Showing posts with label Sara Teasdale. Show all posts
Showing posts with label Sara Teasdale. Show all posts

Friday, April 24, 2020

Celebrate Poetry! #NationalPoetryMonth #SaraTeasdale #Logos

National Poetry Month banner

April is more than half over, and I haven’t yet marked National Poetry Month here at Beyond Romance!

I thought I’d remedy that today by sharing two poems. The one by Sara Teasdale might well be my all-time favorite poem. It beautifully captures the elusive and overwhelming nature of joy.

The other is one of my own poems, from many years ago. I’ve been writing poetry since I was seven years old. Nobody taught me how (though my parents did read a lot of verse to me). I’ve just always known, it seems, about the special music that can found in language. And I’ve always written about love and desire.

What’s your favorite poem?

What do you think of these?

Barter
Sara Teasdale - 1884-1933

Life has loveliness to sell,
     All beautiful and splendid things,
Blue waves whitened on a cliff,
     Soaring fire that sways and sings,
And children's faces looking up
Holding wonder in a cup.

Life has loveliness to sell,
     Music like a curve of gold,
Scent of pine trees in the rain,
     Eyes that love you, arms that hold,
And for your spirit's still delight,
Holy thoughts that star the night.

Spend all you have for loveliness,
     Buy it and never count the cost;
For one white singing hour of peace
     Count many a year of strife well lost,
And for a breath of ecstacy
Give all you have been, or could be.

Logos
Lisabet Sarai

(for GCS)

the word made flesh.
electric whispers
trace the wires
speed of light
the dream takes shape.

     (here I am now,
     on my knees,
     bound and breathless,
     open and still,
     awaiting your will.)

violet ink
on ivory parchment;
mystic runes
in flickering phosphor
glow and fade;
tangled tales
come alive:
candle light
and velvet shadow,
ruby wine,
leather and steel.

     (seductive, real
     as the lust in your eyes;
     you seem surprised.)

moon embraced
in naked branches,
nightwind breathing
in my hair,
westbound plane
burns through the dark.
I speak your name
and you are there.
fragile walls
between the worlds
melt to mist:
I step beyond
the looking glass.

     (eat me. drink me.
     all transformed,
     logic crumbles,
     powers awaken;
     offered for
     the ritual--
     offered, and taken.)

inscribe the signs,
recite the charms,
weave the web
of words. We practice
ancient art:
veritas
in nomine.

     (Domine,
     you called me, claimed me,
     named me with
     my secret name,
     clasped me
     in this circling flame.)

now we reinvent each other,
mage, apprentice, captive, lover,
fashion masks
from the stuff of Story,
words as lens
to focus longing,
coalesce
vision to flesh.

     (hand molds breast,
     lips taste thigh,
     kisses drenched
     in silver fire:
     forms of
     crystallized desire.)


Saturday, April 28, 2018

Saturday Seven: Favorite Poems - #SaturdaySeven #Verse #NationalPoetryMonth


We still have a few days left in National Poetry Month (celebrated every April since 1966!), so I thought I’d share seven of my favorite poems.

I was introduced to poetry at a very young age. My dad, who was a musician (among his many other talents) composed poems for my siblings and me, then set his cute doggerel to music. Both my parents read to us—poetry as well as prose—before I learned to read myself. I guess it’s not surprising that I started writing my own poems at the age of six or seven.



Anyway, here are some of the poems that are special for me. Some I encountered in the distant past; one, only a few days ago.

Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

The Alice books were among the first novels I read. I loved Lewis Carroll’s verse as much as his fantastic stories. This classic poem illustrates how the patterns of English grammar can convey meaning even when the words themselves are nonsense. We can tell that “brillig” is a time of day (or maybe a description of the weather); that “toves”, “borogoves” and “raths” are creatures of some sort; that “gyre”, “gimble’, and “outgrabe” are actions; that “mimsy” and “mome” describe the creatures.

This poem comes from Through the Looking Glass (or more correctly, “Through the Looking Glass, and What Alice Found There”.) As the mirror above her fireplace dissolves into mist, Alice steps through to find herself in a similar, but distinctly twisted reality. She picks up one of the books from the shelves, to find it’s written backwards, but is able to read the poem by holding it up to the now solid mirror in the looking glass room.

Like me, she manages to get some sense from it, despite the made-up vocabulary!


The wind was a torrent of darkness among the gusty trees.
The moon was a ghostly galleon tossed upon cloudy seas...

I don’t remember where I first encountered this tale, but I’m pretty sure I’d read it before I reached puberty. Nevertheless, the tragic romance embodied in the poem deeply touched me. Only now do I realize it’s actually a paranormal romance!

This poem clearly shows the relationship between poetry and music. Its strong rhythm and repeating refrain are like a song.

I recently returned to this poem, finding I liked it as much as ever. Actually, I have a plan to write a story based loosely on “The Highwayman”—but with a much happier ending!


Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder like a cup.

In seventh grade, we had an activity in English class called “recitation”. Basically, the goal was to give us practice in public speaking. For some assignments, we had to teach the class how to do something. For others, we had to make a logical argument. The assignments I recall best, though, are those where we had to memorize a piece of verse and declaim it to the class.

Barter” was one of the poems I chose to recite. I can still do so. The message in this brief, poignant poem resonates with me, decades later.


Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells

I studied this poem in high school English class. It was possibly one of the first pieces of verse that I approached from an analytical as well as an emotional perspective. The sensual, nostalgic, gently erotic imagery in this poem have stuck with me all my life, though only now as I grow old, like the poem’s narrator, can I fully appreciate the world-weary beauty of it.


Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand

I’m embarrassed to say that I’d never heard of Mary Oliver, until I noticed a close friend using the stunning last lines of “The Summer Day” as her email signature. This poem is a gem, capturing the breathless beauty of a single moment then showing the deep truth it contains.


for some
it is stone
bare smooth
as a buttock
rounding
into the crevasse
of the world

I first read this poem only a few days ago, posted by one of my high school friends (a poet herself) on Facebook.

How few words are necessary, to make a miracle.


A poem should be palpable and mute
As a globed fruit,

Reading Clifton’s poem—which I believe is partly about what it means to be a poet— inspired me to look up what is perhaps my favorite poem about poetry.

Alas, I aspire to these heights but don’t come anywhere close. Still, if you’d like to read some of my poems, most of which are love poems, you can find them at my website on the free reading page.

By the way, be sure to check out the other Saturday Seven posts, all linked to the Long and Short Reviews post today. Just to sweeten the pot, LASR is giving away the seven books they're listing!