, but he wanted to make it up to her.

She cocked her head, relenting a little.

He eased her gently off his cock and got rid of the condom. Then he pushed her onto her back and lowered his lips to her pussy. It tasted a little unpleasant there, what with the latex and the sweat and the smell of his own body. But she grabbed his head right away and pulled him in.

“Don’t think you’re doing me a favor just by licking it,” she hissed.

***

You can pick up the short e-book here: http://forbiddenfiction.com/library/story/AL1-1.000030

***

Annabeth Leong found relief in erotica. Reading others’ stories opened up a world of freedom and exploration. Writing it increased the thrill. Since her first published story in 2009, she has written for anthologies by Cleis Press, Ravenous Romance, Coming Together, Forbidden Fiction, and Circlet. Her most recent works are "A Cure for Excess" in D.L. King's Spankalicious, and "Getting Something Out of It," which will be published in Rachel Kramer Bussel's Going Down: Oral Sex Stories. Her novella, The Six Swans, is forthcoming from Coming Together: Neat. Her work has appeared online at Every Night Erotica and Oysters and Chocolate. Besides freedom of speech, Annabeth loves shoes, stockings, cooking, and attending concerts--probably in that order. She lives in Providence, Rhode Island. She can be found on Twitter @AnnabethLeong, and blogging at annabethleong.blogspot.com.