Showing posts with label Robert Heinlein. Show all posts
Showing posts with label Robert Heinlein. Show all posts

Thursday, August 30, 2018

Science Fiction Double Feature - #scifi #FirstLove #giveaway

Saturn landscape


Science fiction was one of my first loves. If you'd peeked into my room pretty much any afternoon when I was in school, you would have found me sprawled across the bed with my nose in a book, and it's quite likely it would have been sci fi. I couldn't have been more than seven or eight when I began exploring Eleanor Cameron's Mushroom Planet. Then I moved on to Heinlein's and Bradbury's visions of Mars (very different places!), and the world of Asimov's Foundation trilogy. I was in high school when I devoured Stranger in a Strange Land, fell head over heals for Valentine Michael Smith, and developed my enduring fascination with polyamory.

My husband introduced me to Philip K. Dick, Stanislaw Lem and Fritz Leiber. Then we became friends with a woman who taught English at a local university. She organized a scifi reading group. What a glorious year and a half that was! Every month we'd read a new book and discuss it, over delicious potluck dinners (with a strong emphasis on the desserts). I sampled a raft of new authors: Olivia Butler, Greg Bear, Sheri S. Tepper, Pat Cadigan, Harry Harrison, James Tiptree, David Brin... I was like a kid in a candy store!

I discovered that I much preferred “soft” science fiction – stories that start with some premise about society or history and then explore the consequences. For example, The Man in the High Castle, which is the first Dick book I read, turns on the notion that the United States and its allies lost World War II. The author then proceeds to build a world in which the Japanese and the Germans have divided up the American continent, and San Francisco is mostly Asian. (Gee, sounds like the present!) Another favorite is A Canticle for Lebowitz, by Walter M. Miller, Jr. In a post-apocalyptic future, devout communities of monks act as custodians for the mysterious knowledge and artifacts of vanished civilization. One of the most sacred of all texts is written in the hand of Saint Isaac Lebowitz and begins “gallon of milk/loaf of bread/...” Then there's Kate Wilhelm's The Year of the Cloud. I don't remember where I picked this novel up – it's obscure, far less well known than her masterpiece Where Late the Sweet Birds Sang – but I remember now, decades later, how it impressed me. The earth passes through a cloud of stellar dust. The dust has the effect of “thickening” water, turning it from liquid to a kind of sludge. Having posited this single fact, Wilhelm then proceeds to show how this turns society upside down, as humans (over ninety percent H2O) die and usable water becomes increasingly scarce. I found the book chilling but totally plausible, once you had accepted the triggering event.

So when I began publishing, why didn't I write science fiction instead of erotica? Partly because I didn't dare! I doubted my ability to create a compelling yet believable alternative world. And I'd read so much science fiction by then, I felt as though all my ideas would be derivative.

Still, I've been tempted – and once or twice, I've given in. Now, after more than a dozen years as an author, I've published just two science fiction erotic romances: a M/F/M ménage novella called Bodiesof Light and my M/M novel Quarantine. As you might guess, both fall into the “soft sci fi” category, even though Bodies of Light is set on a starship hurtling toward a far galaxy.

Bodies of Light is about the non-corporeal nature of desire. Since my primary genre is erotica/erotic romance, it's natural that the sci fi themes that interest me relate to sexuality.


Physicist Dr. Christine Monroe has devoted her lonely life to research on hyper-space travel. Guilt about her continued failure leads her to sign on to the Archimedes, a sub-light-speed mission aimed at establishing a colony in the Sirius B system. When she wakes from suspended animation, she discovers that the ship is wildly off course and the rest of the crew are dead due to equipment failure. At first she thinks the two handsome strangers who show up on the ship are figments of her imagination - erotic hallucinations created by isolation and stress. However, Alyn and Zed are solid, real, and ready to sacrifice their lives for the strong woman they've found stranded in deep space. As her ship begins to disintegrate, Christine must choose between the planet she was sent to save and the two alien beings she's come to cherish.

Quarantine focuses on politics and prejudice. It takes place in a dystopian near future, when all known homosexuals (identified by a genetic marker) have been imprisoned in remote quarantine camps, ostensibly to protect the general population from the plague the gays carry. After seven years of confinement, inmate Dylan Moore will do anything for freedom, including seducing Rafe Cowell, an ex-gang member sentenced to a bleak stint as a camp guard. 

 

Rafe is H-negative. He figures the lust he feels watching prisoner 3218 masturbate on the surveillance cameras must be due to his loneliness and isolation. When he finally meets the young queer, however, he finds he can't resist the other man's charm. By the time Dylan asks for his help in escaping, Rafe cares too much for Dylan to refuse.

The novel follows the two men as they become fugitives, fighting murderous androids, homophobic ideologues and their own mutual distrust. Hiding in the Plague-ravaged city of Sanfran, Dylan and Rafe learn there's far more than their own safety at stake – that the lives of millions more people depend on their success in resisting the shadowy Guardians who control and manipulate what's left of American society.

I'm afraid that neither book will win a Hugo (although Bodies of Light received a Best Book award from Whipped Cream reviews). Nevertheless, I'm incredibly proud that I've finally added my own visions to the science fiction canon.

I’ve accepted that no scifi I write is going to be Philip K. Dick (though he might well have felt at home in Rafe's and Dylan's world) – but it's my attempt to honor my life long love. 

I'm giving away a copy of Bodies of Light to one person who comments on this blog post. Tell me about your favorite sci-fi title - or just say hi! Don't forget to include your email address.

Monday, December 20, 2010

Rediscovering an Old Love

Like many authors, I started reading at an early age. I read everything - mysteries, historical novels, biographies, classics - but I especially loved science fiction. I still remember how intensely I entered the world of the Mushroom Planet. As I got a bit older, I discovered Bradbury, Asimov and Heinlein. The intellectual challenge of the Foundation Trilogy kept me up at night. Stranger in a Strange Land deeply influenced my views about sex and spirituality.

In the early nineties, I belonged to a science fiction book club started by a friend. That introduced me to new voices: Sherri Tepper, Oliva Butler, James Tiptree, Kate Wilhelm. Unfortunately, those monthly read/eat/talk orgies stopped after only a year. Since then, I haven't had the opportunity to read much scifi. For one thing, I've been busy writing my own fiction.

In the last few months, though, I've rediscovered my old love, as an author as well as a reader. One of my friends and colleagues writes fabulous scifi with an erotic slant. He has inspired me to try my own hand at the genre.

I'm now working on a near-future M/M novel about gender and politics (and love, of course). I also just finished the first draft of a novella I plan to submit to an anthology called "Seeing Stars". That story, "Bodies of Light", takes place on a star ship engaged in a mission to colonize a distant planet. Hard core scifi indeed!

I'm having a wonderful time exploring my old flame. However, I've come to realize that scifi is a particularly difficult genre to create - perhaps not as hard as historical fiction, but close. The reason? In scifi, the details really count. You're creating an alternative world, but you don't have a free hand. If you want to write realistic scifi, as opposed to fantasy, your premises must be grounded in fact and your explanations need to be consistent. I found this particularly true in writing "Bodies of Light", which as a background in quantum mechanics. (But don't worry! It's much more sexy than it is technical!)

In celebration of my rekindled interest in science fiction, I've posted a story on my website, an edited version of one of my first attempts at the genre - before Lisabet Sarai existed. You can read "The Ambassadors to G79-3" here. Compared to my current work, it's rather tame, but even back then (about twenty years ago, near as I can tell) I had erotic notions.

I haven't submitted either of my scifi works yet. I feel a bit like an amateur tackling this genre, despite my decade-plus publishing history. I don't know if I'll be successful. But I'm certainly having fun!