By Spencer Dryden (Guest Blogger)
Scratch
a writer about story development and you can sit back for an hour of
uninterrupted babbling. We love to talk about where stories came
from, but in fact many of us don't know. I don't really know where Bliss came from. (look already, he's ending sentences in
a prepositions.) I am new to writing fiction. My bio says I was
trained in fiction writing on the job with the sales and marketing
reports I wrote for management.
It sounds funny, but it is literally
true. I was never an avid reader and certainly not a writer. This
fiction thing is something that was hovering in the background for a
long time. When I turned 62 (I'm 64 now) I realized I was running out
of time to act on my dreams. My friends are retiring from long
distinguished careers. I've never had one. They are also dying of
natural causes now. When I go to class reunions only old people show
up. The babes I lusted for in high school are grandmothers now. It's
my time now, or never.
Luck,
and the kindness of strangers are essential ingredients for writing
success-everyone is talented, everyone works hard. I got lucky.
Lucky, in that a friend who is a successful playwright read some of
my initial scratchings I sent him on a whim. He told me I was a
natural storyteller and I had a good ear for dialogue. Blew me away.
I never would have started without that wonderful anointing. What
ever it is he saw didn't come from the traditional path of reading,
writing and dedication to learning the proper construction of the
English language.
Many
of my stories come out of the blue, as if delivered by the muse
riding the purple unicorn blasting me with pixie dust. Bliss
is very different from the other stuff I've written. If I were to put
ropes around my writing, it is male erotica, laced with humor. I'm
the guy who invented The Gueschtunkina Ray Gun-one blast from this
weapon renders a woman into a high state of sexual arousal. That's
funny. That's not Bliss. In fact it took me a couple of
rejections to realize that Bliss wasn't romance or
erotica. Fortunately the good folks at Breathless Press have a line
for romantic suspense, Covert, where Bliss has found a
home. More luck. I barely did any research before submitting to them.
I'm even a little embarrassed to say I hadn't read a single offering
in their portfolio when I pushed the 'send' button.
The
story line of the book came from a practice I use that is
not to far from the actors training of improv. I smash ideas together
and see if I can make something begin to take shape-often with two
characters talking. So, I though, suppose there is a woman who is
suddenly elevated to the kind of career and social status that is the
modern woman's dream. But she's unhappy because her husband has lost
sexual interest in her and she doesn't want to lose him. She doesn't
have tools to address the problem so she goes to a sex therapist
where deep dark stuff comes out. Then, instead of a 200,000 word John
Updike novel of midlife, suburban angst, which requires using words
like avuncular, the story turns to the manipulation by her
misogynistic pastor and his desire for spiritual purity among the men
of his flock. So I'm smashing unresolved psychic trauma in youth into
the burden of religious guilt and shame, imposed by charismatic man
of God. Fun stuff.
In
one of those quirky writing things, Bliss is not a state of being but
is the name of the the mythical town in New Hampshire where the story
takes place. In my original story line the pastor was going to be at
war with the town's largest employer, Bliss Industries, a maker of
sex toys. But it just wasn't working out. Not all smashed together
ideas do. I found a much more nefarious plot line which I cannot
reveal without spoiling the story, but I never changed the name.
The
story is set in 1995. There's nothing terribly memorable about 1995
but I wanted a story before cell phones became ubiquitous. (Hey now,
there's John Updike word.) I also wanted it set long enough ago that
my MC, Christina McArdle, (35 in the story) could have attended old
time Catholic school. The guilt and shame thing plays heavily in this
story. As a Catholic school kid of the 50's, I'm telling you, they
could lay it on-never mind what the priests were doing to young boys.
(This celibacy thing just has not worked out.)
Another
quirky writer thing in this story, and all my stories, I name
characters after friends who have passed.
It's just a little tribute
to their memory. The character in the story usually bears little
resemblance to the one remembered. Unlike Hitchcock though, I do not
make cameo appearances in my stories. There is enough of my real life
buried between the lines already. Although there is a disclaimer in
fiction books about representations of living persons, in fiction you
can get the revenge that real life only affords with long jail terms.
I love it.
I
have to admit I am very anxious to get a gauge on how this story is
received and interpreted by the reading public-which hopefully will
be millions (right). I have been surprised by how different the story
I write can be from the one that is read. Steven King reminds writers
that once you put something 'out there' you lose control of how it is
interpreted. This story has elements I think will resonate with a lot
of women. It might also piss off a bunch of people as well. I guess
if its a good story, it will do a little of both. If you happen to be
motivated to read it as a result of this lucid post (my what an ego)
I hope you'll send some feedback.
You can get the book from Amazon or your favorite e-bookseller.
You can get the book from Amazon or your favorite e-bookseller.
At
Twitter: @SpencerDryden
About Spencer
Some
men are born great, others strive for greatness; still others have
greatness thrust upon them. Spencer Dryden is none of these men. In
fact, he is so unimpressive, he leaves no footprints on newly fallen
snow. He was trained in fiction writing on the job with the many
sales reports he produced for his managers, winning the coveted “keep
your job contest” three years running. His expense reports are
still considered masterpieces of forgery by the bankruptcy trustee of
his former employer. He lives an unremarkable life in a suburb of a
northern city. His friends and family would drop dead in horror if
they knew of his secret life as a writer of erotica. He hates the
family cat but still loves to pet his wife.
5 comments:
Aloha Spencer and Lisabet,
Wow, fantastic blog. I loved reading this. I think your 'regular' writing is just as interesting as your story writing Spencer. I've read Bliss. Highly intriguing and very well paced. The ending is brilliant. I really loved this story. And enjoyed this blog immensely. I like how you use people's names who have passed on. That's neat. :-) I have my mum in my books. :-)
Thanks and aloha Meg :-)
Great post, Spencer, and I have to say, it sounds like a wonderful book. From the other stuff of yours that I've read, I agree with your playwright friend.
I use the "smash together" method, too. The more outrageous the juxtapositions, the better. Just check out RAJASTHANI MOON if you don't believe it.
I hope the book sells phenomenally well. With five 5 star reviews already on Amazon, you're going in the right direction.
Thanks Meg:
I've also used my stories to reek revenge on people who have done me wrong.
Thank you Lisabet.
Great post Spencer! I love how in depth you get about your writing process and how unapologetic you are about it. As ERWA's banner implies, there is no right way to write. What works for one person, won't work for someone else. Very well done
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