Showing posts with label stories. Show all posts
Showing posts with label stories. Show all posts

Sunday, June 16, 2019

Second Generation Storyteller - #FathersDay #Inspiration #Memory

Father and Daughter
 Image by Daniela Dimitrova from Pixabay

Today, Father's Day, is a bittersweet holiday for me. It has been more than ten years since my dad died, on his eighty sixth birthday. Oddly, I feel his presence today far more than his absence. I've come to understand, during the time since his passing, that he'll always be with me, in my memories and in my heart.

Dad lived a long, joyous and fruitful life, including more than a year that was grace, pure and simple. After a serious cardiac incident, he was sent home to hospice care, not expected to live more than a few weeks. He confounded the prognosticators by recovering significantly and thriving (relatively speaking) for another seventeen months.

I want to talk about my dad at least partly because he, more than any other individual, inspired me to read, and to write. He had the gift of words, and passed it on to his children. I recall him reading aloud to my siblings and me, folk tales, fairy stories, adventures like Treasure Island and Robinson Crusoe. He told his own stories, too, invented worlds and characters for our pleasure. There were the Gulkons, terrible demons who lived in the fire on the hearth, and Houligan, the god of snow. (I grew up in chilly, stormy New England.) I still remember sitting spellbound (almost sixty years ago) while he recounted the story of the hapless wizard Thomas Carl Sefney who had to touch his wand to every one of the monster's thousand tentacles before it consumed him.

Both my parents encouraged me to write. My first poems date from about third grade. During my childhood I wrote fantasies about Martians and ghosts, and plays about the Beatles and politics. In my adolescence, too shy to speak to any of my crushes, I poured out my adoration in anguished free verse. In my twenties and thirties, I wrote science fiction and first tried my hand at romance. Finally, in my forties, I actually managed to publish something (other than in my high school newspaper). My first thought was to send a copy to my father.

My dad and I shared favorite books, characters and authors. When he
and I got talking about Sherlock Holmes or Frodo Baggins, H.P. Lovecraft or Edgar Allen Poe or Anne Rice, the rest of the family would roll their eyes and leave us to our obsessions. I never had any difficulty figuring out what gift to get him for his birthday or Father's Day. There was always some book that I had seen or heard about that I knew he'd love.

I never did introduce him to my erotica, though. I was so tempted to show him the pile of paperbacks with my name on the cover and the anthologies volumes I had edited. I wanted to autograph him a copy of my first novel, telling him how much he had contributed to my literary endeavors. I wanted him to be proud. However, I didn't want to make him uncomfortable. I recalled the way he reacted when I gave him Anne Rice's BDSM classic The Claiming of Sleeping Beauty - an embarrassed grin and a "oh, that's interesting". We didn't discuss that book much. Though I would have welcomed the opportunity to open up to him about my fascination with the erotic, I sensed that he would rather not know.

I guess that there are just some things you can't share with your parents, no matter how close you are.

Do I regret that he never knew about the my risqué alter ego Lisabet Sarai? Not really. The only thing that I regret is that I didn't get a chance to wish him a Happy Birthday one last time. I was just about to pick up the phone, on that May evening many years ago, when I got the call from my sister telling me that he was gone.

Still, in some sense, he’s responsible for every one of my books.

 

Tuesday, June 19, 2018

Review Tuesday: The Refugees by Viet Thanh Nguyen - #Vietnam #refugees #stories #ReviewTuesday

The Refugees cover


The Refugees by Viet Thanh Nguyen
Grove Press, 2017

What does it mean to be a refugee? You are a stranger in the country that has, willingly or not, taken you in. You’re a stranger to the place you’ve come from as well, where time and history continue to unfold without your witness or participation. If you’ve left family or friends behind, their paths will diverge from yours until they’re as distant and unfamiliar as the people who surround you in your adopted home.

Though you may have memories, you can’t be sure they’re true. They might be pure fiction, manufactured from the stories you’ve heard from your relatives, or from the individuals who had pity on you and took you in. You may get news from home (or what used to be home), but that’s just likely to be falsehoods generated by pride or by fear. You cannot necessarily trust your view of the world around you. It might well be a facade, an illusion, or simply a misunderstanding due to cultural differences.

To be a refugee is to be insecure, in a fundamental way that those of us who have always belonged to a country may find difficult to comprehend. The Refugees by Viet Thanh Nguyen explores and lays bare that insecurity and its consequences.

This book of eight stories plus two moving personal essays should be assigned reading for those segments of society who rabidly oppose immigration. With eloquence, delicacy and beauty, the author captures the uncertainty and the irony of a refugee life.

All but two of the stories (“The American” and “Fatherland”) are set in the United States and revolve around characters who escaped from Vietnam around the end of the Vietnam war. Many of the protagonists are young people, working to adapt to their new home, sometimes mystified by the beliefs and behavior of the older generation.

In contrast, the central character in “The Americans” (which was one of my favorite tales) is an aging ex-soldier who fought in the war, whose daughter is now coupled with a Vietnamese engineer, working for an NGO that clears land mines. James Carver honestly can’t comprehend why Claire is (as he sees it) sacrificing her life for the sake of strangers, but a trip to Vietnam shows him a world he’d only seen previously from a bomber at forty thousand feet.

In “Fatherland”, a family in modern-day Saigon receives a visit from the father’s daughter by a first marriage, who has been living since her childhood in the US. Dutiful, hard-working Phuong is simultaneously fascinated by and jealous of her glamorous, apparently wealthy older half-sister (who’s also named “Phuong” but uses the name “Vivien”). The relationship profoundly changes Phuong’s beliefs and aspirations, even when she discovers that Vivien is not who she pretends.

Another standout is “The Transplant”. A Mexican American whose life is saved by a liver transplant befriends the Vietnamese man who claims to be son of the donor. In the name of friendship, Louis Vu makes some difficult requests. This story is particularly interesting because of the interactions between two immigrant communities, the Mexicans and the Vietnamese.

I tend to think of short stories as neat, well-structured gems of craft. Viet Thanh Nguyen’s stories are anything but neat. They ramble back and forth between past and present; they focus on seemingly inconsequential details; they are complex and ambiguous, often without clear resolutions of the conflicts they present. Nevertheless, in retrospect one can see that they are meticulously constructed to convey the multi-layered experience of the characters.

These are not easy stories to read. They demand a great deal of the reader, both intellectually and emotionally. That should not deter you from getting a copy of The Refugees. There’s a kind of deep satisfaction in truly seeing what these characters face and how they cope. In addition, even before you read his essay “In Praise of Doubt and Uselessness”, you will sense the depth of feeling and the intensity of effort the author has lavished on these tales. They deserve your attention.

Friday, August 25, 2017

Lilith (#flashfiction #erotica #stories #spirituality)

fantasy image

He’s searching for God. She’s just looking for a fuck. But that’s not quite right. She knows, somehow, that you don’t have to seek God. God’s already there, inside. You just need to figure out how to open yourself and let divinity out.

For her, sex is the way, the consummate opening. When she’s writhing in a lover’s arms, the barriers crumble. For a few glorious moments, she can experience first hand the communion she normally has to take on faith. The bliss and the certainty are as brief and fragile as they are transcendent, She’s left with mere memories that fade the more she tries to clutch at them—scraps of joy, glimmers of magic. She’s learned over the years to let them go, the same way she releases her lovers when it’s time for them to move on. There are always new bodies, new hearts—new truths.

He doesn’t understand, thinks she’s been put there to tempt him him from his path of purity and righteousness. He’s not pure, though. He knows very well he’s not. If he were, he wouldn’t want her so badly.

She loves his youth, his shyness, his awkward innocence, his cleverness with words and with his hands. His intuition astounds her; the depth of his feelings humble her. When they meet for coffee and intricate conversations, she aches to touch him, but he’s armored in self-denial. The most casual brush of her hand makes him flinch away.

A veteran of many couplings, she can read his desire like the books he cherishes. It’s in his darting eyes, his flushed cheeks, the sweat she can smell, even across the cafe table. It’s more than lust. It’s like a prayer.

He stares into his coffee cup to escape her bold stare, even as he speaks of Japanese folk tales or dissects King Lear. In the fragrant and bitter dregs he reads his fatean instant of forbidden indulgence then a long, hard fall. He vows to be strong, but her magnetism draws his traitor body. His stubborn cock is a pillar of iron between his tensed thighs.

Iron, and salt, the destiny of sinners.

Every Monday they come together to pace out the same steps in this dance of frustration. What can she do? Perfume and decolletage don’t dent his desperate resolve. If only she dared make a first move—but she knows terror and need will send him skittering away. She cares too much to cause him that distress.

She dreams of him, imagines the magic they’d create in connecting. He might be the one to finally set her free. No virgin, still she succumbs to the seductive promise of a soul mate. And if that promise fails, the mystery of opening remains, illusion vanishing like fog in the white-hot flare of pleasure, incandescent truth shining forth for a few seconds before the curtain falls. That’s what he craves, too, or so she believes.

But how to reach him? She ponders the conundrum as she twists and tosses on ocean-scented sheets, her fingers an unsatisfactory substitute for his maleness. His aspirations to holiness make her feel like a whore, but that doesn’t matter. Nothing matters except her need to wrap her legs around his waist and pull him inside her.

Finally, she writes him a story.

Saturday, December 24, 2016

You can call me "Author" (#authorjourney #erotica #ambition @TaishaDemay012)

Taisha photo

By Taisha Demay (Guest Blogger)

Allow me to introduce myself, my name is Taisha Demay and I’m a writer. Although I can honestly say that almost didn’t happen, but I’ll get on to that in a minute. The writing bug bit me at the age of sixteen when I lucked out and published my first short story and earned a whopping fifty dollars. I know it doesn’t sound like much, but for the year 1978, it was a lot.

I didn’t start out wanting to be a writer, I actually wanted to become a fashion designer, a fact to which my collection of Vogue and Women’s Wear Daily and other high fashion publications could attest. I even majored in art and fashion design in high school and college. I loved the idea of someone walking down the runway in something I created; it had been a lifelong dream of mine. I was even responsible for designing my aunt's cruise wear in which I am proud to say, she loved. And much later the bug kinda got squashed. Oh it didn’t die a painful death, it just got crushed by an Army boot and stayed embedded in it for six years never ever to be rescued, although I still draw on occasion as well as paint. I am crafty and love to knit, crochet and work with my hands.

The way I ended up becoming published was pretty unconventional. I entered a contest in which I had to come up with a caption for a picture that had been posted. The prize was a publishing contract for a year. Ecstatic that I’d won, I hit the ground writing so to speak, and submitted what I thought was my best work. Unfortunately I was mistaken. You see, the manuscript hadn’t been properly written or edited. That’s why it’s important to proof read and hire a good editor. Something I thought I’d done, and paid someone who I thought would help to take the story from being a rusty penny to a bright and shiny copper one. Nope, I was wrong. What actually happened was, she promptly took my money, did a half-assed job. Then to add insult to injury the publisher slapped an ugly cover on it and released it. I am happy to say I promptly got out of that contract and found a publisher who actually cares about the quality of the work its authors put out.

To say that my first publishing experience has jaded me is an understatement. There have even been times when I really wanted to throw in the towel. But fortunately I have the best author friends that are willing to talk me off the ledge when I need it and I remember why I got into this business in the first place, because of the power of the printed word and my love of books, period. Recently I became a full-time writer because before that, I was an angry bitch, as my husband used to say and I am beyond happy that I get to spend hours creating characters that make me smile.

The thing I can say about writing as a whole is that a well-written story can make the most mundane location seem exotic as well as make the reader a part of the story. It can also make them feel a whole gambit of emotions; they laugh, cry and even scream at the characters like they’re real people. An author can make the most misunderstood villains become friends and make readers root for them to get their happily ever after or some much needed therapy. And when they don’t, well we wait with bated breath for the follow-up to be released. Fortunately, I try my best to end most my stories on a happy note.

As an author and reader foremost I get the opportunity to meet fans and share the story of my journey to becoming published. To say it was an adventure would be putting it mildly. But I wouldn’t trade any of the experiences, good and bad for anything in the world. And to anyone sitting on that story, afraid it’ll get rejected, I want to say -- it probably will. Then again maybe it won’t. You won’t know unless you submit it. DO IT. You’ll be glad you did, no matter what the outcome.

Recently authors were asked by the Erotic Authors Guild if they wanted to contribute a chapter or story to an anthology they were putting together, for a December release. Naturally, thirteen of us jumped at the opportunity. Mine is a chapter from a short story I wrote for a contest I entered called "Something New". This is the story of Ciara Mason and Angelo Moretti; two people who met, bonded and became friends during the lowest point in the other's life. 

 

Excerpt

Relax, you have nothing to be afraid of. I wouldn’t do anything to hurt you. You believe me don’t you?” he reassured her in a deep silky voice.

Swallowing the lump that had formed in her throat, Ciara nodded then whispered, “Yes.”

Smiling, Angelo leaned in and kissed her soundly on the lips. “Good.”

Stepping over to the table he picked up a black fur mitt putting it on his right hand, returning to her and began stroking her with it. Starting with her shoulders and arms, then her breasts and nipples, causing her to whimper as the tacks scrapped her skin. Across her belly, across her hips, skimming her sides, and then down zeroing in on her pussy and clit. Flicking it, causing her body to make jerking movements, as the small tacks touched it, stoking the fire that was beginning to ignite inside her.

Buy link: https://www.amazon.com/dp/B01N43G3BC

Connect with me on Facebook: https://www.facebook.com/TaishaDemay

Or Instagram: https://www.instagram.com/authortaisha

Or Twitter: https://www.twitter.com/taishademay012


Saturday, February 21, 2015

Why Fight It? Just Write It!

By Leah Grant (Guest Blogger)


When Lisabet contacted me with an invitation to be on her blog, I must tell you I was surprised. I'm a newbie in this writing business and didn't expect to be asked to write something for an author with such an impressive bookshelf. I have been writing since I was nine. It is only now that I have been able to pursue my dream full throttle. I write under the pen name Leah Grant and prefer to live a quiet and private existence in my personal life. I do applaud those that take the great leap and go out into the world as themselves. At some point I hope to brave the rather narrow-minded views that can follow writers of erotic romance.

Stories are always knocking at the door. Characters hanging around in my mind, taking up space. I was reading here on Lisabet's site that most writers experience a 'movie' in their head. This is also true for me. I just type away and let a story unfold itself. Sometimes I think of myself as the 'first reader' because I never really know where the story will go. The ending - well, I also have to wait until the characters let me in on it.


I have had people ask, 'how does it end?' My answer to that one is as follows: 'how would I know?' True enough, I really don't. The looks of horrified bewilderment always leave me laughing softly. For those that never write, it can be very difficult to understand that the process has an almost magical quality to it. I believe authors have a strange connection to the ether. This connection leads to the unfolding of stories and dialogue that can leave us authors stunned at the best of times. 'I can't believe he just said that to her! What an insensitive ass!' And it isn't until later that afternoon while you are in the middle of making a sandwich that you realize you've spent the entire morning harbouring anger at that character. 


We drink copious amounts of coffee to stay awake and keep telling their story because the characters just won't let up. For authors, it is that real. We live with characters as they reveal their story to us. We worry about them, get upset that they may be making poor decisions. Until a book is out there in the world, the author is like a parent fussing over their offspring, trying to ready them for what lies ahead. Then we push the story out of our nest, hoping we gave it enough to fly - to soar and call out that it is alive and free.

In my newest release - Dream of the Raven - the heroine Helen O'Connell is someone I can really identify with. She has struggled and life hasn't been kind. I really like Helen because despite everything - she keeps going. Her edges are a bit rough and you gather very quickly that since her divorce - she has lost her trust in people. Instead of running and losing even more - she stays put - trying to carve out a new life for herself. Despite being burned in her past, she takes a chance on love and finds strength she never knew she had inside. 

 

To end this piece, I would like to thank Lisabet for her invitation and encourage you to take a tour of her website, Lisabet's Fantasy Factory. It has some very good information, free reads, a section for authors and many characters just waiting to meet you and tell you their story. 

All the best,
Leah

About Leah

Leah Grant lives with her husband and cat on the Canadian prairies. She has published two books with Totally Bound UK: Wilde Jagd and Dream of the Raven. To Run From A King with Evernight Publishing Canada. Coming up with Totally Bound - Over The Hill and Through The Woods will be out for pre order in March 2015. She loves coffee, chocolate and a dry chardonnay. Come by her site for a read, a giggle - the adventures of Miss Fish, drunk robins, complacent deer, and spooky goings-on—you never know what you'll find. And yes, she does tend to go on about the deer. Call it a hobby...  

http://leahgrantthewriter.com 




Buy Links: 
 














Friday, May 2, 2014

Story Man

Today is my dad's birthday. In fact, he also died on this day, six years ago, after living eighteen months in hospice care when doctors had given him a mere two weeks. Even hampered by a serious cardiac condition, he loved life enough that he really didn't want to let it go.

We were grateful to have those extra months, but I still miss him terribly. He and I shared a special bond from my earliest years, a bond of words and stories. He was a verbal guy, with the gift of gab despite being Jewish rather than Irish. He could charm anyone with his conversation. (He also had the ability to sound like an expert on any topic, even if he knew almost nothing. I've got that talent, too!) He dug into his fertile imagination to create clever songs and wild tales for me and my siblings. Ghost stories. Monster stories. Mysteries and tales of derring do. We'd camp out in the back yard, toast marshmallows around the fire, and he'd keep us enthralled with his lively narration.

He and my mom helped make me the voracious reader that I am. During my first three years, he read to me. By the time I was four, he was teaching me to ferret out the stories for myself. I still remember my jubilation the first time I made it all the way through "Dick and Jane" on my own.

We were mutual fans of Arthur Conan Doyle, H.P. Lovecraft and Tolkein. It was always easy to buy him presents for his birthday or for Christmas. He loved books, and I knew exactly what he'd enjoy. Meanwhile, my treasured volumes of Sherlock Holmes, Lovecraft and Edgar Allen Poe were all gifts from him to me.

He read my poems, my term papers, even my dissertation. But I never shared my erotic stories. That was one area where there were barriers between us. I always had the feeling that sex made him a bit uncomfortable. I was so tempted to give him an autographed copy of my first novel, but I was worried that his pride would be tempered with embarrassment.

It's too late now. However, I know that I have him to thank, at least partly, for my career as an author. I grew up surrounded by books, immersed in stories and rhymes. I know that's why, now, I never worry much about grammar or spelling, and I can trust my intuitions about language.

When my brother asked me to contribute to Dad's funeral, I wrote a poem. I didn't read it, though - my brother thought it was too personal, and maybe too flippant, that people listening wouldn't understand. So I wrote more standard eulogy instead. Still, today, I want to share that bit of blank verse. Even though it's full of references that won't mean anything to most of you, I hope you'll catch the spirit of the piece.

To My Father - May 4, 2008

You always knew 
Where to find the magic:
Under the rock
Behind the McNabbs',
Prowling the streets 
Of haunted Arkham,
Futures revealed 
By palpating pineapples,
Fabulous worlds
In a drop of pond scum.

You were the wizard
Unlocking secrets:
Rituals
Of the iron lantern,
Ancient prophecies
(Pip forty nine),
Timeless truths
Of the Austrian master.

Joy was your gift.
You jitterbugged
Through your years and days
To the sound of a sax,
Sailing, soaring,
Always in tune,
Leaving a trail
Of music behind you.

The road goes on
And you must follow
Wherever it leads,
With your hoary beard
And your sorcerer's staff
And your child-blue eyes
Brimming with wonder
To find new magic.

****

I miss you, Story Man. Happy Birthday.