Showing posts with label loss. Show all posts
Showing posts with label loss. Show all posts

Sunday, June 16, 2019

Second Generation Storyteller - #FathersDay #Inspiration #Memory

Father and Daughter
 Image by Daniela Dimitrova from Pixabay

Today, Father's Day, is a bittersweet holiday for me. It has been more than ten years since my dad died, on his eighty sixth birthday. Oddly, I feel his presence today far more than his absence. I've come to understand, during the time since his passing, that he'll always be with me, in my memories and in my heart.

Dad lived a long, joyous and fruitful life, including more than a year that was grace, pure and simple. After a serious cardiac incident, he was sent home to hospice care, not expected to live more than a few weeks. He confounded the prognosticators by recovering significantly and thriving (relatively speaking) for another seventeen months.

I want to talk about my dad at least partly because he, more than any other individual, inspired me to read, and to write. He had the gift of words, and passed it on to his children. I recall him reading aloud to my siblings and me, folk tales, fairy stories, adventures like Treasure Island and Robinson Crusoe. He told his own stories, too, invented worlds and characters for our pleasure. There were the Gulkons, terrible demons who lived in the fire on the hearth, and Houligan, the god of snow. (I grew up in chilly, stormy New England.) I still remember sitting spellbound (almost sixty years ago) while he recounted the story of the hapless wizard Thomas Carl Sefney who had to touch his wand to every one of the monster's thousand tentacles before it consumed him.

Both my parents encouraged me to write. My first poems date from about third grade. During my childhood I wrote fantasies about Martians and ghosts, and plays about the Beatles and politics. In my adolescence, too shy to speak to any of my crushes, I poured out my adoration in anguished free verse. In my twenties and thirties, I wrote science fiction and first tried my hand at romance. Finally, in my forties, I actually managed to publish something (other than in my high school newspaper). My first thought was to send a copy to my father.

My dad and I shared favorite books, characters and authors. When he
and I got talking about Sherlock Holmes or Frodo Baggins, H.P. Lovecraft or Edgar Allen Poe or Anne Rice, the rest of the family would roll their eyes and leave us to our obsessions. I never had any difficulty figuring out what gift to get him for his birthday or Father's Day. There was always some book that I had seen or heard about that I knew he'd love.

I never did introduce him to my erotica, though. I was so tempted to show him the pile of paperbacks with my name on the cover and the anthologies volumes I had edited. I wanted to autograph him a copy of my first novel, telling him how much he had contributed to my literary endeavors. I wanted him to be proud. However, I didn't want to make him uncomfortable. I recalled the way he reacted when I gave him Anne Rice's BDSM classic The Claiming of Sleeping Beauty - an embarrassed grin and a "oh, that's interesting". We didn't discuss that book much. Though I would have welcomed the opportunity to open up to him about my fascination with the erotic, I sensed that he would rather not know.

I guess that there are just some things you can't share with your parents, no matter how close you are.

Do I regret that he never knew about the my risqué alter ego Lisabet Sarai? Not really. The only thing that I regret is that I didn't get a chance to wish him a Happy Birthday one last time. I was just about to pick up the phone, on that May evening many years ago, when I got the call from my sister telling me that he was gone.

Still, in some sense, he’s responsible for every one of my books.

 

Monday, December 8, 2014

The hardest part about writing is....

By Katherine Hayton (Guest Blogger)


The hardest part about writing is…

...whatever I’m working on right now. When I’m writing a first draft then that’s the hardest part about writing. After all, you haven’t gotten to grips with the characters yet; you don’t quite know how – or whether – the plot is going to work out; you don’t know if you’re going to be able to get into the flow of it and have everything come smoothly or whether you’re going to have to force every word out against its will.

When I’m in that stage everything afterwards seems so much easier. After all, with rewriting at least you have a good idea of what’s happening. Many of the questions you had at the start of the first draft have been answered, and you’ll already know which parts you’ll need to go back and spend some serious time on. So easy.

Until I get into the rewrite. Then it’s the hardest part of writing. Because now a whole lot of things have been set into stone. Find a problem here and not only will you be rewriting a scene from scratch, you may as well start over. And although you knew exactly how to fix things up while you were going through the first draft, you didn’t make notes and you can’t quite remember, or if you did make notes they don’t make sense, or they won’t work with the other eight changes you’ve had to make so far.

But that’s okay. After all, this is the hardest part. It’s to be expected that things won’t go smoothly. At least once this is in the bag you can get a manuscript assessment to make sure that things that are well out of place will be caught, and you may even get a few pointers at things you’ve completely failed to spot so far. The rewrite following an assessment is obviously going to be easier than the one you’re doing know when you’re relying solely on your own judgement.

Well the assessment came back. Very useful. Mostly complimentary. Apart from the changes you have to make to chapters four and sixteen because you hadn’t noticed that your week had nine days in it, and the action at the beginning has to take place on a Monday, and the end has to take place on a Sunday, and there are other key pointers that mean that you can’t quite work out how it’s all going to fit in, and it won’t make sense if you draw it out to a fortnight because then there’ll be too many opportunities to sit back and think about things and no one’s going to believe the characters aren’t going to take those opportunities and you’ve put all that work and effort in and it’s going to go to waste because forget about the rest of it this, this, THIS is the hardest part.



Blurb

Rena Sutherland wakes from a coma into a mother’s nightmare. Her daughter’s is missing – lost for four days – but no one has noticed; no one has complained; no one has been searching.

As the victim support officer assigned to her case, Christine Emmett puts aside her own problems as she tries to guide Rena through the maelstrom of her daughter’s disappearance.

A task made harder by an ex-husband desperate for control; a paedophile on early-release in the community; and a psychic who knows more than seems possible.

And intertwined throughout, the stories of six women; six daughters lost.


Excerpt


On the fifteenth of March 2007 I came home after a short day’s work, and Emma wasn’t there. Jacob was, but he was unconscious on the bed and from the smell of him he hadn’t got to that state accidentally.

There were the police asking endless questions. There was the media attention and my daughter’s photo pasted across the front page of a lot of newspapers. She didn’t look anything like those photos. She was living, breathing, full of motion and life and energy. She would snuggle in next to me on a weekend morning and run a length of my hair through her pudgy wee hands and exclaim in admiration ‘Mummy. You’re so pretty.’

I thought that not knowing was the worst thing I could ever endure. Not knowing if she was in trouble or needing my help or in pain. I worried that she’d been taken by someone that would hurt her, then I worried that she’d been taken by someone who would love her and care for her and in a year or two she’d have forgotten I ever existed. Not knowing was killing me.

But it turned out that knowing was far worse. When I went to the hospital to identify my beautiful girl’s broken body - that was worse than not knowing. When I buried her in the cemetery and compared the size of the gravesite to the other freshly buried bodies - that was worse than not knowing. When I drank myself to sleep on the anniversary of her sixth birthday, and realised that I would likely be doing that until my life ended - that was worse than not knowing.

Bio

Katherine Hayton is a 41 year old woman who works in insurance, doesn't have children or pets, can't drive, has lived in Christchurch her entire life, and currently resides two minutes’ walk from where she was born.

For some reason she's developed a rich fantasy life.

Buy her book and she'll be able to retire in luxury. Or in comfort. Or in just-scraping-by-but-at-least-I'm-not-in-the-office-24-7-ness.

Go on.

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Website: http://kathay1973.com

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