By Catherine Lundoff (Guest Blogger)
Just the notion of crossing genre
borders calls up an image of barricades and guards, armed perhaps
with the latest sales figures from Amazon or the NYT Bestseller list:
“If you don’t always write in the same genre, you should at least
use a pseudonym. Otherwise, your readers will get confused,” they
admonish the foolish writer. “You can’t build a readership that
way!”
There is, of course, ample evidence to
the contrary, ranging from Edgar Allan Poe (mysteries and horror) to
Joyce Carol Oates (a book or story in nearly every genre) to M.
Christian, Thomas Roche, Nicola Griffith and countless other authors
who successfully mix science fiction, romance, erotica, horror,
mysteries or points beyond while writing under the same name.
Which brings me around to my new novel,
not necessarily to be compared to the works of the other authors
noted above (but a gal can dream). I’ve been writing fiction of
various flavors for about sixteen years now. For a number of years, I
primarily wrote erotic lesbian short stories, most of them collected
in Night’s Kiss (Lethe Press, 2009) and Crave: Tales of Lust, Love
and Longing (Lethe Press, 2007), with occasional forays into gay, bi
and heterosexual lust and longing. And it was fun! I wrote about
aliens and vampires and office workers and park rangers and Elvis
impersonators and enjoyed myself immensely.
Except, because there is always an
exception, I also wrote some nonerotic science fiction and fantasy
and dabbled in romance. These were the stories I kept returning to,
playing with the themes and the plots, waiting to see what would pop
up from the murky depths of my imagination. Why I kept working on
these when my erotic fiction was more immediately successful is a bit
complicated. I think it can be boiled down to wanting to explore more
story structures, different worlds and more characters than I could
pack into short erotic fiction. I also wanted to experiment with
creating a story that had a different affect on the reader than what
I had been writing.
When I write erotica, I want to get a
reaction from my reader. I want them interested and if possible,
aroused in whatever way they are comfortable with. I like to begin
with setting the scene and the characters, creating the ambiance and
setting the stage for the sex, which is often an end in itself. I
engage in verbal foreplay, if you will. And in the end, the act of
sex in my stories may or may not be transformative (i.e. you’re not
necessarily a vampire or an Elvis impersonator afterward. But you
could be).
My new fantasy novel, Silver Moon
(Lethe Press, 2012) began in a very different place. Several years
ago, I was asked to write a werewolf novella for an anthology of
lesbian werewolf novellas that would eventually be published as
Bitten by Moonlight (Zumaya Press, 2011). There aren’t a lot of
female werewolf narratives to begin with, and even fewer outside
paranormal fiction and erotica. Of those, the vast majority deal with
young women becoming werewolves, often with the plot device of a
menstrual cycle triggering a werewolf attack.
I also wanted to read more fantasy with
older female protagonists and I just wasn’t finding it. Nor was I
writing much of it, at least not until I ran across a description of
the physical changes brought on by menopause that reminded me of
lycanthropy. Well, I thought, if at one phase of life, why not
another? And thus, I came to write a novella about a woman who
becomes a werewolf just as she enters menopause.
I finished the novella and thought I
was done. But the characters weren’t ready to let go of me yet and
I wanted to see more of them and their lives. The novella grew into a
novel over the course of the next two and half years, turning into a
story of change and transformation, monsters and magic. And there is
not a single sex scene in it, somewhat to the dismay of some of my
readers.
It was not done with malice
aforethought. Truthfully, when I started the novel, I did think that
at some point my protagonist would get together with the woman she
had a crush on, but it kept not happening. For one thing, it wasn’t
what the story demanded. And for another, I wanted a situation that
would be somewhat relatable and I just couldn’t see a divorced
middle-aged woman who was newly out as a werewolf, and was teetering
on the edge of coming out as a lesbian or bi woman being immediately
ready to hop into bed with another woman. It felt rushed to me.
Ultimately, I wanted my protagonist to
get comfortable with who she was becoming, to embrace her
transformations. But she’s not a trusting woman in some respects;
she’s been burned before and she doesn’t want it happening again.
I like my characters too much to rush them into an intimacy that
seems false at this stage in their relationship.
Book 2 (there is a sequel in progress)
will probably be a different story, or at least a more romantic one.
I think I’ll be using my smut-writing background to give them some
hot and happy middle-aged werewolf sex. And I haven’t abandoned my
roots: I’m also working on an erotic science fiction novel. And a
fantasy novel set in an entirely different universe. When it comes to
the genre guards at the border, I “aim to misbehave,” to borrow a
phrase from another genre crosser (thank you, Mr. Whedon) and I hope
you’ll join me on my adventures.
Excerpt from Silver Moon:
Shelly cleared her throat and said, “I
think we’re ready to begin. The moon is starting to rise and we’ll
need to be ready. Thank you all for coming to welcome our member
Becca Thornton as she enters the Change that has taken each of us in
our time. Let us help Becca embrace her own transformation and join
with us to make the Pack stronger.” She waved the candle in a
strange pattern and sprinkled some substance on the floor as she
walked forward and circled Becca’s chair.What the hell was this? What was “the Pack?” Becca’s thoughts were frantic now, her skin burning. She could feel the sweat trickling down her back and sides under her shirt, her heart racing so fast that she trembled with each beat. Her whole body felt odd, out of place, as if it belonged to someone else. Everything was too long, too short, too stretched. Too furry. Furry?
That was the realization that put her over the edge. She closed her eyes against the sudden wrenching pain that shot through her, starting at her feet and working its way up. It was like being pulled in fifteen directions and unable to respond to any of them. Her hair was standing on end and she felt her hands tighten on the chair. From somewhere close by, there was the sound of tearing and rending, of wood snapping. Something very scary was going on.
The thought drove her to her feet, eyes open now, and body tensed to flee. Her movement showed in the mirror and she glanced at it, then froze. Her face was long, her eyes golden. Her hair seemed to be working its way down her forehead in a “V.” She was crouched over, huge and menacing. Her hands were far longer than they should have been, with fingers whose nails looked like claws. They were also covered with a light brown fuzz. The arms of the chair she’d been sitting in were matchsticks now, the stuffing trickling down to mound on the floor.
Becca Thornton opened her mouth to scream, but what came out was more like a cross between a howl and a yelp. She jumped forward, trying to get away from the monster in the mirror and found herself bouncing back from the surrounding air as if she’d hit a wall. She spun around the chair searching for a way out, clawing at nothing with hands that were no longer hers.
Bio: Catherine Lundoff is the
two-time Goldie Award-winning author of Night’s Kiss (Lethe
Press, 2009) and Crave (Lethe Press, 2007) as well as A Day
at the Inn, A Night at the Palace and Other Stories (Lethe Press,
2011) and Silver Moon: A Women of Wolf’s Point Novel (Lethe
Press, 2012). She is the editor of Haunted Hearths and Sapphic
Shades: Lesbian Ghost Stories (Lethe Press, 2008) and the
co-editor, with JoSelle Vanderhooft, of Hellebore and Rue: Tales
of Queer Women and Magic (Lethe Press, 2011).
www.catherinelundoff.com
Silver Moon is available from
Lethe
Press, Amazon,
and all other major print and ebook outlets.
