Showing posts with label Donna George Storey. Show all posts
Showing posts with label Donna George Storey. Show all posts
Wednesday, November 23, 2016
It’s Called Sexual Assault: A Personal Story (#rapeculture #medicine #sexualassault)
[This essay was originally posted at the Erotica Readers & Writers Association blog. I am reposting it, with the author's permission, because I believe it deserves to be read and discussed as widely as possible.]
Sexual assault has been a topic of much discussion these last months. I’ve already written about how rape was dealt with in what I now consider “my” time period, the 1910s (quick answer, not all that differently from the way we do today and, um, that’s not good for today). I wasn’t looking to pursue the topic further, but on November 8 I happened to pick up a book, which I found listed in a course syllabus on gender and sexuality, entitled Asking For It: The Alarming Rise of Rape Culture—and what we can do about it by Kate Harding.
First let me get this out of the way. “Rape culture” has been with us forever, and I’d argue it’s the attention to the issue rather than the cultural support for it that has been on the rise. Back in 2012, when Harding shopped the book proposal, her editor and agent urged her to finish the book in six months, because rape was a hot topic that would be long past the news cycle if she waited longer. Harding took several years to finish, but “fortunately” for the marketing of her book, the topic is as relevant as ever.
I read the entire book on the night of November 8 and was impressed with this observation: “... Rape myths, like all myths, are designed to serve up psychological comfort, not hard facts. As Grubb and Turner put it, ‘To believe that rape victims are innocent and not deserving of their fate is incongruous with the general belief in a just world; therefore, in order to avoid cognitive dissonance, rape myths serve to protect an individual’s belief in a just world.’ (Amy Grubb and Emily Turner, “Attribution of Blame in Rape Cases: A Review of the Impact of Rape Myth Acceptance, Gender Role Conformity and Substance Use on Victim Blaming,” Aggression and Violent Behavior 17, no. 5 (2012): 443-452 quoted in Asking For It, p. 23).
Harding presents this useful flow chart for preserving our comforting belief in a just world:
Someone reported a rape. Proceed as follows:
1. Did she ask for it? If no, go to 2. If yes, go to 8.
2. Was it really rape? If yes, go to 3. If no, go to 8.
3. Did he mean to do it? If yes, go to 4. If no, go to 8.
4. Did she want to have sex with him? If no, go to 5. If yes, go to 8.
5. Is she lying about whether she consented? If no, go to 6. If yes, go to 8.
6. Was it really such a big effing trauma? If yes, go to 7. If no, go to 8.
7. The kind of rape you’re describing is very, very rare. Like, so rare that it’s practically nonexistent. Go back over steps 1 through 6, until you find your error and end up at 8.
8. Everything’s fine! No need to be upset! (Harding, p. 23)
Or to summarize: Ladies! Sexual contact is good if you just loosen up, and if it’s a little bad for you for some reason like you didn’t want him to do it but he did anyway, well, shy of being brutally injured or killed, get over it, for crying out loud--we’ve got important problems to deal with in this world.
Harding waits until the last chapter of the book to reveal the personal meaning of this darkly humorous flow chart. She herself was raped during the first few weeks of her freshman year of college. She was at a party in a tight dress she had borrowed and had partaken of some spiked punch (stop right there at step #1, she was definitely asking for it). An apparently romantically interested older guy asked her to dance and afterwards guided her outside. Without further ado, he pushed her down on the ground, and in spite of her saying “stop” and physically resisting him, he put his penis inside her, “finished,” then got up and left without a word. Harding was seventeen and a virgin. The story deserves a longer telling, because the aftermath is as much a violation as the initial event. But--it may seem strange now, but it won’t later--the parts that really stood out to me were these: the initial doctor she saw was gentle and kind and offered to call the police and use a rape kit. Harding didn’t know the rapist’s name and didn’t want her parents to find out what happened to her so she refused. But the doctor she saw as a follow-up for an STD test after the rape showed palpable disdain for sexually active young women. And when Harding saw the man who raped her on campus the very next day, a person she knew said, “Oh, no. That’s _____. I know him. He would never do that.” (Harding, p. 208)
Harding then doubted her own eyes until someone else told her later that same man had raped her when she was sick in bed and on codeine. He had also been accused of other rapes, but the school didn’t find grounds to discipline him. Harding decided to pursue a complaint at the college. They determined she had been raped, but based on the evidence, they couldn’t be sure it was the man she identified.
It so happens I know someone who had a very similar experience in the 1970s. But the college was bigger, and she never saw her rapist again. She did end up dropping out of the college, like Harding, but she never called that event “rape” until years later.
Like almost every woman, I’ve experienced verbal sexual assault (not just “harmless” wolf-whistle salutes but demeaning, aggressive comments), several public exposures in train stations, and a couple of male bosses who did creepy, inappropriate things. I’ve had just two encounters with the hands-on physical sort of assault. The first occurred when a man rammed into me in Avignon during the Bastille Day fireworks and groped my buttocks with rough but assured hands before he pushed his way on through the crowd. The second happened outside Grand Central Station when a weird-looking old man shuffled close, jabbed me hard in the breast with his elbow, then sprinted away. That one hurt like hell and almost knocked me over. No observing bystander offered to help or asked if I was okay. I remember feeling very ashamed that they had witnessed the assault, as if I had somehow deserved it. Both of these events happened back in the 1980s, when stuff happened to young women on the street all the time and you just dealt with it. Yes, those were bad experiences, I thought, but whew, lucky me, I was never forcibly and painfully penetrated by a callous man who got away with it.
Then, in the early sleepless morning of November 9, I remembered that I had been. It happened forty years ago. The man who got away with it was a gynecologist.
Forty years ago, my mother took me to the office of a doctor I initially thought I’d name in this article (he’s likely dead). However, I discovered his son, or a guy with the same name and a “junior” after it, still practiced gynecology in the same small suburb. One must think twice about naming perpetrators in our current climate. A man's good name is his greatest treasure.
I was fifteen and hadn’t menstruated yet. Although both my mother and grandmother had had their first period at eighteen, it was deemed necessary I be checked out to make sure I wasn’t dangerously defective. My mother said this man was the best gynecologist in town. She was a nurse and her friend from nursing school had worked for him for years.
Before the physical exam, I was sent alone into the doctor’s office. He asked me, very brusquely, a series of questions, which included, “Have you had sexual intercourse?” Nervous to start with, I was taken aback by such an abrupt question and didn’t answer. The doctor glared at me over his bifocals. “No,” I choked out, my shame in the midst of the Sexual Revolution having more to do with never having had a boyfriend at my advanced age. I had a feeling he didn’t believe me. Perhaps he did later.
In the examination room, we were joined by a nurse. She closed the door and stood there impassively. I know now this is the law to prevent misconduct, but it felt to me at the time that she was stationed there to keep me from escaping. I undressed and lay down on the table. I heard the doctor say, “Do we have a small speculum?”
“No,” the nurse replied, “should I get one?”
The doctor seemed impatient. “I’ll just use this one.”
Suddenly a searing pain shot through me as something cold and hard was pushed deep between my legs. I cried out and my hips thrust up off the table and twisted reflexively, as if my body was trying to get away from the intrusion.
“Relax,” the best-gynecologist-in-town barked. “Keep still. I can’t examine you if you’re moving around like this.”
I tried my best to remain still through the pain, but my body was still jerking and I heard myself moaning, ah, ah, ah. It really hurt.
“Don’t make so much noise. It’s not that bad." Then he said to the nurse, "Help me.”
She came over and took my hand, which was reassuring, but also pressed my arm and shoulder down against the table to hold me in place. “Just relax,” she repeated.
The doctor finished and walked away without another word, although afterwards in his office, he did tell my mother there was nothing physically wrong with me that he could tell at that point.
In the car on the way home, I told my mother that the examination had hurt a lot and the doctor had yelled at me to keep still and be quiet. Actually, I said, he was pretty mean to me and I never wanted to go back to him. She was not happy about what happened, but she said the man was an excellent doctor and a top surgeon, but he had a gruff bedside manner and might not have been the best choice for an inexperienced girl. She discussed it with her friend who worked at that office, but while they thought it was unfortunate for me, they gave him the benefit of the doubt. He was known to be moody and was probably having a bad day.
My mother did take me to another doctor a few years later and explained that I’d had an unpleasant experience at my first examination. This doctor was gentle. He used a smaller, warmed speculum and explained every step at a slow pace. But from my perspective, the horse was already out of the barn. Since I’ve been able to choose for myself, I’ve always gone to women gynecologists.
Yet for forty years I never called that first experience assault.
It was.
We live in an interesting world where calling someone a rapist or a racist is treated as an offense, one as bad as the behavior that provoked the remark. To be honest, I don’t care what you call a situation where a sexually inexperienced teenager is quickly and forcibly penetrated and told to stay still and take it. I’ve finally named it to my own satisfaction.
For the record, I know I cannot legally call it rape. Through my mother, I “asked for” what that man did to my body. He would, perhaps, call it a routine examination with an annoyingly uncooperative patient. But allow me my truth that it was something far more than a “gruff bedside manner.” The doctor caused me pain for his own convenience and scolded me because he didn’t want other people in the office to hear my sounds of distress--a cover-up, if you will. The doctor did nothing “sexual” but he most assuredly abused his power. And it’s not sexual desire but the abuse of power, I appreciate so fully now, that is at the heart of rape culture.
And wow, it took me this long to realize why I inwardly recoil at the words “just relax” when a man says that to a woman in bed on screen or in life. There’s always something new to learn about ourselves, isn’t there?
I also want to say that the women who aided the doctor have my sympathy. Female nurses have suffered greatly because of male doctors’ general arrogance and, often enough, endured ongoing sexual harassment in the service of their profession. Mothers in particular have gotten a lot of personal blame for failings that are as much a result of their own societal repression and pain. My mother died an excruciating and unnecessary death courtesy of excellent doctors and a pharmaceutical company that cared more about profits than patients. But I do wonder—what were these nurses really thinking? How much did they have to numb themselves to how women are treated in the world?
Since I wrote the first draft of this essay on November 9, I’ve learned that many women throughout America have been triggered about past sexual abuse by the presidential campaign and its result. We feel in our bodies the misogyny and dismissal of our basic rights to respect and safety. Many of us have been brought to tears, as I was. Many of us fear for the future. But at least we can name it now.
How does this all tie into erotica writing? Well, this is why it is extremely important that women and men are able and allowed to name their experiences, good and bad, “sexual” or otherwise, and give them meaning in their own lives. I hope there is a day when the law and the AMA will define certain acts in a way that does not re-victimize the victim. When many tell us that what erotica writers do is obscene or trivial, speaking and writing truthfully about the experiences those in power want silenced is always an act of courage.
Write on!
Donna George Storey is the author of Amorous Woman and a collection of short stories, Mammoth Presents the Best of Donna George Storey. Learn more about her work at www.DonnaGeorgeStorey.com or http://www.facebook.com/DGSauthor
Friday, October 4, 2013
Review: Amorous Woman
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Amorous Woman by Donna George Storey
Iro Books, 2012
ISBN 978-1-9056-1917-7
I was musing about erotica recently and
realized that all my own novels, as well as most of my favorite work
by other authors, could be viewed as stories about journeys. I'm not
talking about travel in space. I am referring to an intellectual and
emotional exploration, a progression in which characters begin in one
psychological place and end up somewhere quite different, changed,
more perceptive, perhaps more accepting of themselves, with an
improved understanding of their needs and desires. Of course, many
mainstream novels can be seen in this light. In erotica, however, the
characters' sexual activities and discoveries are the agents of
change.
Donna George Storey's wonderful first
novel AMOROUS WOMAN is an exceptional example. In the case of Lydia,
Ms. Storey's heroine, there is a physical voyage as well, to the
fascinating and frustrating culture of contemporary Japan. However,
Lydia's real journey is internal, as she strives to balance her
sometimes reckless hunger for new sensations with her need for human
connection.
Lydia flies to Kyoto eager to taste all
the cultural and sensual delicacies that Japan has to offer. Fluent
in Japanese, she finds the country more accessible than it would be
to most, but in her relationships with its people, and especially its
men, she is repeatedly disappointed. She becomes an English teacher
bedding college boys, a dutiful wife to a handsome but overworked
salaryman, mistress and companion to a powerful tycoon, an exclusive
female escort, a sex performer. The delicate perversity of Japanese
sexuality continually attracts her. She aches to be included, but no
matter how correct her grammar and how outrageous her sexual
behavior, ultimately, she remains the gaijin, the
stranger.
Ms. Storey takes us back to meet Lydia
in her teens, when she first discovers the power of her sexual
imagination. From her worldly older cousin she learns the difference
between "good" and "bad" girls; it is abundantly
clear which category she belongs to. Her imaginary lover encourages
her to be audacious:
=====================
"You have become a bad girl since
you started listening to your cousin. But of course I'm very glad
that you're taking her advice. The world would be a happier place
with more women like her."
"I'm not sure I have the nerve to
do what she said," I confessed.
"Of course you do. I want you to
do it and you don't want to disappoint me. Why don't you pick up
that brush and press it against your virgin hole?"
With a quivering hand, I reached for
the brush and held the rounded end of the handle against my secret
lips.
...
"Very good. I knew you could do
it. Now move it in and out slowly. I know you want to open yourself
for your lover. And for me."
This is indeed exactly what I wanted to
do. Somehow he always knew just what to make me do, as if he could
see desires inside me I didn't myself understand.
======================
Lydia brings this openness to
experience, this willingness to take risks, with her to Japan, where
it carries her into adventures and even dangers. What she really
craves, though, is to belong.
======================
"What brings you to Japan,
Lydia-san?" Dr. Shinohara asked.
...
The honest answer was that I came
because I craved adventure, a life of surprises, a non-stop feast of
exotic sensual pleasure, anything but a job in investment banking
like most of my college friends. But at this point it was probably
better to give the doctor my safe, standard line.
"I came to Kyoto to learn
traditional Japanese dance."
"I see. Do you enjoy wearing
kimono?"
Should I tell him the truth now -- that
it feels unspeakably sexy to wear one and I loved being bound by the
column of cloth hobbling my legs and the obi's snug embrace of my
breasts? It probably meant I was a sexual masochist, but I didn't
really want to admit it. More exciting was the promise of
transformation through that bondage, the chance to shed my foreign
awkwardness for the Japanese dancer's gliding grace.
"Yes, I do like wearing kimono,
but it's a challenge, too. I have to move my body in a different way,
so maybe I can understand, just a little, what it's like to be
Japanese. I think it is the Japanese way, in dance and in life, to
transform ..." I pulled my English-Japanese dictionary from my
book bag and quickly leafed through it for the right word.
"Constriction," Dr. Matsumoto
read out for me.
"To transform constriction into
art."
"Lydia-san
understands Japan very well," Dr. Shinohara said to his friend.
...
I bowed my head, my cheeks burning with
pleasure. I'd not only been seen, but embraced. How could he have
known that was my secret fantasy - the fantasy of all true Kyoto
gaijin - that our wandering spirits had
reconnected us with us with our lost host?
======================
Lydia's journey takes years. As she
delves deeper into Japanese culture as well as her own sexual
complexities, she feels more rather than less alien. She begins to
take greater risks, flaunting her extravagant sexuality because she
can, rather than because she really wants to. Finally, confronted
with a man who desires and understands her, whom she probably could
love if he weren't married, she has the courage to stop and examine
her behavior and desires, and to choose a new path.
I enjoyed Amorous Woman more than any
erotic novel I've read in a long while. Ms. Storey writes with
insight and humor. She vividly conveys the sensual experiences of
living in a new land.
============================================
Each day of my first year in Kyoto
brought some wonderful new discovery - a mysterious fox shrine tucked
away in a winding alley, the beguiling sweetness of bean jam wrapped
in soft rice pastry, a lovely boy bowing nervously as I ushered him
into my apartment. Even in the recollection there is magic. The whole
year seems to fold in on itself like a dancer's fan, leaving one
perfect day in high summer.
=============================================
As someone who has made her own voyages
of discovery into strange cultures, I strongly identified with Lydia
and her lust for new experience, as well as her desire to be a part
of the wonders around her.
However, Ms. Storey understands more
than just foreign cultures. She is an expert at expressing the
complexities of sexual relationships. Amorous Woman includes both
real encounters and some deliciously extreme fantasies that Lydia
entertains. I found the real-world scenarios more exciting. Ms.
Storey manages to show us Lydia's doubts, fears and confusion while
still keeping the sexual temperature turned up to the maximum.
Amorous Woman is definitely arousing
but it is much more than a light-hearted bedroom romp through Japan.
It is a believable and moving tale of one woman's journey of sexual
self-discovery. If you don't mind some serious content mixed with
your sex, I recommend it highly.
Wednesday, November 14, 2012
Discovering Sex and Self in a Foreign Land
By Donna George Storey (Guest Blogger)
Thanks
so much for hosting me at your blog, Lisabet. It’s an especially
fitting place to celebrate the ebook release of my novel, Amorous
Woman,
because your first novel, Raw
Silk, a
mesmerizing erotic tale of Thailand, was a great inspiration for me
to write about my own experiences living in Japan.
Perhaps
it’s not surprising that both of our novels follow a time-honored
master narrative—a woman’s journey of erotic discovery. And in
both Raw
Silk and
Amorous
Woman,
the heroine’s relationship with her lovers is mirrored by her
growing intimacy with a new and fascinating culture. I’ll confess
I also lifted another model for my first book-length project: the
plot of a 17th
century Japanese erotic classic called The
Life of An Amorous Woman
by Ihara Saikaku. With a sharp eye for the humor in Japanese
society, Saikaku allowed his lusty protagonist to experience every
role open to women of her time from a court lady to a streetwalker.
(Perhaps the perennial appeal of the female experience earned this
book more sales and critical acclaim than his The
Life of an Amorous Man).
I translated this story into an exploration of a foreigner’s
experience in Japan in the late twentieth century. My protagonist,
Lydia Evans Yoshikawa, starts off as an English teacher, marries a
Japanese businessman, becomes a bar hostess, the mistress of a rich
man, and finally a call girl. Her desire to get closer to Japan is
sometimes frustrated, sometimes delightfully fulfilled. I’m
gratified to say that fellow gaijin
(the Japanese word for “foreigner”) almost always tell me I got
it just right.
While
I thoroughly enjoyed bringing to life my sensual memories from the
three years I lived in Japan—the delicious and beautifully arranged
meals, the scent of fresh straw floor mats and the cool glide of a
silk kimono on my skin—I found as I wrote Amorous
Woman
that I was gaining a valuable perspective on my own sexual odyssey.
Society gives us so many messages about what sex should be. The
appeal of the story of a woman’s erotic education may indeed be
that we all—male or female--must discovery for ourselves what sex
and pleasure mean for us personally.
In
that spirit, I wanted to share a scene from the novel that
illustrates a critical moment of discovery for Lydia while she is
still in America, but one that will resonate throughout the novel.
She’s always been an “A” student and a “good girl,” still a
virgin at eighteen. Her worldly cousin Caroline throws a party with
plenty of handsome college boys so that Lydia can choose the man to
deflower her. She also gives Lydia a lesson on how to give a good
blow job to develop her confidence when she’s alone with her first
lover. At the party, Lydia picks out the lucky guy and proceeds to
seduce him by being light-heartedly honest about her intention to
have sex with him that very night.
From
Amorous
Woman:
“Are
you sure it’s okay if we use your cousin’s bed?” Mike said,
frowning at the “Do Not Disturb” sign on the doorknob, which I
ignored.
“Oh,
yes, she knows we’re going to have sex. She reserved it especially
for us.”
He
shook his head and laughed again.
And
then, well, I don’t remember exactly how we got naked, or who
pushed whom down on the bed, or when exactly we stopped kissing and
started doing other things, but there were more than a few firsts
that night.
It
was the first time a guy kissed my breasts so softly and slowly, I
learned that lips tugging gently on my nipple could make me wet
between my legs.
It
was the first time I tried Marybeth’s lesson on a real penis—thank
you Marybeth for a gift that keeps on giving. It was bigger than a
thumb, but far more interesting. I loved the way it twitched when I
stroked it, the way it grew even harder in my mouth, the way Mike
moaned softly as he watched me do it, eyes glowing.
It
was the first time I heard my favorite sound on earth—his sweet
groan of homecoming as he slid inside my cunt.
And
then, somehow, it wasn’t new any more. It’s as if I’d always
known this: his warm weight pressing me down, his musky boy's smell,
his soft lips and slick, snaky tongue, his satin-tipped hard-on and
the taut curve of his ass. Then of course, that moment when he
bucked and groaned and went crazy because of me just being there,
just being.
I
didn’t come that night--that first would happen thanks to the
persistence and skill of the justly famed cunnilinguist Doug--but I
was happy enough to take my ecstasy once-removed. Mike, bless him,
didn’t ask too many questions.
I
was the one who decided to confess as we lay together afterwards,
just like on TV, with my head resting against his shoulder and his
arm around me like we were a real couple. “That was the first time
I’ve ever been with a guy, you know.”
“Lydia,
you can stop kidding around now,” he said, but gently. Did he
notice that of course, all my “jokes” turned out to be true?
“Why
do you think I’m kidding?”
He
frowned. “First of all, you give great head. There’s no way that
was your first time. You’re a pro. Well, I didn’t mean it that
way, you know, just that you knew exactly what to do.” He laughed,
embarrassed, and stroked my hair. “And then, well, you were really
into it.”
“I
do like to joke around. It’s an old habit.” It wasn’t exactly
a lie.
“You
know what? You’re fun. It’s easy to be with you.” He pulled
me on top of him. “Wanna do it again?”
I
nodded. Back in my high school, a million years and a billion miles
away from where I was now, naked and straddling Mike’s hard belly,
it was a bad thing for a girl to be “easy.” Now I knew the
secret.
It
was good.
**
That,
I believe, is the secret of writing erotica as well!
Donna
George Storey’s adults-only tales have appeared in over 150
journals and anthologies including Penthouse,
Best Women’s Erotica, The Mammoth Book of Erotica Presents the Best
of Donna George Storey,
and Best
Erotic Romance.
Her novel, Amorous
Woman,
will
change your image of Japan—and erotica—forever.
Amorous Woman is available
at:
Donna
George Storey’s Website
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