Showing posts with label cyber-punk. Show all posts
Showing posts with label cyber-punk. Show all posts

Monday, May 25, 2020

The Demise of Truth - #ScienceFiction #Digitalization #Truth

Artificial Reality
 Image by Gerd Altmann from Pixabay

I’ve been reading science fiction all my life, starting with the Mushroom Planet books when I was seven or eight, graduating to Heinlein and Asimov as a teenager, and branching out from there. Back in the eighties and nineties, I sampled a lot of cyber-punk: Pat Cadigan, Neal Stephenson, Bruce Sterling, William Gibson and their comrades. These authors imagined (or predicted?) many aspects of the modern Internet, decades in advance, and a startling number of their visions have become part of our everyday life.

A vast, worldwide, constantly accessible network of knowledge? These days, who could live without Wikipedia, Quora and YouTube? Voice queries, reminiscent of “2001: A Space Odyssey”? Siri and Alexa do quite a bit better than H.A.L. Instant notification about events? Telepresence? Synthetic on-line worlds where you can interact with avatars and artificial agents? Trends and fads that emerge, take control of the popular psyche then die off a matter of days? I first met all these ideas in science fiction stories.

There’s one aspect of today’s digital world, though, that no author whom I read predicted: the demise of truth.

You can find literally anything on the Internet – including completely contradictory sets of facts, multiple conflicting descriptions of events, alternative histories. It’s scary to realize that there is no such thing anymore as an authoritative source. We tend to believe and trust people who agree with us, but fundamentally that is just bias. Anyone who can tell a convincing story (and the Internet has nurtured and rewarded individuals who have this skill) can acquire a following of believers, no matter how absurd that story might appear to someone outside their circle. Some people are certain the moon landing in 1969 was a hoax – that the Holocaust never happened – that Elvis is still out there somewhere, shaking his hips and breaking hearts.

Ah, but there’s evidence,” you might say. “Photographs. Historical records. Documents that support some stories and debunk others. Data that can be consulted and analyzed in order to choose one interpretation over another.” Alas, that might have been true a decade or two ago, but the digitalization of our existence means that absolutely everything is mutable. Photographs can be doctored without leaving the slightest trace, or even generated de novo – not just by humans but by AI systems who’ve been fed millions of similar examples. Deep-fake video technology makes it possible to literally put words in someone’s mouth. Software bots can invade social networks to manipulate so-called “popular opinion”, influencing elections and changing history. (But in fact, there is no one “history”. Even before the Internet, every country, culture and group had its own historical narrative.)

Most information needed to keep the world running is currently stored in digital form, in databases of one form or another. That information is unbelievably vulnerable to corruption, both accidental and deliberate. Given today’s technology, it would not be that difficult to erase all primary records of the moon landing to support the hoax claim. One doesn’t have to be a tech wizard to fabricate a totally believable case for almost any wild theory. It’s happening all the time, right now – as you read this blog post.

Now, I remember that initial walk on the moon with great clarity. I was in my senior year in high school, an enthusiastic science geek as well as a reader of science fiction, and from my perspective, this was definitely our first step toward a bright future in an expanding universe. Time corrodes our memories, though. When I compare notes with my husband of forty years about some past event we both experienced, we often have wildly differing recollections. The older I get, the less certain I am that even my most cherished and vibrant memories are accurate.

As prescient as the authors of my youth turned out to be, I can’t recall any of them portraying a world where it was impossible to know what was true. Honestly, this wreaks havoc with almost any philosophical perspective.

As a former researcher and computer professional, I’ve been aware of the malleability of truth for quite a while, but the COVID-19 epidemic has shown me just how impossible it has become to discern “the truth”. Every day we are bombarded with “scientific data” and presented with the conclusions of so-called experts. The same statistics will be interpreted in completely opposite directions, depending on the nationality, the politics or the predispositions of the person offering up conclusions. The average person has probably looked at more graphs over the past three months than in the previous two decades. Is he or she any closer to the truth about this crazy disease? What a ridiculous notion!

So where does that leave me – or us? How can we cope in an environment where we’re bombarded by information, any and all of which could be manufactured to serve someone’s agenda – or simply in error due to sloppy programming? Sounds pretty hopeless, doesn’t it?

Well, I have two answers. First of all, we can trust our direct experience, more at least than we can trust something we read on Facebook, USA Today, or The New York Times. Be observant; use your eyes and ears; keep an open mind. If someone claims that immigrants are criminal degenerates, think about the immigrants you know personally. (And if you don’t know any personally, perhaps you should seek some out.) If you read that anyone who likes to watch porn is psychologically diseased and incapable of having normal relationships – well, ask yourself whether the examples you have in your environment confirm this claim.

Second, we can educate ourselves about the fragility of truth in our digital world, be skeptical about every claim, and examine the mustered evidence as objectively as possible. I noted above that almost any sort of information can be faked, but consistency is still a reasonable criterion for evaluating a story. It’s possible to construct an intricate edifice of lies to support a false conclusion, but it’s difficult to make all the pieces fit together perfectly – at least right now.

There is one prediction that shows up a lot in eighties and nineties scifi that hasn’t yet come to fruition – the idea that neural stimulation could create artificial sensory experiences so vivid and convincing that you couldn’t tell the difference between a stim-dream and real life. There are advances in neuroscience that point in that direction, but we’re not there yet.

I rather hope we never get to that point. Already I lament the way so many of our experiences have switched from direct to mediated. Why go out on a date when you can chat on Messenger? Why bother to travel when you can browse Instagram or binge on YouTube? Why have sex when you can sext?

As I see it, some things can be imitated, but not truly replaced. I cling to that life-preserver as I navigate the shifting seas of today’s digital existence.


Thursday, December 6, 2012

Review - Technorotica by M. Christian


Technorotica by M. Christian
Barbary Coast Editions, Renaissance E Books, 2012

One of the most enjoyable aspects of being an author is that you get to invent new worlds. Sometimes those worlds strongly resemble our so-called reality; sometimes they deviate wildly. Even the most bizarre fictional world, though, needs to feel real. The reader needs to see, smell, taste, and touch the alien environment in which she finds herself. Against all logic and common sense knowledge, she needs to believe.

Pulling this off is tough, especially in genres like paranormal and science fiction, where the story by definition is set somewhere other than the world as we know it. M. Christian is a master of this trick, as he demonstrates in Technorotica, his new collection of stories concerning the erotic connections between humans and machines.

I'll admit up front that I've long been a fan of M.Christian's work (I even edited one of his books, ComingTogether Presents M. Christian) and that I'm deeply in awe of his imagination. Despite what might be considered a positive bias, I still feel totally comfortable and justified in asserting: this is a fantastic book, in both the literal and figurative sense.

The stories in this collection could loosely be called science fiction erotica, but they vary a great deal in focus and tone. Several of them (“Hot Definition”, “Speaking Parts”, “Hack Work” and the excerpt from Christian's novel Painted Doll) are set in a shadowy, perilous, cyber-punk world where everything is for sale and everyone lives on the edge, staying alive through crime or luck or sometimes both. Prosthetics, holographic doppelgangers, constant electronic surveillance, mind-jacking and body snatching – fans of Gibson, Sterling and Cadigan will feel right at home. However, this author isn't primarily concerned with gadgets and technology (never mind the title of the book) but with feelings: fear, hunger, desperation, desire and love. These stories explore how humans reach out for one another, as the mechanical invades and erodes the meaning of humanity.

“Blow Up” and “I am Jo's Vibrator” are lighter in tone. The former lets us into the mind of a man with a peculiar fetish. The latter, as suggested by the title, is narrated by a sex toy. Both will make you smile (or at least, that was my reaction) though “Blow Up”, the first tale in the book, has a subtle darkness that's a preview of the more serious stories to come.

I've read the tale “State” in several other M. Christian collections. It remains one of my favorite erotic stories of all time. A human woman/sex worker impersonates a blue-skinned, state-of-the-art Japanese sex robot. The neat logical flip here satisfies the intellect. The woman's arousal at becoming the ultimate sex object provides satisfaction in other dimensions.

“The Bell House Invitation” is a fabulous new take on ménage, or more accurately, polyamory. Four individuals – two men, two women – live together and share a group mind. Together they seduce another woman with the aim of convincing her to join their communal consciousness. The sex scene in this tale succeeds in exploring all the participants' experience simultaneously, pulling the reader into the mix. It's lusciously explicit without losing the sense of wonder that derives from a level of communion most of us only dream about.

In contrast, “Billie” includes no overt sex at all yet still manages to convey an intense feeling of desire. This vignette of a butch woman speeding along the Pacific Coast Highway on her vintage 1977 Harley Davidson details a synergy between human and machine so strong it becomes erotic.

“A Light Minute” focuses on communication over a distance, as a reclusive woman terrified of the world outside opens herself to the lover she knows only via electronic missives.

Finally, “KSRN” is a dream-like reverie about speed and sex, chrome and compassion. If I'd been the author, I would have put this story last in the book. It leaves you feeling haunted and yet somehow complete.

Overall, my reaction to this book was “Wow”. But then, I'm seriously turned on by originality. If you share this trait with me – get yourself a copy of Technorotica

(And by the way - the book includes a great preface and afterword, too!)