I just got my cover from Books We Love for my upcoming release Nasty Business. Definitely captures the some of the book's outrageousness!
Notice the guy in handcuffs in the background?
The book should be available in a week or so. Don't worry - I'll definitely do a giveaway!
Oh, and while I've got your attention - check out the five star review that Whipped Cream gave to the Switch anthology!
http://whippedcream2.blogspot.com/2012/11/switch-by-desiree-holt-lisabet-sarai.html
We're up for book of the month!
Tuesday, November 20, 2012
Monday, November 19, 2012
How the World Has Changed
Last weekend we finally managed to get out to see the recently released James Bond movie, "Skyfall". I have to admit that nobody will ever replace Sean Connery for me, but overall the film was pretty entertaining.
As you probably know, this year marks the fiftieth anniversary of the first James Bond film. The new movie is very conscious of its history and deliberately plays with the Bond traditions. It's almost like going to see the Rocky Horror Picture Show - you just sit there waiting for the "Bond - James Bond" to pass those coldly smiling lips. At the same time, muddling old gadget engineer "Q" has been replaced by a twenty-something nerd, and Miss Moneypenny is no longer a fair English rose. Shanghai has superseded Moscow and encrypted hard drives are the new microfilm.
There are, of course, lots of fancy modern technology in Skyfall (possibly a bit more realistic than in some films), fiery explosions, gorgeous women, luxurious and exotic settings, well-tailored suits, and martinis shaken not stirred. Some things never change. One scene, though, made it very apparent that we're not in 1962 any more. This is the scene in which Bond receives a sexual proposition from the villain (played with manic finesse by Javier Bardem) - and suggests that he's had homosexual experiences in the past.
The interchange is brief, but for me at least, amazingly encouraging. James Bond is the ultimate male icon. The notion that he can talk calmly (if perhaps ironically) about feeling same-sex attraction in a PG movie is almost unbelievable. Clearly it doesn't make him less masculine or less of a hero, in the eyes of today's viewers.
I wanted to get up and dance around. Because I had the feeling that nobody really noticed all that much. Nobody booed, or left the theater, horrified.
As for me, I thought the scene was pretty hot, as Bardem strokes Bond's bare, scarred chest and makes veiled but unmistakable suggestions. But that's neither here nor there - everyone knows about my diverse erotic tastes.
What's important is that the world has changed. People have become more accepting of homoeroticism, less threatened. That's a step in the right direction, as far as I'm concerned.
Perhaps sometime soon, we'll even see a gay or bisexual secret agent, battling against the forces of evil. Maybe there will be "Bond guys" as well as "Bond girls". Who knows what the future holds?
Happy Anniversary, 007. Looks like you're growing up.
As you probably know, this year marks the fiftieth anniversary of the first James Bond film. The new movie is very conscious of its history and deliberately plays with the Bond traditions. It's almost like going to see the Rocky Horror Picture Show - you just sit there waiting for the "Bond - James Bond" to pass those coldly smiling lips. At the same time, muddling old gadget engineer "Q" has been replaced by a twenty-something nerd, and Miss Moneypenny is no longer a fair English rose. Shanghai has superseded Moscow and encrypted hard drives are the new microfilm.
There are, of course, lots of fancy modern technology in Skyfall (possibly a bit more realistic than in some films), fiery explosions, gorgeous women, luxurious and exotic settings, well-tailored suits, and martinis shaken not stirred. Some things never change. One scene, though, made it very apparent that we're not in 1962 any more. This is the scene in which Bond receives a sexual proposition from the villain (played with manic finesse by Javier Bardem) - and suggests that he's had homosexual experiences in the past.
The interchange is brief, but for me at least, amazingly encouraging. James Bond is the ultimate male icon. The notion that he can talk calmly (if perhaps ironically) about feeling same-sex attraction in a PG movie is almost unbelievable. Clearly it doesn't make him less masculine or less of a hero, in the eyes of today's viewers.
I wanted to get up and dance around. Because I had the feeling that nobody really noticed all that much. Nobody booed, or left the theater, horrified.
As for me, I thought the scene was pretty hot, as Bardem strokes Bond's bare, scarred chest and makes veiled but unmistakable suggestions. But that's neither here nor there - everyone knows about my diverse erotic tastes.
What's important is that the world has changed. People have become more accepting of homoeroticism, less threatened. That's a step in the right direction, as far as I'm concerned.
Perhaps sometime soon, we'll even see a gay or bisexual secret agent, battling against the forces of evil. Maybe there will be "Bond guys" as well as "Bond girls". Who knows what the future holds?
Happy Anniversary, 007. Looks like you're growing up.
Sunday, November 18, 2012
Sunday Snog: Getaway Girl
My snog today comes from Getaway Girl, an early flirtation with British and light bondage themes.
All that Peg wants is a break, a bit of adventure, a relief from her mundane existence in the buccolic but boring Yorkshire hamlet of Kirkby Malzeard. When dashing, sophisticated journalist Lionel Hayes saunters into the pub where she's tending bar, Peg suspects that he was just the sort of man to fulfill her fantasies of escape.
The seductive Lionel, however, is not what he seems. Before she knows it, Peg is a hostage, roped and gagged, speeding away from the scene of a daring crime. Lionel is armed and dangerous, but somehow Peg still wants him - regardless of the consequences.
The seductive Lionel, however, is not what he seems. Before she knows it, Peg is a hostage, roped and gagged, speeding away from the scene of a daring crime. Lionel is armed and dangerous, but somehow Peg still wants him - regardless of the consequences.
Jack slumped down on the
couch. Within sixty seconds he was unconscious, snoring loudly.
Lionel stuffed the gun into his waist and leaned down to shake his
accomplice. “Jack! Wake up, Jack!” The growl of Jack’s snores
didn’t alter.
Peg began to edge
backwards. Lionel grabbed her shoulders, his fingers biting into her
flesh. “What did you do to him?”
“Me? I didn’t do
anything.”
The thief slid his hands down and gripped her wrists, trapping them. “You minx! Don’t lie to me.” Holding her wrists behind her with his right hand, he leaned over and picked up Jack’s glass. A white sludge coated the bottom. He held it up in front of her face.
“Okay, okay. I dumped the
remains of my gran’s sleeping pills into the whisky. It won’t
hurt him. Meanwhile, while he’s asleep, I thought that you and I
might talk.” Peg pressed her body up against Lionel’s, trying to
be provocative while controlling her own arousal. “Perhaps I can
convince you to let me go.” His grip on her wrists tightened
ominously.
His heat penetrated the light fabric of her blouse. She rubbed her breasts against his blazer, wishing despite her best intentions that the two of them were naked. She could feel two hard lumps poking into her abdomen, the unyielding steel of the gun, and lower down, the equally rigid bulk of his erection. A shiver ran through her. She knew that she was playing a dangerous game.
“You’re not going
anywhere, Margaret. For the time being, I plan to keep you right
here.” Before she knew what was happening, Lionel had picked her
up and thrown her over his shoulder again. She yelped in protest. His
arm clamped down across the backs of her thighs.
“Put me down,
you—imposter!” Peg tried to kick, but her legs were effectively
immobilised. She beat on his back with her fists, but he ignored her
assault as he carried her up the twisty, narrow stairs to the bedroom
under the eaves.
Despite her anger and fear, she found herself amazed by his strength. She was nearly ten stone, yet he lifted her as easily as if she’d been a child.
Lionel tossed her body onto the bed. She sank into the old mattress, raising a cloud of dust that made her sneeze. Her captor turned the key in the lock, then returned to face her, grinning that outrageous, irresistible grin.
“We don’t want to wake
poor old Jack, do we?” He held up the hank of twine from the bar.
“I plan to make completely sure that you don’t escape.”
Peg was suddenly dizzy with desire. She fought for rationality.
“You don’t have to tie
me up. I won’t try to get away.” But he was already removing her
shoes and fastening her left ankle to the iron bedstead.
He paused and searched her face for a moment, then bent and ran his tongue slowly over her bare instep. The wet heat swept over her extremities, rose to her belly, turned her whole body to liquid. Peg writhed on the old bed, unable to hide her reactions.
By the time she had recovered, her thighs were spread and both feet were bound. Lionel leaned over her, once more grasping both her wrists in his large hand. He raised them over her head, looped the twine around them, then fastened it to the metal pipes that made up the headboard.
“You don’t understand,
Margaret dear. I want to tie you up.” He fastened his lips on
hers, those lush, soft lips of his that held such promise. Now those
lips were demanding, urgent, stealing her breath, consuming her,
claiming her. The kiss went on forever, yet ended too soon. Lionel
nibbled at her earlobe, whispered in her ear.
“That’s what you want,
too.”
Saturday, November 17, 2012
Things That Go Bump in the Night
By L.M. Somerton (Guest Blogger)
I recently read an article by Susan Hill, author of The Woman in Black, about what makes a good ghost story. It made me wonder if the same principles would apply to an erotic ghost story. How do you create the atmosphere needed when the core of the tale is an MM romance?
It’s one thing to sit
around a campfire spinning spooky yarns and controlling your audience
with the drama of the moment. Unfortunately it’s not possible to
rely on readers to create the appropriate atmosphere for themselves
or to issue instructions in the preamble to the book:
- 1. Do not read unless you are situated in an appropriately spooky setting. E.g. graveyard, abandoned asylum, haunted house.
- 2. Weather must be atmospheric – fog, heavy rain, thunder and lightening are all acceptable.
- 3. Watch a really good horror film to get yourself in the right state of mind i.e. ready to jump out of your skin at the least provocation.
- 4. Switch off all lights and read with a torch.
I have to confess that
when I wrote The Portrait I wasn’t consciously considering
which elements would work when it came shivers of fear. I was more
worried about shivers of desire between the two main characters. In
either case there is a fine line between giving your readers a thrill
and sending them into fits of laughter. How do you avoid the traps
and pitfalls of stereotypes but still give your readers what they
need to really feel the atmosphere you are trying to create? In this
day and age we are exposed to every imaginable take on the
supernatural. Films and computer games bring our worst fears to life
at the touch of a button. Is it even possible to create that kind of
atmosphere any more or are readers immune to anything that isn’t in
3D?
I think the same thing
that makes a story erotic can make it scary. Imagination. It’s the
author’s job to put the pieces in place, to lay the foundations for
the reader to then build their own picture – to really see, hear
and feel what the characters do.
By happy accident, many of the ‘required elements’ of a ghost story snuck their way into The Portrait, so all those 18th century gothic novels I’ve read must have been lurking in my sub-conscious. Hints of a spectral presence, unexplained noises and shadows, an old house where the memories of past horrors linger – they are all there, aided by the natural atmosphere provided by the wonderfully gloomy British weather.
It only takes the smallest hints and suggestions to capture an intelligent reader’s imagination and I think that works so much better than launching into a full-blown terror-ride from the first line. Shakespeare put it well in the Scottish play:
By the pricking of my thumbs,
Something wicked this way comes.
My
characters, Garrick and Tristan, know that something evil objects to
them being together. Finding out why and working out what to do about
it is intertwined with the story of their developing relationship. I
wanted my characters to tingle in all the right places; the fear and
anticipation of what might happen adds something unpredictable to
their romance and turns the heat up just a little bit higher!
So if you like your erotica with a hint of the supernatural, I think you’ll enjoy The Portrait – here’s the blurb to tell you a bit more:
When Tristan Lindsay takes a job cataloguing the library at Faversham Park, home of rock star Marcus Balen, he also accepts a role as companion to Balen’s artist son Garrick.
Garrick is beautiful
and talented, he’s also demanding and infuriating. He uses Tristan
as an unwilling model, shamelessly manipulating the shy boy’s
emotions to draw out his submissive tendencies.
Drawn in to the enigmatic artist’s world, Tristan discovers a side of himself that he didn’t realise existed. Afraid of his own feelings, he learns to trust Garrick and falls deeply in love.
But Garrick has a secret that could tear them apart. A ghostly rival objects to Tristan’s presence in Garrick’s life. As the spectre’s malevolence increases, the young lovers must search for clues to the haunting and find a way to exorcise the jealous ghost. What they find leads them down a path that challenges the dynamics of their relationship. Will their love be strong enough to overcome its supernatural opposition or will there be no happily ever after?
And a short excerpt to tempt you:
Garrick was bent over a large drawing board, skimming over creamy paper with a soft-leaded pencil. His strokes were confident and he was utterly focused on what he was doing. Suddenly he looked up, his breath steaming in the unnaturally cold air. He cringed and swiped at his neck, rubbing away the sensation of clammy fingers exploring his skin.
“Leave me alone.” His voice was tight with a tension that was mirrored in the set of his jaw. After just a few seconds, the temperature reverted to its normal level and Garrick relaxed with a sigh.
He sat back and took a critical look at the drawing in front of him. A perfect likeness of Tristan stared back and Garrick licked his lips. The image captured the expression that appeared on Tristan’s face every time Garrick looked at him—a cross between fear and desire. A calculating smile curled Garrick’s lips as he pinned the picture to the wall. “You’re mine, Tristan Lindsay. You just don’t know it yet.”
Order your copy of The Portrait by L. M. Somerton here: http://www.total-e-bound.com/product.asp?P_ID=1902
Bio: Lucinda lives in a small village in the English countryside, surrounded by rolling hills, cows and sheep. She started writing to fill time between jobs and is now firmly and unashamedly addicted.
She loves the English weather, especially the rain, and adores a thunderstorm. She loves good food, warm company and a crackling fire. She’s fascinated by the psychology of relationships, especially between men, and her stories contain some subtle (and not so subtle) leanings towards BDSM.
You can read more about L.M. Somerton at her blog http://lmsomerton.wordpress.org or write to her at lmsomertom - at - aol.com.
Friday, November 16, 2012
Don't Fight Your Nature
After years of struggle, I've finally learned that lesson.
I always envied the girls with long, straight hair. Alas, that just isn't me. I am fortunate (I know now) to have thick, curly, sometimes frizzy, hair that just doesn't want to be tamed. I spent my high school years ironing my locks (yes, that isn't just an urban myth), though my mom drew the line at chemical straighteners (thank goodness). It didn't help much. Somehow my hair always grew sideways as much as down!
But what about my head shot? Looks pretty straight there, doesn't it? Part of that is due to air brushing. (That picture was taken long before Photoshop existed!) Part was due to the fact that I was still recovering from anorexia, which caused a lot of my hair to fall out. So for a few years my hair wasn't quite as bushy.
Pretty soon, though, I was back to normal...
Anyway, in the last decade or so, I've run up the white flag. I now have my hair cut shoulder length or shorter, using techniques that enhance the curl. When I first come home from the salon, my head is a mass of ringlets. And I love it. It's easy to care for - I just wash it and let it air dry, and the curl reappears all on its own. I've finally found a hair style that's compatible with my natural endowment.
I think a lot of writers increase their stress level because they try to fight their natural tendencies. Some of my colleagues struggle to write explicit sex scenes because they believe that's what the market wants - but they really hate the process. They're not comfortable, but they force themselves, and lose the joy of the writing in the process. Then there are the authors who decide they must write BDSM, because that's what's hot, post-Fifty-Shades. Doesn't matter that they've never been spanked or bound, and never wanted to be - they feel compelled to write in that genre, usually with less than stellar results. I think this is misguided. Some people are naturally vanilla, I believe. There are plenty of readers who fall into that category too.
Then there's me. I'm polymorphous perverse, interested in sexuality in all its forms - gay, lesbian, menage, male dominant, female dominant, fetish, and lots of other niche interests that might shock you if I were to enumerate them. And I like to mix it all up in the same story, when I can.
But readers have told me they don't want M/F interaction in a M/M story. I've gotten some feedback that the majority of romance fans, at least, find F/F interactions "icky". If they find that icky - good Lord, how would they react to some of my more extreme fantasies?
Lately, though, I've decided that I'm not going to fight my nature. I'm going to give myself permission to follow the dictates of my imagination. If I turn some readers off - well, they'd probably be lukewarm about my more restrained pieces as well. My best stories are the ones where I explore what I find intriguing and arousing. And that's pretty varied.
So I've given myself permission to include some F/F interaction in my current WIP, even though it's intended for a romance audience and is primarily a M/F/M menage. After more than a dozen years writing and publishing, it's time for me to follow my natural inclinations.
I always envied the girls with long, straight hair. Alas, that just isn't me. I am fortunate (I know now) to have thick, curly, sometimes frizzy, hair that just doesn't want to be tamed. I spent my high school years ironing my locks (yes, that isn't just an urban myth), though my mom drew the line at chemical straighteners (thank goodness). It didn't help much. Somehow my hair always grew sideways as much as down!
But what about my head shot? Looks pretty straight there, doesn't it? Part of that is due to air brushing. (That picture was taken long before Photoshop existed!) Part was due to the fact that I was still recovering from anorexia, which caused a lot of my hair to fall out. So for a few years my hair wasn't quite as bushy.
Pretty soon, though, I was back to normal...
Anyway, in the last decade or so, I've run up the white flag. I now have my hair cut shoulder length or shorter, using techniques that enhance the curl. When I first come home from the salon, my head is a mass of ringlets. And I love it. It's easy to care for - I just wash it and let it air dry, and the curl reappears all on its own. I've finally found a hair style that's compatible with my natural endowment.
I think a lot of writers increase their stress level because they try to fight their natural tendencies. Some of my colleagues struggle to write explicit sex scenes because they believe that's what the market wants - but they really hate the process. They're not comfortable, but they force themselves, and lose the joy of the writing in the process. Then there are the authors who decide they must write BDSM, because that's what's hot, post-Fifty-Shades. Doesn't matter that they've never been spanked or bound, and never wanted to be - they feel compelled to write in that genre, usually with less than stellar results. I think this is misguided. Some people are naturally vanilla, I believe. There are plenty of readers who fall into that category too.
Then there's me. I'm polymorphous perverse, interested in sexuality in all its forms - gay, lesbian, menage, male dominant, female dominant, fetish, and lots of other niche interests that might shock you if I were to enumerate them. And I like to mix it all up in the same story, when I can.
But readers have told me they don't want M/F interaction in a M/M story. I've gotten some feedback that the majority of romance fans, at least, find F/F interactions "icky". If they find that icky - good Lord, how would they react to some of my more extreme fantasies?
Lately, though, I've decided that I'm not going to fight my nature. I'm going to give myself permission to follow the dictates of my imagination. If I turn some readers off - well, they'd probably be lukewarm about my more restrained pieces as well. My best stories are the ones where I explore what I find intriguing and arousing. And that's pretty varied.
So I've given myself permission to include some F/F interaction in my current WIP, even though it's intended for a romance audience and is primarily a M/F/M menage. After more than a dozen years writing and publishing, it's time for me to follow my natural inclinations.
Thursday, November 15, 2012
November Newsletter
New and Upcoming Releases
I'm sorry to have deserted you last month! I was away for much of October, so I figured I would just defer my next newsletter until November.
Mastering Maya is available now as a stand-alone title at Total-E-Bound. It will be at Amazon, Barnes and Noble, and all your other favorite booksellers next Monday, November 19th. But if you buy it this week, as a VIP pre-release title, you get 10% off the list price!
Meanwhile, the Switch anthology, which includes "Mastering Maya" as well as great stories from Desiree Holt, Elizabeth Coldwell, Wendy Zwaduk, Amy Valenti and Lauren Gallagher, is out in print. Want to win an autographed copy? Enter my monthly contest!
I've been working on edits for Coming Together: In Vein, my charity vampire anthology scheduled for December release. It is - if I may humbly say so - a sensational book, and will support one of my favorite causes, Doctors Without Borders. Did you know that DWB are running clinics for victims of Hurricane Sandy? For more information about their critically important work, click here. Are there any fans of the undead on your holiday gift list? This volume may be just the thing!
And for zombie fans... Check out the latest Coming Together collection Coming Together: Hungry for Love, edited by Sommer Marsden. I don't have a story in the book, but it features some of my favorite authors and benefits a wonderful cause - the American Diabetes Association.
Other News
My last free read was M/M, so this month I'm sharing a sizzling snippet of lesbian erotica called entitled Architecture of Desire - a classic case of opposites attracting. I also have an addition to the poetry section, a bittersweet erotic haiku cycle entitled Boston Rendezvous.
To thank my readers, I'm also giving away a free PDF of my M/M/F ménage story Something Borrowed, complete with a cover designed by me. All you have to do is ask! Send me email at contest - at - lisabetsarai.com with the subject line "Free Story", from the email where you want the PDF sent. It's as easy as that!
At the Erotica Readers & Writers Association this month, I'm talking about mobile computing and what it means to authors in the latest column in my Erotogeek series, "App-y Together: Straight Talk about Mobile Madness". If you've ever wondered exactly how an app works, I explain this (and more) in simple terms.
My major work in progress, Rajasthani Moon, is starting to look like it will be novel length. I'm having a fabulous time penning the adventures of Cecily Harrowsmith, secret agent for Her Majesty Queen Victoria - Amir, the Rajah of Rajasthan - and Pratan, his shape-shifting half brother. In Rajasthan, anything can happen!
I've also got a couple of shorter works simmering on the back burner. Given how long it takes me to finish a novel, I may try to bang those out first.
Contests!
Congratulations to Kaylyn and Anne, the two winners of my September "Buying Books" contest. And thanks to all of you who shared their book-buying preferences. The answers were quite varied. I was pleased to read that some of you still actually visit brick and mortar bookstores! (For a glimpse of one of my favorite bookstores, read my recent blog post.)
Since November is the traditional time for gratitude, I'm running a contest with that theme. The prize? An autographed print copy of Switch (first prize) and a PDF copy of Mastering Maya (second prize). All you have to do is send me an email at contest - at - lisabetsarai.com, using the subject line "Gratitude". In the email, tell me the top three three things you're thankful for this November. That's all there is to it!
I'll tell you my list (although I have so many blessings, it's a bit difficult to choose):
- My health
- My husband
- My readers
Lisabet's Pick of the Month
My pick of the month for November is Erzabet Bishop's review blog Erzabet's Enchantments. Looking for something sexy to read? Erzabet's blog is a great place to browse, particularly if you're partial to BDSM and related themes. In fact, as I was wandering around, starry-eyed, I discovered that the site had reviewed the Switch anthology - and gave it 5 out of 5!
Wednesday, November 14, 2012
Discovering Sex and Self in a Foreign Land
By Donna George Storey (Guest Blogger)
Thanks
so much for hosting me at your blog, Lisabet. It’s an especially
fitting place to celebrate the ebook release of my novel, Amorous
Woman,
because your first novel, Raw
Silk, a
mesmerizing erotic tale of Thailand, was a great inspiration for me
to write about my own experiences living in Japan.
Perhaps
it’s not surprising that both of our novels follow a time-honored
master narrative—a woman’s journey of erotic discovery. And in
both Raw
Silk and
Amorous
Woman,
the heroine’s relationship with her lovers is mirrored by her
growing intimacy with a new and fascinating culture. I’ll confess
I also lifted another model for my first book-length project: the
plot of a 17th
century Japanese erotic classic called The
Life of An Amorous Woman
by Ihara Saikaku. With a sharp eye for the humor in Japanese
society, Saikaku allowed his lusty protagonist to experience every
role open to women of her time from a court lady to a streetwalker.
(Perhaps the perennial appeal of the female experience earned this
book more sales and critical acclaim than his The
Life of an Amorous Man).
I translated this story into an exploration of a foreigner’s
experience in Japan in the late twentieth century. My protagonist,
Lydia Evans Yoshikawa, starts off as an English teacher, marries a
Japanese businessman, becomes a bar hostess, the mistress of a rich
man, and finally a call girl. Her desire to get closer to Japan is
sometimes frustrated, sometimes delightfully fulfilled. I’m
gratified to say that fellow gaijin
(the Japanese word for “foreigner”) almost always tell me I got
it just right.
While
I thoroughly enjoyed bringing to life my sensual memories from the
three years I lived in Japan—the delicious and beautifully arranged
meals, the scent of fresh straw floor mats and the cool glide of a
silk kimono on my skin—I found as I wrote Amorous
Woman
that I was gaining a valuable perspective on my own sexual odyssey.
Society gives us so many messages about what sex should be. The
appeal of the story of a woman’s erotic education may indeed be
that we all—male or female--must discovery for ourselves what sex
and pleasure mean for us personally.
In
that spirit, I wanted to share a scene from the novel that
illustrates a critical moment of discovery for Lydia while she is
still in America, but one that will resonate throughout the novel.
She’s always been an “A” student and a “good girl,” still a
virgin at eighteen. Her worldly cousin Caroline throws a party with
plenty of handsome college boys so that Lydia can choose the man to
deflower her. She also gives Lydia a lesson on how to give a good
blow job to develop her confidence when she’s alone with her first
lover. At the party, Lydia picks out the lucky guy and proceeds to
seduce him by being light-heartedly honest about her intention to
have sex with him that very night.
From
Amorous
Woman:
“Are
you sure it’s okay if we use your cousin’s bed?” Mike said,
frowning at the “Do Not Disturb” sign on the doorknob, which I
ignored.
“Oh,
yes, she knows we’re going to have sex. She reserved it especially
for us.”
He
shook his head and laughed again.
And
then, well, I don’t remember exactly how we got naked, or who
pushed whom down on the bed, or when exactly we stopped kissing and
started doing other things, but there were more than a few firsts
that night.
It
was the first time a guy kissed my breasts so softly and slowly, I
learned that lips tugging gently on my nipple could make me wet
between my legs.
It
was the first time I tried Marybeth’s lesson on a real penis—thank
you Marybeth for a gift that keeps on giving. It was bigger than a
thumb, but far more interesting. I loved the way it twitched when I
stroked it, the way it grew even harder in my mouth, the way Mike
moaned softly as he watched me do it, eyes glowing.
It
was the first time I heard my favorite sound on earth—his sweet
groan of homecoming as he slid inside my cunt.
And
then, somehow, it wasn’t new any more. It’s as if I’d always
known this: his warm weight pressing me down, his musky boy's smell,
his soft lips and slick, snaky tongue, his satin-tipped hard-on and
the taut curve of his ass. Then of course, that moment when he
bucked and groaned and went crazy because of me just being there,
just being.
I
didn’t come that night--that first would happen thanks to the
persistence and skill of the justly famed cunnilinguist Doug--but I
was happy enough to take my ecstasy once-removed. Mike, bless him,
didn’t ask too many questions.
I
was the one who decided to confess as we lay together afterwards,
just like on TV, with my head resting against his shoulder and his
arm around me like we were a real couple. “That was the first time
I’ve ever been with a guy, you know.”
“Lydia,
you can stop kidding around now,” he said, but gently. Did he
notice that of course, all my “jokes” turned out to be true?
“Why
do you think I’m kidding?”
He
frowned. “First of all, you give great head. There’s no way that
was your first time. You’re a pro. Well, I didn’t mean it that
way, you know, just that you knew exactly what to do.” He laughed,
embarrassed, and stroked my hair. “And then, well, you were really
into it.”
“I
do like to joke around. It’s an old habit.” It wasn’t exactly
a lie.
“You
know what? You’re fun. It’s easy to be with you.” He pulled
me on top of him. “Wanna do it again?”
I
nodded. Back in my high school, a million years and a billion miles
away from where I was now, naked and straddling Mike’s hard belly,
it was a bad thing for a girl to be “easy.” Now I knew the
secret.
It
was good.
**
That,
I believe, is the secret of writing erotica as well!
Donna
George Storey’s adults-only tales have appeared in over 150
journals and anthologies including Penthouse,
Best Women’s Erotica, The Mammoth Book of Erotica Presents the Best
of Donna George Storey,
and Best
Erotic Romance.
Her novel, Amorous
Woman,
will
change your image of Japan—and erotica—forever.
Amorous Woman is available
at:
Donna
George Storey’s Website
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