Showing posts with label Western historical romance. Show all posts
Showing posts with label Western historical romance. Show all posts

Saturday, January 3, 2015

What Draws Us to History?

By Lizzie Tremayne (Guest Blogger)

What draws us to history?

Is it the romance of a different time from our own?

Is it what history can show us about ourselves?

How we’re different from or similar to others in the past?

Does it show us links to the people we were, and how we will be in the future?

Does it show us where we’ve diverged when people have made new beginnings?

Do we hope it will give us hints about where to seek in the eternal quest for who we are and where we fit in to this world?

For me, this last reason is why I write in the historical genre. When I began writing, I never thought about all this. I only knew I was drawn to stories of the past. The Dark Ages, the Elizabethan period, and the Old West equally held me enraptured since even before I began to read myself, for the simple first reason above.

I began researching and writing historical novels only a few years ago. It soon became clear that I was looking for answers to questions in my own history and present. What I discovered has helped me become more comfortable with the person I am.

As I study, I repeatedly ask myself how I can make the information I unearth palatable to someone who might never pick up a book of historical fact, search out an old battle record or travel to a remote graveyard to read the inscription on an old tombstone. Can I offer readers some inkling of what happened in their own town or country to give it the unique flavour it carries today? Some idea of why a certain town emerged just when it did? Most importantly, to shed light upon the reasons a particular society developed the way it has? Perhaps it will provide a piece of the puzzle, which will allow a whole population to try to open the doors previously closed upon the past, allowing healing of the hidden wounds that prevent peaceful cohabitation.

Several towns in the West define themselves as being part of the Pony Express Trail. The stories of Laura Ingalls Wilder played a large part in my understanding of the westward-moving American pioneer, and the peoples and lands they encountered, and how the settlers dealt with adversity. In my first novel, A Long Trail Rolling, coming out in a few days, I use Aleksandra, the daughter of a Polish immigrant trapper family, to show snapshots of 1860 life in the wilds of the Rocky Mountains. She must survive when she is left alone in the world, and becomes a “boy” rider for the famed Pony Express.

Although the ‘Pony’ as it was called, only lasted for a mere eighteen months, it still captures the imaginations of thousands, if not millions, of people, even one hundred and fifty years after its inception.

I show some interactions with American Indians in the novel, both positive aspects and negative.

In my second novel, A Sea of Green Unfolding, more than halfway completed, I show aspects of 1860′s history of both the San Francisco Bay Area, (or the part from Redwood City, via La Honda, and through to San Gregorio) and 1863 New Zealand. Discover why Redwood City grew so quickly? Learn why it was called Redwood City. In the same book, I offer the reader aspects of New Zealand history which are certainly not taught in primary, and only rarely in secondary schools here. They are shadowy aspects of our history which portions of our society wish had never happened, and would rather forget. Although almost apologetic, many of those who know are content to bury it beneath the carpet, so most people are unaware of the whole story and resolution cannot be attained. This untold history has shaped us as the people we have become. The conflicts began long ago between the Maori (and before that, the earlier Moriori) people who had already settled New Zealand before Captain Cook came in the 1700′s and the white settlers from England, Europe and Asia. There was wrongdoing on both sides, but much has remained hidden from the general view.

Overall, I hope to effectively use history to paint a picture, so that readers can better understand some of their own past, answer some of their questions about themselves and become more comfortable with their own place in the world.



A Long Trail Rolling by Lizzie Tremayne
The Long Trail, Book One

Escaping her father's killer, Aleksandra rode the Pony Express—full speed into the middle of the Indian Paiute Wars.

She didn’t expect to become a target, but she is one now!

Seventeen year old Aleksandra, trained in the Cossack arts from infancy by her father, finds herself alone and running to prevent her Pa's killer from obtaining a secret coveted by the Russian Czar, one which could alter the forces of power in Europe. Disguised as a Pony Express rider in 1860's Utah Territory, she finds herself in even deeper trouble. Her California boss Xavier has a strength to match her own, but can they overcome their differences before the ever-increasing odds overtake them?

With this debut Western Historical Adventure, Lizzi Tremayne won the 2014 RWNZ Pacific Hearts Award and was a finalist in the 2013 Great Beginnings A saga of the Old West with a multicultural cast of those who make up America, it would interest readers who enjoy Westerns, horses, American Indians, immigrants, and the Pony Express. It has a capable heroine, strong historical detail, period veterinary treatment and frontier-pushing characters. It compares to the work of Phillipa Gregory, Diana Gabaldon and Jean Auel, with a little Laura Ingalls Wilder thrown in.


This novel is the first in The Long Trail quadrilogy of historical adventure sagas following her characters from the wilderness of 1860 Utah to Colonial New Zealand.

Genre: Western Historical Adventure Fiction with Romantic Elements
Content/Theme(s): Western, horse, native American, Indian, immigrant, Pony Express, veterinary, Utah Territory, Old West
Release Date: 10 January 2015
Launch Party: 14 January 2015, Placerville, California!

See my page for details! LizziTremayne.com

Publisher: Indie, as Blue Mist Publishing
Excerpt and more: LizziTremayne.com


Excerpt

Lookout Pass, she reminded herself as she neared the summit. Glancing north to the distant white tops of the Onaqui Mountains, she swallowed hard as she thought again of her papa and the fossil he'd fossicked for her from its rocky ledges.

The spotted pony broke into a lope over the crest of the hill and began the mile-long descent. Aleksandra's thoughts filled with memories, she was absentmindedly fingering the fossil inside the medicine bag hung about her neck when she felt the first arrow whizz past her head.

Her heart stopped in its tracks and she flung herself to the left side of the Palouse's neck in a Cossack hang, lying flat against his side.

'Yah! Yah! Let's go, Scout!' she shouted, throwing the reins at him.

He needed little urging to run full tilt down the steep and treacherously rocky trail as the yells of Indian warriors echoed through the narrow valley. The arrows came hard and fast from the southwest, screaming like a mad bunch of hornets.

Smart. Her lips curved in the hint of a wry grin.

The Indians had placed themselves between the trail and the setting sun, so Aleksandra couldn't see her attackers in the glimpses she stole, from beneath Scout's neck, of the world whizzing past. With the ground only three feet from her head, the scent of sage filled her nostrils when Scout crashed through a clump of brush. Briefly considering letting go of one of her death-grip holds onto the racing horse to pull a gun from her holster, something akin to suicide, she tightened her lip in a grimace and stayed put, trusting far more in the Palouse's speed and handiness to save them. Knowing her weight hanging off to one side had to put him off his best, she tried to stay out of his way, keeping as still as possible, tucked down on the side of the skidding and leaping beast. Praying the cinch would hold, she sent fervent thanks to the pony selectors for their choice of horses.

How I would love to have my bow and arrows, but I only need to get us through to Doc Faust at Rush—

The Palouse interrupted her musings as he threw up his head and reared, angrily trumpeting and shaking his head for a moment, nearly dropping Aleksandra, then resumed his headlong rush down the hill. When he carried on, she heard whistling sounds with every breath and turned her face forward to see where the noise was coming from.

Then she saw the arrow.




Lizzie's Links



Saturday, January 11, 2014

The Pitfalls and Pleasures of Writing Romance

By Dorothy Bell (Guest Blogger)


I fall in love every time. I fall in love with the hero, while at the same time I’m falling in love with the heroine. I am the hero. I am the heroine. As the hero, I know my faults, I’m usually proud of my faults. I paid a high price for every one of them. I have no intention of changing.



As the heroine, I’m never good enough. Sometimes I know I’m beautiful, sometimes I think I’m just so-so, but I always have flaws and bruises, maybe invisible, that prevent me from believing in myself, believing I have worth. Writing as both male and female, I feel and respond in a duel of emotions, all pleasures, all pain, all humiliations. I laugh at myself, I feel sorry for myself and protect myself at all times. It’s not easy to fall in love with me the hero, me the heroine, to get past the barriers.



Switching roles, writing the gambit of emotions, the twists and turns, upheavals, passion, is an exhausting challenge. A challenge I love. I can’t wait to don the next character role. In my head, I can become the minx who loses her heart to the hopeless, totally unsuitable, foolish rogue. I can be the worthless, unworthy bounder who loves the wealthy vixen. I understand the heartless cad who can’t resist the imp. I have to make fun of the stuffed-shirt who desires the shady lady. And I will cheer the tight-corseted prude, knowing full well she’s going to cave-in to the rake who seeks her ruin. I can’t wait to invade the reclusive, elusive bachelor, seduce him with my innocence and guile.



Writing romance allows me to stir passions, mix up a batch of love no matter the improper, improbable, impossible ingredients.



Coming soon: Dance Hall Road: Buck Hoyt runs a whorehouse from April to October. During the winter he hordes his solitude like a miser hordes his gold. But this winter, this winter he’s taken in two unwelcome, unavoidable guests, one of them doesn’t understand the rules and the other is too. Look for Dance Hall Road. You’ll fall in love with Buck. You won’t want to—but you will. You won’t be able to resist.



The Cost of Revenge

Oregon historical western romance



Storekeeper Quinn O’Bannon falls for Tru McAdam, a thieving, sloe-eyed vixen out for revenge. Stanley O’Bannon seeks retribution against his traitorous sons, Quinn and Royce, and the folks that took them to their bosom.



If destiny brought Tru to Laura Creek to extract revenge on the O’Bannons, how can she give her heart to Quinn? All becomes clear when Quinn’s life is threatened. Her destiny; she will deliver the fatal blow.

Excerpt

Quinn, turning his attention back to the lump of hostility sitting on his step, put his hands on his hips, steeling himself for battle. “All right, Miss McAdam….”

Her black eyes glittered and flashed, meeting his challenging grin. Obvious loathing oozed from her every pore. “Don’t you dare touch me.” she said, her words reminding him of a snake’s hiss of waning before sinking fangs into flesh.

“Oh, I’m going to touch you,” Quinn assured her with a wag of his head. “As a matter of fact, I’m going to pick you up and carry you upstairs to my bed.”

“I’ll bite your nose off. I’ll scratch your eyes out if you try it.”

He leaned down, his face inches from her nose. “I should leave you right where you sit. You can’t walk,” he said, pointing out the obvious, his eyes traveling the length of her, finally settling on the sight of her fat foot and her bandaged ankle. Deliberately, raking
every inch of her body with his eyes, his gaze traveled back up to her shoulder. “You’re right-handed, if I’m not mistaken.” Recalling how she’d carried the baby on her left hip, leaving her right arm free, he knew he had it right. “I doubt you can feed yourself, not with that sling on your arm and your wrist all bandaged up. No, Miss McAdam, I don’t think you’ll give me too much trouble. You see, I have what you hold most dear.”

“You have nothing.”

“Oh, but I do,” he said sweetly. “I have your brothers and your sister. Ah, you see, I’ve lured them into my lair with the promise of food and shelter. The way I see it, you have no choice in the matter, and I can and I will carry you inside. Your only alternative is
to sit here like a stubborn, broken-down mule. I can’t let you stay out here, I’d have to sweep you off my step in the morning.”

“Go to hell.” she said. When he picked her up, she screeched and cursed him in a language he couldn’t understand, but got the meaning behind every utterance as he carried her around to the back entrance of the mercantile.

* * * *

Tru tried to kick, but couldn’t, at least not without inflicting a great deal of pain upon herself. He had her good arm snugged up against his chest, and her other arm was useless, swelling fast. She had a headache, and she could feel a fever coming on—in more ways than one.

The first time she’d seen him, she’d thought Quinn O’Bannon too pretty. Up close this fact became strikingly disturbing. He even smelled pretty—spicy and clean like soap. He had tan skin, his features almost perfect. Almost, except for that bump on the bridge of his nose. But even that defect enhanced the rakish, dangerous air he projected. To notice his nose, she couldn’t very well avoid looking into his dark, brown eyes. She regretted doing so, instantly. Those laughing eyes mocked her indignation.

One thing they could probably agree on—she was a fool. She had to be, to feel this emotion, cradled here in his arms...heart racing...pulse pounding. She could feel every muscle in his arms, and the warmth of his hands through the fabric of her skirt, pressing against her thigh. His touch sent ripples of aching desire through her veins. They were so close she could feel the heat of his chest against her side. Angry and in pain, it thoroughly disgusted her that she could be so affected by his nearness, by his touch. It wasn’t what she wanted. She wanted to hate Quinn O’Bannon. She wanted his touch to sicken her, not set her on fire with longing.




To purchase from the publisher: http://freyasbower.com

The Cost of Revenge